׉?4ׁB! בCט  u׉׉	 7cassandra://ye-yIKq_ZEiZQaBQloTNyzdDhq7lwUJWzXdU0Av9Vi4 x!`׉	 7cassandra://ivzwYiXDWEHoiuS6e0F-vyVDEcjNeyC-FfyDqSf3T9gH`r׉	 7cassandra://phiYjCLMUzuriehHC_GmMXCbnNbiqX4foMZsjf3wTn8` f{c./!B׈Ef{c./!׉E׉	 7cassandra://phiYjCLMUzuriehHC_GmMXCbnNbiqX4foMZsjf3wTn8` f{c./!f{c./!בCט   u׉׉	 7cassandra://i9X4ybvYEDkTlP7sclKjZHJN_YNImwfr5ebZNPEOxTo `׉	 7cassandra://ugwlslc2rb5hC_2pvXvs4jP0QlF01FPNCVARMYu2F9shu`r׉	 7cassandra://IwauDH_Vf5G942BEdTwxCtUhXTgME0IDfuxl3BTnaUc'P` f{c./!Eט  u׉׉	 7cassandra://PO6ngkrx2o7ZON-_PZAVkPVGFMN7pUO8BVChkc1e8Ts `׉	 7cassandra://xIwykmFTvZ63NMQ2Oklm7HES_ymKSfrjHI_pE4Y2chsl+`r׉	 7cassandra://fYOtDUpapr0a8tU3mK6GZ5mo0M42aoTcpRpT2j7lBAY"` f|c./!Fנf|c./!M 	9ׁH  http://BIRDYMAGAZINE.COM/CONTACTׁׁЈנf|c./!L s̧	9ׁHhttp://BIRDYMAGAZINE.COM/SHOPׁׁЈנf|c./!K F	9ׁH $http://BIRDYMAGAZINE.COM/SUBMISSIONSׁׁЈנf|c./!J Wp
9ׁHhttp://BIRDY.MAׁׁЈנf|c./!I OT9ׁHhttp://CULT.CLׁׁЈ׉E׉	 7cassandra://IwauDH_Vf5G942BEdTwxCtUhXTgME0IDfuxl3BTnaUc'P` f{c./!׉EEISSUE 129 | SEPTEMBER 2024
KIDDO: KRYSTI JOMÉI
MR. YUK: JONNY DESTEFANO
FOXGLOVE: JULIANNA BECKERT
MERCURY: KAYVAN S. T. KHALATBARI
CLEOPATRA CRISTIN COLVIN
ANTIVENOM: MARK MOTHERSBAUGH
FIRE CORAL: MEGAN ARENSON
FRONT COVER: BRIAN SERWAY, XX121 - @BSERWAY
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DANZARA, JASON WHITE, JOEL TAGERT, RAY YOUNG CHU, BRIAN POLK,
HANA ZITTEL, ERIK ROGERS, ERIC JOYNER, KID KOALA, ZAC DUNN, KATE
RUSSELL, ERIN BARNES, NICK FLOOK, DANIEL 'DL' LANDES, AARON LOVETT,
TOM MURPHY, MOON PATROL, CAITLYN GRABENSTEIN
GILA MONSTERS: AMY SHAMBLEN, COLE BEE WILSON, WM. RANDAL
PAINTER, BRET SMITH, DANIEL "SMURF" SHARNER, MATTHEW THERRIEN,
LEIGHTON BUXMAN, JOE BLABLAZO, XANDER SMITH
BROWN RECLUSES: MARIANO OREAMUNO, HANA ZITTEL, DS THORNBURG,
PHIL GARZA, ZAC DUNN, MAGGIE D. FEDOROV, CRISTIN COLVIN, CONRAD
FRANZEN, MARTY MANDRESH
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1
JONNY DESTEFANO, COBRA
׉	 7cassandra://fYOtDUpapr0a8tU3mK6GZ5mo0M42aoTcpRpT2j7lBAY"` f{c./!f{c./!בCט   u׉׉	 7cassandra://UgI5v6Nx5ccguR8uA9SlZx9b-QIY5AmdecayZX-rgeI <`׉	 7cassandra://-oZXjgHp45PKe-JIPFRW__Fl2o377zKLyaBS4-6cEc4V*`r׉	 7cassandra://cf5I0C1__E-J9xjEX7nU8LbDSg0iTWg4c-I7Rk_Wxag` f|c./!Nט  u׉׉	 7cassandra://f2-KhAPnRTHu8LMLWZezpFvV5CIMpegFUbEYu2sN1-Y `׉	 7cassandra://msYUEN9Idbteesz3yi7SZYv8YgIsXSBVLB2fZ3Pibtk͋`r׉	 7cassandra://2OP2oPO2MrnHwvNBRzownqPCZXffwM4Vl6mjr11dYlw+` f|c./!Oנf|c./!V A:̼9ׁH !mailto:werewolfradarpod@gmail.comׁׁЈ׉EFAi R IE S: THE CAR E
AnD NoT Pi SsING OFf oF BY JORDAN DOLL
BEST OF BIRDY ISSUE 069
S
ummer is gone. It jammed in on its wind surfer, had its bodacious way
with us, and left us sticky and hungover by the swimming pool. It is
only now in the percolating days of autumn that we can begin to heal.
Here, within a cocoon of outerwear we can grow our strength and a nice layer
of winter marbling against the changing of the seasons — for autumn can be a
very dangerous time, and I’m not just talking flu shots and mold allergies. It is a
time of shifting, a changing of the guard from light to dark, merry to mournful,
warm to cold. It is a thin place between one state of existence and another.
No. 129
Simply put, it’s fairy season.
Now you’re probably thinking, Fairies?! Big whoop! They look pretty cute and
harmless on TV, and movies, and the Tinkerbell burlesque fan art message board
that is tearing my marriage apart. But I assure you, those aren’t the fairies I’m
talking about.
A few hundred years ago in medieval Europe, fairies were one of the more
terrifying threats a person could encounter while traipsing through the
wilderness of Gaul, Brittany or Saxony. Right up there with poison ivy and
AMY SHAMBLEN
׉	 7cassandra://cf5I0C1__E-J9xjEX7nU8LbDSg0iTWg4c-I7Rk_Wxag` f{c./! ׉EzRomans. Because while some fairies were indeed kind and benevolent,
others were cunning and avaricious, and almost all of them were considered
incredibly dangerous.
Most traditions agree there are two types of fairies. The nice ones, who
are members of the Seelie Court, and the mean ones, who belong to the
Unseelie Court. But whether you encounter a beautiful water nymph or a surly
hobgoblin, to deal with a fairy is to court disaster.
See, fairies have hundreds of little rules and they are almost always trying
to trick you. Forget a piece of fairy etiquette or lose a guessing game to one
and you are almost certainly going to be whisked away to the fairy world to
dance forever until your feet fall off or some other such twisted fate. Seriously,
one of their favorite things is to make people party until they die. Picked the
wrong flower from the side of an enchanted stream? Oops! Now you’re doing
keg stands for all eternity while a leprechaun spins house music. And that’s
honestly just the tip of the pointy hat.
Fairies love to steal babies and replace them with ravenous fairy babies called
changelings. Fairies will sour a cow’s milk, make you become hopelessly lost in
the forest, cause misfortune to shadow your every step or might just make
you disappear altogether. Sometimes a fairy makes a human fall in love with
them and then fuck off back to the fairy realm, leaving the person to wither
away, pining for their fairy love until they die from that shit. Nobody should
ever have to die that thirsty a death.
So what are you supposed to do about them? Well respect is a huge thing
with fairies and many people placate them with regular offerings of food and
drink. If you do encounter o f th fir flk b l li
Never break etiquette, ne
in some sort of game, m
Simpsons: Hit & Run.
If you are out walking in a p
appear, make sure to stee
walking through the wood
circle of mushrooms or flo
Yep, fairy circle, walk aroun
Fairies can be warded off
with talismans of salt,
homemade bread or
pig iron (though they
would likely see this
as an insult) and can
even be befuddled
away if you wear your
clothes inside out.
Finally, it is said that fairies began to disappear from the world when humans
started to try and make order out of it. As a result, fairies exist mostly in the
spaces between these uniquely human demarcations. The border between
one property and another for instance, or the stroke of midnight, or perhaps at
a crossroads. But the very best time of year to encounter a fairy, is on the day
that one season gives way to another, aka the fall equinox, aka September,
22, 2024.
Now just because the equinox is coming up does not mean you should go
looking for fairies! I know you probably heard that if you catch a fairy it has
to grant you a wish, or if you catch a leprechaun it has to give you its gold, or
if you catch 30 to a 100 pixies you can make sweet and tangy pixie preserves
that, when eaten on toast, make you able to dunk. But trust me, it’s just not
worth it. Unless you are really good at riddles. Like really, really good at riddles.
In which case you need to email Werewolf Radar directly then meet me at the
crossroads with a tennis racket and a beekeepers mask. Them preserves is as
good as ours.
Have questions about the paranormal?
Send them to werewolfradarpod@gmail.com or on Twitter: @WerewolfRadar.
It’s a big, weird world. Don’t be scared. Be Prepared.
HAYDEN AUGUSTINE, FISHBOI
3
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׉	 7cassandra://sdDo2FXT2W-MU1Qrb1b0-OWx7mXlkLFhQvUvaORB3JQ75` f{c./!#f{c./!"בCט   u׉׉	 7cassandra://NhSL-4pmSsV-UybnEx2K0_576p89Gdyca4DbScrr7ww E`׉	 7cassandra://X3NQIBcCqZtuc7yjXI5X1A7AVwkiHxwEjYPU7rC18fo͍K`r׉	 7cassandra://_5VcqyXV-yhXPgfFGterjMfNOwioP_Ct_wiH7LKxJdA.&` f|c./!Uט  u׉׉	 7cassandra://s3UMG0hqesfYsf4oqYZuk_J06Us_OGg4oWvRRZUaNW4 ` ׉	 7cassandra://PSiFJm1RdAjraH3bnzXy5kqpjpF7Y6KrFqghB7Cbq-w͘`r׉	 7cassandra://C6Hh6n13GqXsU5Gl2-hpbcRFVv6OUvbbmdS0MUgNDWo*` f|c./!W׉E׉	 7cassandra://_5VcqyXV-yhXPgfFGterjMfNOwioP_Ct_wiH7LKxJdA.&` f{c./!$׉EBY JOEL TAGERT | ART BY JASON WHITE
For decades now we have been overcome with nostalgia. Our stories
take place in a romanticized past, or a simplified present, or a future that
looks curiously ancient, swords and spaceships side by side. We seem
unable to conjure a plausible vision of what is to come, and maunder
listlessly through dystopias and armageddons. We shrink from the
future, sensing in technological development the likely inevitability of
two possible outcomes: the destruction of humanity, or the rending of
reality into an incomprehensible fluid. — Dr. Zara Deniz
Maya leaned into the reflection, face and forehead swelling, body
shrinking away to nothing. There was something disturbing to her
about it, a too-apt visual metaphor. She had read the Bean was actually
named Cloud Gate, which also could serve to describe the before-andafter
of neuroport installation, romantically regarded. But really it was
just a big funhouse mirror. Which was also fitting.
No sooner had this thought passed than another figure loomed behind
her, a long white face painted with a big red smile, a bright green derby
hat three sizes too small perched on a bald pointy head. She spun
around so fast she nearly fell into the Bean.
“What was that?” her cousin Lauren said, looking incredulous.
Because there was no one there, just the usual crowd of tourists. A
middle-aged guy in bulky flannel and sunglasses lowered his camera.
“I, I — I don’t know. I thought someone was there.”
“I guess someone is. Lots of someones.”
“No, I thought — never mind.”
Lauren raised her eyebrows. “Girl, you are wound up tight, you know
that? Need to get you a drink or a joint or something.”
“Sure. Yeah, why not.”
They walked to Miller’s Pub and sat in a dark booth. She ordered a beer
and a reuben and then said she had to go to the bathroom.
Once in the stall she put in her earbuds and said, “Ava?” No answer.
“Ava? I need to talk to you. I need help. Come on, please.”
A toilet paper roll squeaked in the next stall over and Maya paused
her plea until its occupant had left. “Ava, I don’t know what I’m doing. I
think something strange is happening.”
She waited, but no answer came. In fact Ava hadn’t spoken to her
since the operation, which was upsetting because her guardian AI had
been a major factor in Maya agreeing to it in the first place. Since then
she’d gone about her life, more or less, waiting, following a meager trail
of clues that might conceivably lead to her daughter, gone these many
years. She sighed, feeling tired and confused, rubbing at the back of her
head where the implant was. But the procedure had left no scar and she
might as well have imagined it.
She went pee because she was sitting there already then got up to
wash her hands. Maybe she should just go home. Back to Boise. Back
to waiting tables and wondering what the hell had happened to her life.
As she looked up at the mirror she noticed a spiderweb strung between
the two hanging lights above the sink.
WAIT, the threads read. Her jaw dropped.
She was not imagining it. There was a word in the web, a sign in
the spidersilk. As she watched, a largish black spider delicately highstepped
from behind one lamp and began deconstructing the text, line
by line, until it was just an ordinary web again.
But it was a message — the first she’d had in over eight weeks. How
had Ava done it? A robotic spider? No, of course not — it was the
neuroport, the manipulation of her own optic nerve.
“Feel better?” Lauren asked when she got back.
“Yes, actually.”
“Good, because you were gone about a year. Listen, we should go out
dancing. Celebrate, you know? It’s been, like, years since we went out
together. I bet if I call Raph and Pia they’ll come out too. Do they even
know you’re here?”
“No, I kept meaning to call them, but— ”
“I’m calling them right now. We’re doing it.”
“I really don’t want to.”
They went back and forth on it, but it was still early in any case and
they took an autocab back to the brownstone in Wicker Park that
Lauren shared with her friends Nat and Amara. They smoked pot, they
drank, and all the while Lauren’s thumbs were flying on her phone until
the doorbell rang and Raph and Pia were there squealing Maya’s name.
Shit, she hadn’t seen those two in a minute. Then Marisol showed up,
and Lenny, and Serena and Xan, and suddenly it was like half their old
crew was there, and it was a party after all and Maya was wondering
why she’d been so damn tense.
You know why. Her baby girl, gone in a whirl of lights. But Maya
deserved her own life.
They danced in the kitchen, and Xan was giving her appreciative looks,
asking her where she lived, joking and flirting. She turned, liking the
feeling of his height behind her, and opened her eyes to the reflection
in the kitchen window.
The clown was behind her, holding a balloon. HAPPY BIRTHDAY, it
said. His eyes were the same yellow as his teeth. She lurched for the
door.
Outside night had fallen. A bat flitted across the light above the door.
She peered into the corners of the little backyard, stood on her tiptoes
to peer over the fence.
Xan had followed her. “Hey, you okay? You just like, ran out of there.”
“I’m fine. Sorry. I just suddenly felt sick. Thought I might throw up.”
7
׉	 7cassandra://C6Hh6n13GqXsU5Gl2-hpbcRFVv6OUvbbmdS0MUgNDWo*` f{c./!%f{c./!$בCט   u׉׉	 7cassandra://eLCRyv5KzYUTEourakIf4BmyQWCA11X6HH9RTntOZ88 un` ׉	 7cassandra://R8dTyqHIOz-G9beFltfK0x0zhJ2vllIyHKdDLQEv0zU͌`r׉	 7cassandra://b42AP3RxW6AXS7vGuedT8ojf61JtbK72m2jSe35AozI'z` f}c./!Yט  u׉׉	 7cassandra://mP8BI1QFxHAPctsy4aDE8m4nUgZC-Teyx5HTeCOAnL0 B`׉	 7cassandra://n_oZd3aEJHWXdnM8CElIYkDdYupYqnHLMES-WRcZgW8͒`r׉	 7cassandra://_wHdQKn7c1GUiFnTYMe5e-4dSrhBsFUirMxAQJjv14w3` f}c./!Z׉E“Want me to get you anything? Glass of water?”
It would get him out of her face for a minute. “Sure. A glass of water
would be great.”
She thought about just ditching, but where would she go? She turned
to sit down at a little patio table but a bat swooped down in front of
her face and then — hovered there, flapping its wings. She stepped
back. She was sure bats weren’t capable of hovering, but this one was
stubbornly hanging where it was.
“Ava?”
“Yes, it’s me.” The bat opened its mouth and made a weirdly electronic
beeping sound (was that how bats normally sounded?), but Maya heard
the AI’s voice in her ears as though she were wearing earbuds. Like the
little beastie was throwing its voice. “Listen, you’re in danger. You’ve
come to the attention of a minor power, a daemon named Fiddlywink.
He’s looking for you. I think probably he’s working for someone else,
and we need to find out who.”
“What are you talking about?” Maya said, in a voice nearly as squeaky
as the bat’s. “How are you a bat? How is this real?”
“You need to stop thinking in terms of real and unreal. They’re not
useful concepts to you anymore. Now listen. Fiddlywink is going to
catch you, but I’m going to help you deal with him. Okay?”
“Okay. Sure, why not.”
“Good. Hold still.”
The bat dove forward and latched onto her neck. It took every bit of
control for Maya not to smash it, but in three seconds the bat was off
her and hovering again. “Good,” it said. “When he comes, follow your
instincts. And remember, we need to find out who he serves. Ask him
who his master is.”
Maya had fallen to a crouch, hand at her neck, tears in her eyes, but
she nodded. The screen door squealed open. “Here’s your water,” Xan
said.
“Thanks,” she muttered, and looked at her hand. A few drops of
scarlet there.
“Are you bleeding?” he asked, newly concerned. “What happened?”
“It’s just a scratch. I walked into a branch. Listen, could you get me a
Band-Aid? Sorry, I’m kind of a mess tonight.”
“Yeah, no problem, be right back.”
As soon as he closed the door she went out the back gate. She didn’t
have a plan, she just needed to move. She felt the impulse to run and
gave into it.
If her friends saw her sprinting away they’d think she was crazy, but
moving felt good, even with the drinks she’d had. She didn’t go far,
maybe eight blocks before she slowed to a walk. More brownstones,
a liquor store visible a block away as she crossed the street. The moon
above late summer leaves. She turned the corner and Fiddlywink was
waiting, grinning his yellow grin and waving a gloved hand at her. She
turned and ran, but from behind her she heard his voice, which seemed
to come from a great distance, like a scratchy phonograph heard
through a wall.
“Fee, fi, fo fum,
Tweedly dee and a rum tum tum,
Peek-a-boo and out I come,
Biddy biddy bum, biddy biddy bum!”
She turned toward the liquor store she’d seen, but made it not half
a block before Fiddlywink floated out from behind a dumpster, still
singing:
No. 129
“Fiddle dee dee, fiddle dee doo,
Fiddlywink wants a new chew-chew,
Bibbity, bobbity, boo, boohoo,
Chippity choppity you, yoohoo!”
She turned again, down the alley, blindly, going anywhere, nowhere.
She went three steps and Fiddlywink popped up like a jack-in-the-box,
right out of the pavement, and seized her upper arms in his enormous
gloved hands, squeezing hard, lifting her into the air. He grinned with
carious teeth, grinned wider than anyone could grin. “Rub a dub dub,”
he said, “tub full of blood.”
She screamed, and felt something change in her. With sudden strength
she twisted free of his grip and clawed at his face. Long slashes opened
on his doughy visage, weirdly pink blood flying, and she slashed at him
again, then grabbed him by his polka-dotted outfit and threw him to
the ground. He should have been heavy, by his look and height he must
have weighed two-fifty easy, but she tossed him down and held him
there by the throat. Her body felt on fire, like she was glowing, like she
could have thrown a building down as easily. And, she realized, she was
hungry — ravenous, actually — his blood smelled sweet —
Ask him who his master is. So she did, in a voice she barely recognized,
something feral. Fiddlywink’s smile was tremulous, yellow eyes
twisting side to side, but he didn’t hold out.
“Hey diddle diddle, girl with a riddle,
Fiddlywink sings the tune.
The cat starts to laugh, the mouse feels the wrath,
And the Archon swallows the moon.”
He started to giggle, but she tore out his throat with her teeth. His
blood tasted like cotton candy. By the time she was done his body was
starting to soften, to melt away like cheap ice cream.
She turned and a glowing portal opened in the street. Out stepped a
small figure, childlike, with bug-eyed lenses and a head-to-toe covering
that she knew to be a spacesuit, more or less. She was already numb
and beyond surprise, but even aside from the events of the past half
hour, she’d met cytobytes before. “What did she do to me?” she asked
this one, aggressively advancing.
“Vampire mod,” it answered. “I think she was improvising.”
“Is it permanent?”
“Nothing’s permanent. You’ll learn.”
׉	 7cassandra://b42AP3RxW6AXS7vGuedT8ojf61JtbK72m2jSe35AozI'z` f{c./!&׉E׉	 7cassandra://_wHdQKn7c1GUiFnTYMe5e-4dSrhBsFUirMxAQJjv14w3` f{c./!'f{c./!&בCט   u׉׉	 7cassandra://0Bzb7n-H7VQSLQfN20EDzfexf4I3Fnk9Ay2fRdmYa4k `׉	 7cassandra://a5_pxD5By8uFMgW950gosyRm-VtvPR0z2VhOMS3eBFcT_`r׉	 7cassandra://auxC5RIWVmxmnSD6MvePiTLKsceC2jxA3ZrLGoklKFU` f}c./!]ט  u׉׉	 7cassandra://xK26Wu99GjSZxCuKpjaKhrb6y7N4JPxPM9o_sQ6MFFE [`׉	 7cassandra://FgTBW4_zYWzMe8uIs0gLBxykPUqPe0mztxrUA53VCAk͂`r׉	 7cassandra://BIJcDjtgdpGX4VmbTbF3x91t3wX8YUN7utjd-MtctEI12` f}c./!^׉E 9MARK MOTHERSBAUGH HOLDING ISSUE 027 AT SXSW - MARCH 2016
׉	 7cassandra://auxC5RIWVmxmnSD6MvePiTLKsceC2jxA3ZrLGoklKFU` f{c./!(׉E @MARK MOTHERSBAUGH, FROM THE POSTCARD DIARIES - JUNE 14, 2024
11
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)RAY YOUNG CHU, PROS AND CONS
JUST SO YOU KNOW, THIS LETTER WOULD HAVE BEEN TEAR-STAINED IF IT WASN’T
WRITTEN DIGITALLY (AND OTHER FUN FACTS ABOUT HOW SAD MY LIFE IS)
BY BRIAN POLK
HAVE YOU EVER APOLOGIZED FOR SOME TERRIBLE THING YOU DID MORE THAN A
DECADE AGO, AND THE PERSON YOU APOLOGIZED TO DIDN’T EVEN REMEMBER IT?
Like most other humans navigating the hellscape we call life, I find
myself staying up nights and dwelling on incidents that happened
many years ago. Then I feel awful for how I behaved and subsequently
engage in hours of self-recrimination. A few times, I even reached out to
the person I wronged and apologized — and every time they either had
absolutely no clue what I was talking about, or it just wasn’t that big of a
deal to them. So imagine my reaction when I realized I had been feeling
shitty about an event that only survived in my own head! I think that’s
indicative of the human experience — our personal pasts live larger in
our own memories than they do in the memories of others. It reminded
me of that Samuel Johnson quote: “If any man would consider how little
he dwells upon the condition of others, he would learn how little the
attention of others is attracted by himself.” Sing it, brother!
WHENEVER GOD SEES A PUG, DO YOU THINK HE WONDERS WHY HUMANS WOULD GO
AND DO THAT TO A WOLF?
Poor pugs. Through no fault of their own, life sure isn’t easy for them.
No. 129
From obstructed breathing due to brachycephaly, to shortened life
expectancy, their existence here on earth is mostly burdened with one
struggle after the next. A far cry from their ancient wolf ancestors, who
got along in nature just fine, the pug needs constant human care to
even have a chance. Hence, I could see a vengeful God getting pretty
upset with our unique pug creations. “I created the majestic wolf, and
THIS is what you did to it?” he’d say. “The poor thing can’t even give
birth properly.” You know, I often criticize the Old Testament God for
killing the entire population of earth in the Great Flood, but there are
times when I get it.
GROWING UP, THEY TOLD ME CRIME DOESN’T PAY, BUT NEITHER DOES WORKING, SO
WHAT THE FUCK?
As far as I can remember, I always wanted to be a gangster. Well,
that’s not exactly true. While I did enjoy watching Goodfellas and
various other gangster-related movies, I didn’t have the opportunity to
join any gangs, since there weren’t any gangsters where I grew up. Had
there been, I definitely would have strongly considered such a lifestyle.
I can imagine it now: during my 20s and 30s, I would’ve spent my
׉	 7cassandra://gHisAd2YrNpqHSw5HknP0f7PYeche0Z83R9JVb6yTaM(` f{c./!*׉Etime committing racketeering, extortion, and tax fraud by day, and
attending the most exclusive booze- and drug-fueled parties by
night. Since I came by my money so easily by ripping off the rich, I
would’ve tipped everyone generously — especially the working slubs
who rely off such gratuities to barely eke out a living. I would’ve
almost overdosed a few times by getting high on my own supply, as
they say, but they’d serve as wake-up calls to slow down a little.
Then in my early 40s, some rat would’ve pointed to me in a
courtroom for some transgression, and all of a sudden I’d have been
serving seven to 10 years at a penitentiary upstate somewhere. While
some days I’d have had regrets, I would’ve never forgotten the good
times — not even sadistic security guards or other terrible inmates
could’ve taken that away from me. Soon, I would’ve served my time,
got out on parole, and tried to put the criminal lifestyle behind me.
Of course, I would’ve slowly but surely realized that working for
a living afforded even less dignity than I’d had in the clink. And I
would’ve found myself slipping back into my old ways — reestablishing
connections to the underworld and committing all the crimes that
landed me in jail in the first place. After spending several more years
doing a lot of crime and partying my ass off when I wasn’t off stealing
shit, I would’ve died violently some time in my late 50s or early
60s — killed either by the gun of a jealous lover or some kind of law
enforcement type.
And that would’ve been much better than the retirement plan I have
now. Also, at least a life of crime would have afforded me some good
times where the cash and drugs flowed and I felt like I was on top of
the world. There are no such good times now. I spend all my waking
hours working for money that I already owe to creditors. I never get
ahead. If I buy concert tickets one month, I eat ramen all through the
next. Every pathway through this life is a deadend. I drew the short
straw — like so many of us did.
We all played by the rules and we still didn’t even come close to
winning. When they told me as a boy, “Crime doesn’t pay,” they never
said, “Neither does working.” Nor did they say, “Crime occasionally
pays, but in the long run, you’ll end up dying some time in your late
50s or early 60s. But you know, at least you’ll have a lot of fun and be
able to afford some of the nicer things in life. And you’ll get to taste
the sweet nectar that is dignity — which is something you’ll never get
working 9-5. So weigh the pros and cons of embarking upon a criminal
career, and make your decision accordingly.” I just wish they’d been a
little more honest is all.
“… I SAID ALOUD TO MYSELF IN A ROOM FULL OF PEOPLE.”
Sometimes during bouts of drunkenness when I think I’m a genius, I
write down my ideas. Then I’ll look at them again when I’m sober, and
realize that drunk me must be some kind of fucking idiot. The title of
this entry is proof of this. How did I ever laugh at that?
I WONDER IF ANYONE HAS EVER BROKEN BOTH OF THEIR FINGERS IN A MINISKATEBOARDING
ACCIDENT
I’ve definitely seen people break both their legs in actual skateboarding
accidents. And I imagine mini-skateboarders wipeout all the time. But
even if they didn’t break their fingers, I bet someone, somewhere had
to go to the emergency room after wrecking their mini-board. And I
imagine everyone in the emergency room that day had themselves a
nice laugh.
13
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Pink Slime By Fernanda Trías, Translated by Heather Cleary (2024)
In an era that might seem overwhelmed with plague, epidemic and contagious
disease, fiction and reality, Fernanda Trías puts her twist on the genre
in her second novel translated into English, Pink Slime. A toxic algae
bloom is decimating the environment, resulting in a red wind that blows
in from the water on the coast, sickening and killing anyone in its path.
“It’s like they’re being … skinned alive. The other day I had to drive one.
Left the seat full of flakes, like dandruff, you know? Dry, white, sort of
transparent. The wind peels them right down to the muscle.”
As people move further and further inland to escape the wind, an unnamed
narrator remains among those who refuse or don’t have the means to move.
Tending to her slowly disintegrating relationships, she visits her mother
and brings her food, working to mend their relationship, not as easily
triggered by her controlling nature or disparaging comments about her
choices since the epidemic started. She regularly lingers at the clinic
her ex-husband is relegated to, after he, maybe willingly, walked into
the wind on purpose. She nannies a young boy, dropped off by his inlandliving,
wealthy parents, who suffers from a genetic ailment that never
allows him to stop eating. His insatiable hunger is so burdensome for his
family that they return him to the dangerous coast to be rid of him for
stretches of time.
Beyond the toxic wind, another ominous horror plagues this town. A large
meat-processing plant that churns out a “pink slime” called Meatrite,
that residents who can’t afford otherwise, are forced to subsist on. This
factory and its products are intertwined with the jobs, lives and families
of everyone on the coast, alluding to a connection between the algae and
the horror of the facilities where the “pink slime” is created.
Trías does an elegant job of making a horrifying plague novel feel like
an examination of our relationships and how our minds tie to a sense
of place, even when we know we need to move on. Graphic and moody, Pink
Slime is an atmospheric and introspective take on the plague and pandemic
fiction genre. Trías’ first novel translated into English, The Rooftop, was
released in 2001.
Ephemera: A Memoir by Briana Loewinsohn (2023)
Muted watercolor and textured pages make up Briana Loewinsohn’s melancholy
graphic memoir about growing up with a mother haunted by a deep sadness.
Organized by the concerns of the gardener — dirt, water, light — Loewinsohn
remembers a childhood spent longing for her mother and the grief of
wondering why she and her brother were not enough. She reflects on trying
to connect with her and reconciling memories against the only thing that
seemed to make her mother happy: spending time with plants in the garden.
Ephemera is a heartbreaking
memory of childhood, and the
way Loewinsohn moves through
this reflection is expressed
through a beautifully sorrowful
poem and delicate illustration
rooted in nature. A subtle
graphic memoir, Ephemera is
dark, beautiful and an ode to
the complexity of memory and
love.
No. 129
By Hana Zittel
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15
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Filthy porous surfaces of perverse waste,
While fancy footwear clamoring by in flippant haste,
Tasting morsels of refuse we use to lose contents that make sense to rinse twice
and cut once prior to exposure to flames and pearly whites …
Atop the KING’s coop on STAR ST. — who would rule over the high point of this
island’s spread and said words on the ROOF — a young fighter named IRON MIKE
was said to have come to my block many times to hold court with the KING. He
would travel from BROWNSVILLE as many others would from all corners to seek his
counsel and behold his sublime brood.
This KING has mostly returned as OBI-WAN did in pure SUBMISSION TO THE FORCE.
But of course he could be still ticking and kicking out on VAN SICLEN AVE and FAR
ROCK watching old shows on transistor tube sets that the orderly’s unplug but he
always RESETS. The scene will play the SKY and NEWS and perhaps HERRIOT will
turn up with an extra tub of apple sauce and speak of LADY SING THE BLUES. And
orthopedic shoes play taps on LINOLEUM BASS DRUMS as whistling one-eye ELLE
DRIVERS pile up higher than Bill’s families of folks still alive and empty out pockets
and HEARTS.
BUT ALIVE OR IN REST, the crown upon STAR ST. that RAY speaks to me of is a BIRD
FLU of good news. As he understands, I too am a pigeon who struts and pecks to
pick up SPEX I spit back into peeping baby bird’s peeping hungry beaks, as the HOBO
JUNGLE slithers like an AMOEBA afloat upon the PACIFIC expanse of endless liquid
continuity from TONGA to PERTH to TASMANIA and NOME … where the woman eat
SEALS and speak with EYE LIDS that gives subtle nuance to the dance to avoid the
POLAR BEAR upon the ARTIC HEATH. The rains drops fall as we all remember a lad
who was too mad and bad to stay in his coop and came to be set free by the KING
here. It’s hard to say when last his feet stood upon that roof and asked his majesty
of the LONELY PIGEON who was ready to be set free too. As the KING would always
allow his folk to choose and never use a noose longer then his fingers could cast
the FEED. For a kindly man named CUS D'AMATO had seen a thing in this lad he had
to BET THE FARM on and allow this ruff tuff to breathe fresh air under a starry sky
so far from the BRICK and CRIME. To become a legend and ascend a throne only a
villain could seek or ever own.
SAY HI TO THE BAD GUY.
As the gavel smacks the stand and all RISE and EXHALE. A pigeon would be only as
free as its belly of fuel will allow its wings to sing songs that claws use to mock the
earth below. So into another COOP and another RISE and FALL and REDEMPTION
of ALL.
Our eyes wander to the clouds and 747s slip by every 30 seconds of so. Perhaps his
laps will lead him one day to return to the ROOF and place where he was allowed
to behold the KING’S court … WARBLERS are urban PIGEON KEEPERS … keepers of
wings create most disdain but remain as NEW YORK as PIZZA, BAGELS, BOOBIES
and CRACK.
(In humble honor of the WARBLERS of NEW YORK and the mythical KING of this
small faith who a young IRON MIKE TYSON was said to visit often. Mike would have
been quite young but to bless our block with his heart and that of the respect for
protecting our discarded scraps the LONELY PIGEON collects and shares with its
friends … )
5:23 YARDIE HOD OGE 8.9.24.000003
FOLLOW FOR MORE — IG: @UZIEGO | TUMBLR: @SAVAGESNEVERSLEEPNYC
19
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9ׁHhttp://MEOWWOLF.COM/VISITׁׁЈנf؀c./!r 	9ׁH !http://MEOWWOLF.COM/VISIT/HOUSTONׁׁЈ׉EANGEL
ELOC
A DIVINE PEEK INTO ONE
OF THE BIGGEST INSTALLATIONS
AT THE UPCOMING MEOW WOLF HOUSTON
BY ERIN BARNES | CHARACTERS BY COLE BEE WILSON | PHOTOS BY KATE RUSSELL
The iconography of cowboy culture unfolds into vast vistas of
possibility and freedom … Plus some pretty excellent boots. Western
style and its corresponding hats, spurs and chaps are experiencing a
moment in pop culture: Beyoncé released her wildly popular Cowboy
Carter album, and artists like Orville Peck have been breathing new life
into the classic Western archetype for some years.
Being a lonesome cowboy can come with a lot of heartbreak, and
not just the kind when your woman leaves you and your truck dies.
It’s the kind of heartbreak of growing up in a culture that you love
that doesn’t love you back. Maybe you’re artistic, indoorsy, sensitive,
neurodivergent, queer, or just plain strange. Meow Wolf senior artist
Cole Bee Wilson understands this push and pull. A fifth generation
Texan, he grew up between San Antonio and Bandera, TX doing idyllic
cowboy things on his grandparents’ cattle ranch: driving trucks, riding
horses and working side-by-side with his grandpa. He now regularly
volunteers on a cattle ranch in the Galisteo Basin outside Santa Fe, NM
and still loves everything that comes with the lifestyle, including its
culture and music. I met with him at Citizens Of Montrose, a welcoming
coffee spot in Houston’s hip, artistic, queer neighborhood to learn more
about the installation. Over breakfast Wilson told me, “Country music
is one of the only types of music where you can be poetic and corny and
tragic and funny all at the same time in the span of two minutes and
30 seconds.”
The mythos of the honky tonk watering hole is like an oasis in the
desert of the soul … and Wilson wants to create one where everyone
No. 129
is welcome. That’s where Cowboix Hevvven, “a liminal, afterlife,
purgatory, honky tonk, dive bar for angels, demons, aliens, space/time
travelers and various other weirdos of the cowboix variety,” comes in
(pulled from a concept statement by the artist). Wilson is Lead Artist
and Creative Director on this immersive and interactive art installation,
which will feature a functioning bar and restaurant in the upcoming
Houston Meow Wolf exhibition.
Wilson continued in the statement, “Cowboix Hevvven is an interdimensional
pocket where the divine and profane coexist and fluctuate
with ease. Cowboix Hevvven is an ACTUAL FUNCTIONING bar that
serves tasty dive bar food and beverages, based on the hole-in-thewall
honky tonk dives and dance halls of Central Texas such as Sam’s
Town Point, Longhorn Tavern, The Lonesome Rose, and Lola’s Depot.
Batsy is the owner of this notable pitstop for queer weirdo free ramblin’
rodeo heads of the afterlife and beyond. Each colorful character has a
rich, long and sometimes lonesome tale to tell: devilish days of glitz
and glamour, and the dizzying heights of honky tonk angels. There’s a
seat at the bar for all y’all here in Cowboix Hevvven.”
“Cowboix” is spelled as such so that anyone can be a cowboix. And
everyone, I mean every type of being in every type of existence, is here.
The colorful cast of interdimensional angels and demons each have
involved backstories revealing trysts, gambling debts and polycules.
Batsy, an ancient and powerful demi-god, has transitioned from being
worshiped as one of the most powerful beings in the universe to a
relaxed bar owner. Together with her partner, Angel, they’ve turned a
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CISCO
GOLDY
MOODY RAINBOWS
DILLY
MATT KING ♥
rundown Texas tavern into a lively haven for all manner of beings, making
every night an unforgettable celebration for the past 37 years. Recently,
they’ve welcomed Cisco into their joyous companionship. Angel is an
ageless, genderless divine being of light, capable of taking many forms,
but often appears as a translucent, glowing humanoid.
In Cowboix
Hevvven, being trans goes beyond gender, but also time and space — a
multidimensional spectrum of existence. Angel is a fifth-dimensional
entity whose magical pedal steel playing has enchanted audiences since
they met Batsy in the ‘70s, creating a perfect balance of dark and light
in their eternal love.
There are also depression demons that represent the sadness in country
music and our own hearts (the character Eloc, a portrait of Wilson’s grief
that cries into its beer); old timer Humanoid armadillos, a half Human
half Glitzian adjoined entity, a sentient clod of unlucky mud, a literal pool
shark that will talk smack about your shoddy pool playing, and a fiery
mega country superstar who had everything in the world but walked
offstage one day to return to the simplicity of the dive bar.
Most poignantly, there is a rainbow angel that represents the beloved
late co-founder of Meow Wolf, Matt King. Wilson was close to King —
and like many Meow Wolf artists, he wanted to immortalize his friend
in this hauntingly striking statue that radiates with glowing light.
None of the characters are on one side of a strict binary between good
and evil; all of them are somewhere on the spectrum, just figuring
things out. Wilson described the scene, “every day is the same Friday
night, one stroke ‘til midnight.” It begs the question, even if you’re
stuck in an endless party, does it feel like a trap?
Cowboix Hevvven’s otherworldly qualities are balanced by its real dive
bar charms, as it features an interactive pool table, a photo booth and a
jukebox that plays music created by Wilson as well as 30 songs licensed
by Texas musicians. It will open with the rest of the Houston exhibition
with a full menu, and entry will only be available to those purchasing
Meow Wolf tickets.
The collaborative work of many artists went into this installation,
including a dedicated team of production managers, fabricators,
tech installers, CAD designers and more. Lead artists who worked on
Cowboix Hevvven include Jaelah Kuehmichel, Max Cohn, Sofia Howard,
Caity Kennedy, Karen Lembke, Cat Mills-Flegal, Emilio Pincheira,
Elana Schwartz, Wylla Skye, Zach Sawan, Charlotte Thurman, Enoch
Mcpherson, Chris Hilson and Jess Webb.
There’s an expected curiosity around Texans’ reception towards this
playful exploration of the cowboy archetype. Certainly there will be
many folks for whom this welcoming space is sorely needed. Wilson
joyfully explained, “For every person, the invitation stands … and we
will be there at Cowboix Hevvven to greet you with love and grace.”
STAY TUNED FOR THE OPENING OF MEOW WOLF HOUSTON, TX WHERE YOU
CAN SEE COWBOIX HEVVVEN & MORE: MEOWWOLF.COM/VISIT/HOUSTON
CHECK OUT MEOW WOLF'S OTHER PORTALS NEAR YOU: CONVERGENCE
STATION IN DENVER, CO; HOUSE OF ETERNAL RETURN IN SANTA FE, NM;
OMEGA MART IN LAS VEGAS, NV; THE REAL UNREAL IN GRAPEVINE, TX;
AND COMING SOON ... LOS ANGELES, CA! — MEOWWOLF.COM/VISIT
21
׉	 7cassandra://xa4hO0bEjDHqKlTZrvJdt3wGF76m0M4H2mX9otnzE1E'` f{c./!3f{c./!2בCט   u׉׉	 7cassandra://i7fL_JBSo8M_o--ZK1ssvpaFlOEerCwK67Dw5rVkBPE 3`׉	 7cassandra://Uy9jhaTSI9dtG4dK7ZdIyspGjIRV2FY7Gfy2KCCTx5M͉`r׉	 7cassandra://KVhKwUa5OvIKJXzH1urZILUDUsiHsZyxOroOPEYaezk)` f؀c./!qט  u׉׉	 7cassandra://k0Qv8GRx-SdcZETS_YtNhsdPa04Qv-Nf0NwqFMEcTmg `׉	 7cassandra://thBSijx9Lhdx8I1DHrl__LLli7UkqhLAU2Ljow-28A8m`r׉	 7cassandra://U4kTs0ty-1kimxL2PcWkrLLsX4jMz038BdnIzJsO2W8` f؁c./!t׉ENICK FLOOK, HIDEAWAY - @FLOOKO
׉	 7cassandra://KVhKwUa5OvIKJXzH1urZILUDUsiHsZyxOroOPEYaezk)` f{c./!4׉EJealous
Sunbeams
A long steady gaze at nothing in particular is better than prayer. A slow
walk, side by side with a friend in silence, is a dream within a dream.
Life does not pass quickly when you move at earth speed. Spend an
entire day traveling the same distance as a roly-polly or an ant. Do as
little as possible to see what you attract. Now do even less.
•
Jealousy exists in sunbeams. Clouds carry the frequency of avarice. All
rivers lead to the lowest point.
Where would I have to sit to be at peace with the state of the world
as it is right now?
•
In a car with a cracked windshield I cross the country to escape
myself. Pulling into truck stops every few hundred miles to purchase
gas and check the oil; I also attempt to buy some kind of escape:
erotic massages, donuts, lottery tickets. I’m aware these entry level
addictions would get me laughed out of a NA circle but they cause me
enough distraction to prevent me from liking myself, or even knowing
myself. With each stop, I hope to feel a warmth; like my mother’s touch,
an accolade from my father. Perhaps by desiring sex, fat, salt and sugar
I seek to be desired in return. My deepest desire is to be desired.
Unfortunately, the feeling I’m searching for never comes, or at least
it never lasts. These experiences only deepen my shallowness. When
they don’t deliver what I so desperately need, I feel waves of shame
and promise myself to change my behavior; to make healthier choices
moving forward. Making a mantra of the promise, ‘Never again. Never
again,’ I repeat this over and over for miles until the shame abates
opening cracks for the cravings to crawl in again. I spend hours driving
down the highway trying to convince myself the next stop will be
different. Of course it never is.
Who is the ‘I’ that is doing the convincing and who is the ‘myself’ that
needs convincing? This thought begins to break the shame/reward
cycle I’ve been stuck in for decades. Why are there two parts of me?
Where do the I and the myself reside in my body? In a molecule? A cell?
The mind? The soul?
The battle between I and myself leaves me exhausted. The relentless
shadows overwhelm my best intentions. With no more left to give
this fight, I pull over on a road with no name outside of a town I can’t
remember. The moonless night is humid and full of insects. Whatever
for Alicia Cardenas
BY DAN ‘DL’ LANDES
disease I carry has become too heavy to travel any further. Incapable
of a full satisfying breath I wheeze closer and closer to panic. My joints
ache with inflammation. “Who is to blame for this shitshow of a life?”
I scream into the night. Falling flat beside my car the damp air smothers
me like a blanket. The bugs feast on my body. I can go no further.
Can I kill the ‘I’ to save ‘myself’?
•
The sun announces his arrival by turning pink the low clouds on the
eastern horizon. The sky begins to take on the blue-green color of the
sea. A bird song beckons me onto a path that leads into a patch of trees
that once was a forest. A group of people gather around a fire next to a
low tent, like a giant tortoise shell, made of bound willow branches and
covered in blankets. My shame prevents me from making eye contact
with others as they tend a fire and mill about preparing for what I do
not know.
A man invites me forward and smudges me with the smoke from
a burning bundle of silver sage. This is not me I say, this ritual is not
mine. I have no rituals. He motions me toward the low tent. On my
knees I crawl inside through a small opening. A return to the womb. In
the center is a shallow pit filled with rocks glowing orange with heat. I
see only slivers of faces illuminated by the early morning light coming
through the opening of the tent. We are all in this because we are
broken beyond belief. We all are searching for relief.
Wearing a simple cotton smock, a woman with tattoos across her
fingers and hands grasps the ladle and spoons water onto the hot
rocks. Steam. Heat. The smoke of cedar curls up like a blue ribbon. My
body is cramping. The panic builds. I can’t breathe. Get out! Bolt for the
door! Get back in the car and drive! Fuck this! The water hisses on the
stones. The woman sings songs about our ancestors. “You are not your
thoughts,” she says as she continues to ladle water onto the rocks,
“although they will stop at nothing to convince you that they are.”
“Thoughts” she says, her eyes bright like the moon, “are wonderful
tools but terrible masters.”
The heat eventually abates. The others dissipate back to where
they came. The woman with the tattooed fingers slips beneath the
underbrush and disappears. The river, gently falling beside me, is the
only sound. A rolling gospel pure and clear.
‘Do less,’ it says. ‘Now even less.’
23
׉	 7cassandra://U4kTs0ty-1kimxL2PcWkrLLsX4jMz038BdnIzJsO2W8` f{c./!5f{c./!4בCט   u׉׉	 7cassandra://DrKw8Bwx8ZE5IA5cVURjPZWudU1UEq71qM-iYGVjEd8 f`׉	 7cassandra://T62WN4-09u-d0uCisiG2YsIAR5pffwqxGAd6V5wa6-k͗x`r׉	 7cassandra://70KNLFl8T5heu40dEyttDHQl326GGJKz7xqC2S5ggKU.` f؁c./!vט  u׉׉	 7cassandra://fSNl3Cvpu5NtzXtWtPaW51qcJUO8B3KnqU9eFRTXqfY `׉	 7cassandra://iUBXVn4WkevkKsO9Wx2fZmziqBPl6FJCzO2p7d-dR0A͞7`r׉	 7cassandra://b7l0j9ne9Z7uykkd6BVSGYN-WIATqMijoOGjFpzVemY,` f؂c./!w׉ELETTING THE GHOUL TIMES ROLL
WITH COFOH CO-FOUNDERS BRET SMITH & SMURF
BY KRYSTI JOMÉI
Colorado Festival of Horror returns for their fourth year, fittingly
kicking off the 3-day convention of terror in September on Friday
the 13th … ki ki ki, ma ma ma … Bigger, bolder and bloodier than ever
before, this independent, volunteered, artist-run fest is bringing in the
big guns (or maybe, machetes?) when it comes to their 2024 headlining
special guests. Her first-ever Colorado con, Pam Grier ( Jackie Brown,
Escape from L.A., Mars Attacks!, Bones) will grace the stage for a Q&A,
autographs and photo ops. And it doesn’t stop there. Fans will also get
to meet Scream Queen Tiffany Shepis (Tromeo and Juliet, Star Trek:
Picard), Alexandra Essoe (Doctor Sleep, Midnight Mass), Annabeth
Gish (The Haunting of Hill House, Midnight Mass), and a wicked Friday
the 13th crew — Adrienne King, Amy Steel, Thom Mathews, Tom
No. 129
McLoughlin, and Vincente DiSanti — along with a slew of other horror
actors, eerie artists, harrowing writers and chilling vendors. Attendees
will also have a chance to attend numerous panels and workshops,
a short film festival, costume and tattoo competitions, trivia and
karaoke, and more, all the while sipping on a pint of Killr™ Brew or a
glass of Stabernet.
Born out of a mutual love of horror, Co-Founders Bret Smith, Daniel
“Smurf” Sharner, Jeanni Smith and Daniel Crosier wanted to make a
festival embracing the genre and celebrating all of its different artistic
styles and realms, while creating well-needed community. We caught
up with Bret and Smurf to talk about this year’s fest and why they
fright for the right to party for horror fans of all ages in Colorado.
ART BY WM. RANDAL PAINTER
׉	 7cassandra://70KNLFl8T5heu40dEyttDHQl326GGJKz7xqC2S5ggKU.` f{c./!6׉E SPECIAL GUESTS
PAM GRIER
ANNABETH GISH
TOM McLOUGHLIN
WHAT PROMPTED YOU TO CREATE A HORROR FESTIVAL
IN COLORADO AND HOW DID YOU MAKE SUCH A BIG
PRODUCTION COME TO FRUITION?
Bret Smith: Years ago, I loved attending the Mile High Horror Film
Festival, and the first con I ever volunteered for, Colorado Horror Con,
were all a lot of fun, but sadly neither lasted. So in 2018, some friends
and I were talking about starting a convention and recognized that
there was no horror-only con in Colorado so voilà! It came to fruition
because of all our incredible staff and volunteers, who are just that:
volunteers! The four co-founders are just volunteers too, so it is clearly
a passion project to make Colorado Festival of Horror happen.
Smurf: I’ve always loved horror. Growing up I never missed a new
movie or novel or a show that had some sort of horror theme. As I got
older and started doing conventions, it always felt like an overlooked
area and should have its own event because there’s so many different
styles to horror. Based on that we knew, it could thrive. And everyone
else had focused on the superhero “capes” of pop culture leaving horror
relatively open and untouched, so we could deliver a unique experience.
WHAT'S BEHIND THIS YEAR'S THEME, FRIDAY THE 13TH
, AND
HOW DID THE IDEA COME ABOUT?
Bret: Last year when Jeanni was creating the Program Book for 2023
and we wanted to put in a quick ad for 2024, we were shocked to see our
starting date was a Friday the 13th in September! There was just no way
that couldn’t be our theme for this year, our first Friday the 13th start.
Besides the iconic Jason Voorhees, we discovered the outstanding Never
Hike Alone: Friday the 13th fan films, plus we love that Friday the 13th
can also be symbolic of “unlucky” stuff, so we just had to! Our friends at
FanSets have created an exclusive pin for us this year comprised of all
the best “unlucky” things in life!
Smurf: Since year one we’ve had different themes to build off of. Just
a way to build something different each year and help our thoughts for
WE ARE COMPLETELY NERDING OUT ABOUT PAM GRIER TOO!
CAN YOU TELL US MORE ABOUT HOW SHE GOT INVOLVED?
Bret: I’ve tried to connect with Pam Grier since the first COFOH thanks
to her Colorado roots — attending East High School, living on a farm
with horses here — discovering all the iconic directors she’s worked
with, and being surprised by her horror credits, especially this year’s
Amazon Prime series THEM: The Scare. Jeanni and I were blown away
when we first stepped into Voodoo Doughnuts on Colfax to learn
the whole story about the theft and return of Pam’s velvet painting.
I tried social media to connect with her unsuccessfully for years, but
thankfully, I happened upon her agent representative, and now, we
have her for her first Colorado con appearance! So excited!
potential guests. Friday the 13th was a must for us as one of the major
staples in the horror world and we couldn’t wait to announce it last year.
WHAT ARE YOU MOST EXCITED FOR THIS YEAR?
Bret: I am super excited about our special guests. I’m pinching myself
that we have Pam Grier as a special guest along with an unusual group
of Friday the 13th actors and creators from the films and fan films, and
keeping our annual tradition of having a Scream Queen. This year, it’s
Tiffany Shepis. Tiffany maintains my promise to myself to always have
a special guest that has a Star Trek connection. And with my newfound
love of everything Mike Flanagan on Netflix, I’m psyched to have two
special guest actors, Alexandra Essoe and Annabeth Gish, from many
of his shows, including their highlight mother-daughter relationship on
Midnight Mass.
Smurf: So many things — I could go on for hours about it, but first
thought is having a true icon as a guest. Pam Grier who has never done
an event in Colorado will be here Saturday and Sunday and I can’t
wait to sit down and interview her and discuss such an amazing and
illustrious career.
THOM MATHEWS
AMY STEEL
ADRIENNE KING
VINCENTE DiSANTI
TIFFANY SHEPIS
ALEXANDRA ESSOE
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Bret: We have some new sponsors and exclusives this year. Horrifying
Hot Sauce created our own hot sauce, “Game Over,” and Littleton
Meats is offering an exclusive mail-order “Slaughterbox” to attendees.
Our workshop programming was so successful last year, standing room
only, that we have moved it to a larger room, and overall we’re extending
programming to begin earlier and end later, like 2 a.m. on Friday and
Saturday. We’ve added an official “Let Me Be Short” competitive film
festival with submissions via FilmFreeway, and a new unusual activity
for fans: axe throwing!
Smurf: We’ve made a few adjustments from last year, added more
horror focused vendors half of which have never been here. Our panels
have some returning presenters but with new topics while some are
expanding on what they did last year. We work diligently every year to
bring in something different to mix it up for our guests, we will even
have a horror-themed axe throwing station outside.
WE’VE BEEN BIGTIME FANS OF COFOH-BASED COSPLAY
SLASHER COMIC SERIES TRUE BELIEVERS BY HEX PUBLISHERS
/ METAL X ENTERTAINMENT / BIT BOT MEDIA FOUNDER
JOSHUA VIOLA, NEW YORK TIMES BESTSELLING AUTHOR
STEPHEN GRAHAM JONES AND ARTIST BEN MATSUYA THAT
WAS BORN OUT OF A CONVERSATION WITH YOU BOTH AND
JEANNI. CAN YOU GIVE US A TEASER OF WHAT FANS CAN
EXPECT WITH TRUE BELIEVERS’ INVOLVEMENT AT THE FEST
THIS YEAR?
Bret: Joshua Viola added Canadian illustrator Matthew Therrien to
No. 129
his cover art team and we’re bringing him to the show as he painted
stunning covers of actors who appear as COFOH guests in the storyline:
Jamie Lee Curtis, R.L. Stine, Devon Sawa, and others for upcoming
issues. Issue #1 has only been available to Kickstarter supporters so
we’re excited to offer fans the entire 26-page Issue #1 at the Metal
X Entertainment / Hex Publishers booth in our Death Dealers Room.
Plus, Issue #2 will premiere at this year’s show! It is such a thrill to have
Stephen, Josh and Matthew attend and participate on a True Believers
Issue #1-2 Release Party panel. It is surreal to have such a creative and
horrifying slasher story where COFOH is the epicenter of the chaos. Be
sure to look for other cameos besides the celebs, and don’t be surprised
if life imitates art in future years with these celebs coming to COFOH.
And the bloody icing on the cake — Matthew drew this year’s COFOH
exclusive beer art, brewed by our sponsor Outworld Brewing, which we
call Killr™ Brew, named after the cosplay killer in the comics!
WHAT SETS COFOH APART FROM OTHER HORROR FESTIVALS
THAT ARE STARTING TO POP UP IN COLORADO.
Bret: COFOH is a one-of-a-kind, locally-owned, homegrown, homeoperated
convention, run by local horror fans who have many connections
with our local creative community. We pride ourselves in engaging local
talent and businesses to participate and create for our show. Just look
at Terror In the Corn’s haunt actors at the show, Outworld Brewing
making us a beer, Dragon Meadery bottling a cabernet sauvignon, L.S.
Strange providing attendees with bags, Metal X Entertainment’s TRUE
BELIEVERS comics, Distortions Unlimited’s loan of monster props to
decorate the venue, Mutiny Information Cafe / Phantom 8’s running of
ART BY LEIGHTON BUXMAN
ART THE CLOWN W/ A WEREWOLF AT COFOH '23
ART BY JOE BABLAZO
DANIEL CROSIER, BRET & JEANNI SMITH W/ ELISA
SARGENT AT BROADWAY HALLOWEEN PARADE '23
׉	 7cassandra://SsSF5W4D2ff7bjBHBEZ36tHyp-zagGhCGgXRM0wHKQQ.` f{c./!8׉Ethe tattoo competition, and local artists creating posters, T-shirt designs
and badge art. The other horror shows frankly are out-of-state shows
popping up in Denver to test the market and kinda have a corporate
feel, similar to a large comic con. They have big bucks behind them from
running shows in other states for years, so they can get very expensive
actors to attend. We prefer being an intimate show where fans have
access to our celebrities and talented creatives.
Smurf: Local, homegrown show that is about the community and has
real heart. A lot of these other shows are very cookie-cutter and overlook
the local artists, vendors and businesses. All of us (the founders) spend
time building the show, talking and taking the time to build relationships
within the community to give the best experience, not just for the
attendees, but the guests, vendors, sponsors and our own crew.
BIGGEST CHALLENGES YOU’VE FACED AS AN INDEPENDENT,
ARTIST-RUN FESTIVAL?
Bret: I’d say funding, cash flow, inflation and the economy are our
biggest challenges as well as these out-of-state conventions that are
close to our show dates. Show attendees only have so much disposable
income.
Smurf: Space. The ideas we have sometimes can be a little larger than
the venue would be able to handle, and we’ve had to pace ourselves a little.
STANDOUT HIGHLIGHT FROM OVER THE YEARS.
Bret: We’ve had so many highlights, but a couple years ago, seeing
actor David Howard Thornton, as Terrifier’s Art the Clown, creepily
come down a glass elevator as a long line of fans awaited a photo with
him, was stunning! Last year’s Rocky Horror Picture Show shadowcast
was pretty darn special too.
BIGGEST MYTH OR MISUNDERSTANDING ABOUT THE
HORROR GENRE AS A WHOLE.
Bret: That horror fans are weird, mean, violent, etc., when they are
in-fact some of the nicest and most inclusive people you’ll ever meet!
The horror community is truly special.
Smurf: The people. In my experience the horror community overall is
the most welcoming regardless of the genre you might enjoy. It’s all
about the craft and the story, there’s never a wrong answer of what’s
better because we’re all here to appreciate it together.
I’M SUCH A CHICKEN WITH SUPER GRUESOME OR HAUNTEDBASED
FILMS/SHOWS. HOW ARE YOU ABLE TO ENJOY SOME
OF THE DARKER REALMS OF HORROR WITHOUT GETTING
NIGHTMARES?
Bret: I’ve just seen so many horror films of all kinds, I’m likely jaded,
and I love doing “homework” to watch the gory films of our special
guests before meeting them in person. I run a horror con, so maybe
nothing scares me.
Smurf: No nightmares unless I’m doing a marathon of some kind. The
hardest part for me is not laughing during some of the more intense
moments or jump scares. I love it.
FIRST HORROR FILM THAT HOOKED YOU.
Bret: Creature from the Black Lagoon.
ARTIST KEVON WARD
SALLY & DR. FINKELSTEIN
COFOH 2024 T-SHIRT DESIGN BY XANDER SMITH
JEFFREY REDDICK AT COFOH '23
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TOP THREE MOVIES:
Bret: Creature from the Black Lagoon, Night of
the Living Dead, The Fly (original and remake)
Smurf: Hellraiser, High Tension, Abbott and
Costello Meet Frankenstein
TOP THREE SHOWS:
Bret: Anything from Mike Flanagan (The
Haunting of Bly Manor, Midnight Mass, The
Fall of the House of Usher)
Smurf: The Fall of the House of Usher, Friday
the 13th: The Series, The Walking Dead
TOP THREE AUTHORS:
Bret: Stephen Graham Jones, Paul G. Tremblay,
Smurf: Oh, that’s hard to say. I used to watch all of the Vincent Price films with The
Abominable Dr. Phibes being my favorite, but I also loved Abbott and Costello who had a
rather different approach to horror, but one of the best monster lineups a fan could wish for.
IF YOU COULD SPEND A DAY WITH ONE HORROR VILLAIN — WITHOUT BEING
HURT AND/OR MURDERED — WHO WOULD IT BE AND WHY?
Bret: I’m gonna go really current, Mother from Barbarian. I love that film! Now I could say
why, but that would be too gross; when I told Jeanni why, she said, “Nope, you’re not saying
that!”
Smurf: Pinhead of the Hellraiser series.
ANY OTHER FUN HORROR/SCI-FI BASED PROJECTS YOU’RE INVOLVED WITH
OUTSIDE OF COFOH?
Bret: I had such a great time this last April in Colorado Springs helping our Six Feet Under
Horror Film Fest friends put on the Hooked On Horror mini-convention and film festival with
four Scream Queens in attendance. The forensic pathologists who put on the quarterly film
festival, Leon Kelly and Dan Lingamfelter, will be back at COFOH with another creepy real-life
cases panel. We’ve started doing screenings with special guests at different times of year
and different venues too, like My Bloody Valentine and Mother’s Day.
Smurf: I also run the Colorado Ghostbusters and after COFOH starts our busy season, we
make appearances at various events throughout October. Everything from haunts, Trunk or
Treats, the Broadway Halloween Parade and other parades, and other Halloween-inspired
events.
WHAT CAN WE LOOK FORWARD TO FOR COFOH 2025?
Bret: For our 5th year anniversary celebration, there will be Monsters! I wonder where that
will take us?!
Smurf: We have plans on adding a whole new element for next year as we build off of our
theme Monsters. I can’t go into any detail without ruining the surprise, but we all are very
excited about it as we hit year five.
COLORADO FESTIVAL OF HORROR 2O24
FRIDAY, SEPT. 13 - SUNDAY, SEPT. 15
MARRIOT DENVER SOUTH AT PARK MEADOWS
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No. 129
Daniel Kraus
Smurf: Stephen King, Dean Koontz, Stephen
Graham Jones
TOP THREE VIDEO GAMES:
Smurf: Dead by Daylight, Silent Hill, Dead
Space
FAVORITE GENRE WITHIN HORROR:
Bret: The slasher!
Smurf: Slasher, no question.
FAVORITE SOUNDTRACK:
Bret: John Carpenter’s Halloween
Smurf: Great question, I’d have to think
about that one simply because there’s been
some really good ones, but the first one that
comes to mind is A Nightmare on Elm Street 3:
Dream Warriors.
FAVORITE QUOTE:
Bret: “They’re coming to get you, Barbara.”
Smurf: “Psychos do not explode when sunlight
hits them, I don’t care how crazy they are.”
YET TO BE RELEASED FILMS OR SHOWS
YOU’RE EXCITED FO:
Bret: Alien: Earth TV series, Mike Flanagan’s
The Exorcist and The Dark Tower
Smurf: Army of Darkness
FAVORITE PROTAGONIST:
Bret: Ellen Ripley
Smurf: Ash Williams
FAVORITE ANTAGONIST:
Bret: Aliens!
Smurf: Aliens
ARTIST XANDER SMITH & JEANNI SMITH, COFOH '21
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A SHORELINE DREAM – WHITELINED
The songs on this seventh A Shoreline Dream album sound like Ryan Policky and Erik Jeffries
mined through the ambient despair and melancholy of recent years to infuse the songwriting
and production with a hopeful vitality. It certainly doesn’t hurt that Mark Gardener of Ride
contributed his talents to three of the tracks, but the core songs turn the group’s beautiful
ethereal melodies into something that pairs well with the physicality of its always robust
rhythms and electronic and electric low end. The lyrics seem to trace a journey through low
places of emotional desolation and a feeling of being out of place and lost expressed through
gorgeously luminous flows of ambient sounds. But in the end, the record leaves you feeling
like you can make it through a gauntlet of disappointments and setbacks with your heart and
sense of self reinvigorated.
FELIX FAST4WARD – BETWEEN SUN & MOON
The deep sense of tranquility that permeates every track of the new Felix Fast4ward album is
immediately striking even when the songs course into psychedelic dub passages. In aggregate
the tracks link like a mystical radio broadcast. It’s probably best listened to, if possible, on a
cassette or a continuous playlist because the flow of ideas and sounds hits like a continuum.
One might compare this to Gonjasufi’s 2010 release A Sufi and a Killer of another record from
that year in Flying Lotus’ epochal Cosmogramma. Except there is more of a neo-soul flavor
here in the artist’s command of similarly fused aesthetics from the aforementioned to hip-hop
and IDM production resulting in an entrancing listen beginning to end.
No. 129
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uMIDWIFE – NO DEPRESSION IN HEAVEN
Once again proving that the heaviest music is that which has the
deepest moods and goes to the emotional spaces that most people
would rather forget, Madeline Johnston offers seven songs that are
uncompromising in their emotional weightiness. Each guides you
through lingering grief and the dreams, fantasies and ghosts that sit
with you as you try to sort through what anything means — and the
things you’re told have meaning — and how to navigate the nuances
of what you’ve come to believe. Through a lens of abstract, pastoral,
ambient folk and gauzy tones, Johnston eases the listener into an
acceptance of uncertainty and vulnerability to existential truth. Also,
nice nod to Santo & Johnny.
PINK LADY MONSTER – PSYCHIC ANTENNAE AND A
TINSEL HEART
40 plus years ago this album could have come out on the 99 Records
imprint during the height of No Wave. Its alchemical fusion of free
jazz, noise rock, pop and the avant-garde is frankly unlike much of
anything going on at the moment. Although “No Romance” might
be compared to a PJ Harvey song, its rhythms slink, slash and flow
in unpredictable yet intuitive fashion. The group’s earlier dream
pop leanings are folded into beautifully and thrillingly nightmarish
compositions that sometimes wax into the realm of Tropicália, with a
similarly pointed social commentary delivered with a creatively wicked
sense of humor.
STEVEN LEE LAWSON & THE ARCHERS – HELP IS ON
THE WAY
Steven Lee Lawson & The Archers fully integrate its more raw,
existential rough edged and earnest Americana with its introspective
pop sensibilities on this EP. Maybe it’s the Rhodes or the splintered
power pop guitar hooks that bleed into psychedelic Americana akin to
mid-70s Neil Young. Maybe it’s tender and confessional folk elements.
But here, Lawson and company find a way to elegantly articulate
the tension between despair and hope as two faces of the same
emotional state, and on measure, land on the latter, rendered in the
sounds of a kinder and gentler honky tonk band.
TUFF BLUFF – S/T
A lot of poppy garage punk has fairly straightforward and unironic
lyrics. Tuff Bluff off nuanced and complex emotional portraits in its
supercharged power pop throughout this self-titled debut album.
The stories in every song have specific and immediately relatable
situations, illuminating the essence of an American experience or
archetype, and not always the type our culture romanticizes. Because
of that, the irresistible and energetic melodies baked into every song
hits as vital and authentic and never as saccharine and trite.
For more, visit queencitysoundsandart.wordpress.com
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