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$
JULY 10, 2026 | VOLUME 17| ISSUE 15
YOUR PURCHASE BENEFITS THE VENDORS.
PLEASE BUY ONLY FROM BADGED VENDORS.
Echoes of honor: murals at Dunbar
Tower revive history, community in
Kerrytown. page 8
VENDOR
NO. 615
MEET YOUR
VENDOR:
WAYNE
SPARKS
PAGE 3
15 YEARS OF NEWS AND SOLUTIONS FROM THE GROUND UP | WASHTENAW COUNTY, MICH.
community
ARTS
edition
2026
THIS PAPER WAS BOUGHT FROM
• Proposal: Housing-development
accelerator
• Charbonneau: Open your eyes to
housing inequity. PAGE 4
@groundcovernews, include vendor name and vendor #
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GROUNDCOVER NEWS
GROUNDCOVER15
JULY 10, 2026
PROVIDING ECONOMIC OPPORTUNITIES FOR SELFDETERMINED
INDIVIDUALS IMPACTED BY POVERTY,
PRODUCING A STREET NEWSPAPER THAT GIVES A
PLATFORM TO UNDERREPRESENTED VOICES IN WASHTENAW COUNTY,
PROMOTING AN ACTION TO BUILD A JUST, CARING AND INCLUSIVE
SOCIETY.
Groundcover News, a 501(c)(3)
organization, was founded in April
2010 as a means to empower lowincome
persons to make the
transitions from homeless to
housed, and from jobless to
employed.
Vendors purchase each copy of our
regular editions of Groundcover
News at our office for 50 cents. This
money goes towards production
costs. Vendors work selling the
paper on the street for $2, keeping
all income and tips from each sale.
Vendors are the main contributors
to the paper, and are compensated
to write and report.
Street papers like Groundcover
News exist in cities all over the
United States, as well as in more
than 40 other countries, in an effort
to raise awareness of the plight of
homeless people and combat the
increase in poverty. Our paper is a
proud member of the International
Network of Street Papers.
This is the last edition of our year long 15th anniversary campaign!
STAFF
Lindsay Calka — publisher
Cynthia Price — editor
ISSUE CONTRIBUTORS
Elizabeth Bauman
Emeri Jade Bey
Pedro Campos
Jim Clark
Cindy Gere
Mike Jones
Aenea Kanaan
Elizabeth "Lit" Kurtz
Cisse Love
James Manning
Anja Mihic
Kelli Lee Mitchell
Tygar Moore
Ken Parks
Will Shakespeare
Denise Shearer
PROOFREADERS
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June Miller
Anabel Sicko
VOLUNTEERS
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Jessi Averill
Libby Chambers
Stephanie Dong
Ben Foster
Glenn Gates
Jacob Fallman
Robert Klingler
Aklesia Maereg
Margaret Patston
Mary Wisgerhof
Max Wisgerhof
BOARD of DIRECTORS
Anna Gersh
Greg Hoffman
Jessi Averill
Jacob Fallman
Jack Edelstein
Glenn Gates
Mike Jones
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Steve Borgsdorf
CONTACT US
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submissions@groundcovernews.com
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׉	 7cassandra://7diVm-AB7wJgFFnjz6Pi5t1_ZaVY5_4UigqBY8TDvNkTD` jO~2$!M7׉EJULY 10, 2026
ON MY CORNER
MEET YOUR VENDOR
Out on a limb
“Out on a limb” refers to
risk-takers, but also those
going after the fruit. Once
the low-hanging fruit is
gone, you have to go out on
a limb to harvest.
Egocentric living takes
Wayne Sparks,
vendor No. 615
In one sentence, who are you? The
grandfather of what was, the keeper of plenty
of secrets in Ann Arbor about the streets.
Where do you usually sell Groundcover?
All over town! I like mingling with a wide
variety of customers — the staff at
Zingerman’s, on campus, and just on the
streets!
When and why did you start selling
Groundcover? The first time I sold a street
paper was in the 60s. This is my second go
around. I know, it's kind of confusing, right?
What is one place in Ann Arbor that feels
like your own personal sanctuary?
The Arb.
What’s your life motto?
Power to the People.
What advice would you give to your
younger self?
Everything that glitters is not gold.
What is your comfort food? Ice cream.
If you were stranded on a desert island
and could only bring three things, what
would they be? Writing material, plenty of
videos, and all my favorite food and drink.
If there was a theme song for your life,
what would it be?
Cat Stevens, "Wild World."
If you could travel anywhere, where would
you go? Katmandu.
What is the weirdest food combo you
swear by? Peanut butter and cheese.
What change would you like to see in
Washtenaw County?
Build a new transit system.
What’s one question you wished you were
asked more often?
How do we end homelessness?
you far out on a limb every
day. Ego makes plans as if it
is the master of the universe
no matter how many times
this illusion is exposed. For
those of us on the path of
healing, it may seem dangerous
to fully detach from ego fixation. Ego got
us this far and to live ego-free really feels like
going out on a limb.
As the branch bends and sways, the fruit may
drop to the ground and you can be stuck trying
to find your way down. Squirrels easily jump
from branch to branch, but human life is a bit
more risky especially if you are on an emotional
branch far from the trunk.
Our emotional habits and addiction to sensation
often lead us on a wild goose chase as we
seek to find happiness in the chaos of samsara,
Sanskrit for the cycle of birth and death.The ego
assumption that we are masters of reality is
never proven, as unexpected consequences are
more the rule than the exception of life.
As the sole responsible person for a contracting
company after my dad died, I once worked
up to one hundred hours a week for some
months, too busy to take a good look at accounts
receivable and accounts payable. Eventually I
discovered that I was up to $40,000 in the hole.
It was a Courtyard by Marriott project and I was
making payroll but behind on withholding to
the IRS, not to mention suppliers. The last bill
I paid off was $10,000 for wallpaper paste. I was
honorbound to that supplier. The IRS was the
biggest debt — interest and penalties can dwarf
the original bill — and negotiations get wicked.
In an interview with Khenpo Karthar Rinpoche,
a trusted spiritual friend and Abbot of
the Karma Kagyu monastery in Woodstock,
New York, I said, “You would think that if you
worked hard, at least some of your expectations
would be met.”
He looked at me and said calmly, “Of all the
causes of events, your expectations are a drop
in the ocean.” The truth is always obvious, but
that does not mean we will see it. We need
those who can point the way.
Social media is full of opportunities to go out
on a limb. The lure of intimate happiness is so
tempting, especially in detailed chats, juicy or
not, that look like a convergence of values and
plans to follow up. So I went out on a limb and
accepted an invitation to Manhattan in early
June. I was so looking forward to our planned
trip to the monastery in Woodstock, New York.
When I got to La Guardia Airport, the chat had
stopped and she did not show up to get me. She
knew that my Avalon Housing check for rent
overpayment did not come in time, another
chapter in the book, so I was arriving with little
money. No return ticket. I may never know
what happened, but the limb bent and swayed.
My core community warned me that my chat
KEN PARKS
Groundcover vendor No. 490
looked like a scam, but I did
not want to waste my ticket
and hoped we had a workable
relationship. Groundcover
friends grabbed the
bull by the horns and got me
a return ticket for 7:15 the
next morning.
My experience of being
broke and homeless in New
York was short. Sleeping on
an airport floor is not sweet.
I found a column with an
outlet where I could rest and
charge my phone. It had charged when it was
time to go through TSA, who brought out the
dogs to sniff us in a special line, but I forgot my
charger which was brand new at a $40 cost. I
hope someone in need got it!
In the 1950s, I loved to climb trees because
they welcomed me and I felt safer up high than
among humans. Bullying is so deep in the culture
that we take it for granted. The subtle forms
of one-upmanship may do more damage than
the violent expressions. When you realize you
have low status, you may go out on many limbs
to prove your worth. It is not a fun way to live.
Your worth cannot be proven, but it can be
accepted. It is our birthright, often lost in childhood
as we are socialized into compliance culture
which is based on a chain of command
structure. I never read “Catch 22,” but the
phrase is in the language and refers to the
bureaucratic dilemma of our time.The fact that
you applied is the basis for denial of the request.
The culture puts you out on a limb regularly
and you cannot be surprised if you are suddenly
homeless or ill and your life appears to
be over. There is the possibility of finally getting
grounded when you hit bottom and you learn
to quit digging a deeper hole.
No matter who and where you are, we are
always surrounded by reality as mentioned in
the June 12 Groundcover News article “Facing
Reality” on page 10.
The error of dualism is so common that we
easily forget the truth. Dualism is a way of thinking
that divides reality into two parts, the most
common being self and other. The error of this
view becomes apparent when we glimpse even
the shortest experience of the primordial
expanse, best described as the all good expanse
of primordial purity or the Clear Light of the Void
— the phrase I first saw in The Tibetan Book of
the Dead. This is a limb worth going out on.
Assumptions matter, so look for the best one.
The mystery of death can be an adventure.
Keep your eyes on the prize, hold on, as in the
great song of the civil rights movement. The
freedom that benefits all beings without exception
is the best branch to go out on. Every mistake
can be abandoned and the turn to freedom
will bless you on your path. Listen to Maddy
Ringo as she sings, “Going Up The Mountain.”
About the cover: This year's Community
Arts Edition cover was once again collaboratively
painted by Groundcover News vendors,
organized by Cindy Gere, vendor No. 279!
GROUNDCOVER NEWS
3
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GROUNDCOVER NEWS
HOMELESSNESS
On Tuesday, June 16, 2026, the Ypsilanti
City Council held its biweekly
meeting. On the agenda was “Resolution
2026-142,” a resolution that would
initiate a homeless encampment eviction,
also known as a “sweep.” The
camp in question is located on a
former city dump south of the BellKramer
neighborhood. It has been
occupied by people experiencing
homelessness for more than a year,
with a rotating stream of inhabitants.
Currently, there are five people seeking
shelter there.
Here is “Resolution No. 2026-142
Authorizing the Removal of the
Encampment at Kramer Street and
Bell Street" truncated for space:
“Whereas the encampment located
near Kramer Street and Bell Street has
generated significant concerns from
nearby homeowners ...
“And whereas the city recognizes
that homeowners and long-term residents
are taxpayers who rely upon the
city to protect community well-being
and uphold municipal ordinances ...
“And whereas the city also acknowledges
that individuals residing in the
encampment are experiencing housing
instability, economic hardship,
and vulnerable circumstances, and
that these residents deserve to be
treated with dignity, compassion, and
respect ...
“Whereas the ongoing conditions at
the encampment present health and
safety risks both to the individuals
living there and to the surrounding
neighborhood ...
“And whereas the city has coordinated
with community partners, outreach
teams, and service agencies to
ensure that the residents of the
encampment are offered appropriate
resources, including shelter options,
transportation, available connections
to housing support services, and referral
to mental health, addiction treatment,
and other relevant providers ...
“And whereas the City Council seeks
to balance the rights and needs of
homeowners with the urgent humanitarian
needs of residents experiencing
homelessness ...
“Now, therefore, be it resolved by the
City Council of the City of Ypsilanti
that city staff, in coordination with
social service partners, are hereby
authorized to proceed with the
removal of the encampment at Kramer
and Bell Street in a manner that is:
1. Lawful and in full compliance with
local ordinances, state law, and constitutional
requirements.
2. Respectful, ensuring that all individuals
residing in the encampment
execution plan. It does not state
when the removal should occur, nor
does it establish a timeline for partnering
with community agencies. In
fact, had the
resolution been
JIM CLARK
Groundcover vendor No. 139
are informed, treated with dignity, and
given reasonable time to gather their
belongings.
3. Compassionate, requesting that
service providers be present prior to
and during the clearing process to
offer shelter placement, outreach support,
case management connections,
and transportation when
appropriate.
4. Accountable, ensuring that all
actions taken are documented and
that the property is restored to a clean,
safe, and accessible condition following
the removal.
5. Collaborative, encouraging continued
partnership with housing agencies,
nonprofit organizations, and
community members to address the
broader issue of homelessness in a
sustainable and humane manner.
“Be it further resolved that the City
Council reaffirms its commitment to
long-term strategies aimed at expanding
affordable housing, supporting
homelessness prevention programs,
and strengthening outreach and crisis
response systems within the City of
Ypsilanti.”
While the language of the resolution
contains elements of both compassion
and accountability, it is still an order to
remove an encampment. It acknowledges
the neighbors’ need for safety
from illegal activities and recognizes
that the inhabitants of the Bell-Kramer
encampment also have rights, that
they are seeking housing and employment,
and in order to get those things,
they need support. Simply put, it boils
down to “remove the encampment”
and “set them up for success before it
is removed.” Removal can literally
happen overnight, whereas the support
will take weeks or months to properly
secure.
Council Member Me’Chelle King
strongly supported approving and
activating the resolution that night.
Even though she did not write the resolution,
it was her idea after visiting
Bell-Kramer homeowner Michelle
Simmons, accompanied by Mayor
Nicole Brown. Mayor Pro Tem Steve
Wilcoxen was the first to notice that
the resolution was more like a statement
of intent as opposed to an
approved, the only thing that could
have happened next would have
been for the police to clear out the
camp. Council Member Amber Fellows
tried to table the resolution
until a plan could be put in place.
King pushed back, saying the neighborhood
wanted immediate action
and something had to be determined
that night. Ultimately, the resolution
was tabled until July 21 in order to give
City Manager Andrew Hellenga time
to accomplish tasks that would set the
encampment residents up for
success.
Here are some of the relevant
minutes:
Council Member King moved to
approve the resolution authorizing the
removal of the encampment. Council
Member Roland Tooson seconded the
motion.
Council Member Fellows moved,
supported by Council Member Desirae
Simmons, to table it to the next
meeting on July 21 in order to make a
plan that is consistent with the intentions
of the resolution.
The motion to table failed upon a roll
call vote as follows:
Yes: (2) Desirae Simmons, Amber
Fellows
No: (5) Me'Chelle King, Roland
Tooson, Steve Wilcoxen, Nicole Brown,
Patrick McLean
Council Member Fellows moved,
supported by Council Member Simmons,
to amend the resolution to have
the city manager meet with certain
parties. Upon discussion, the motion
was withdrawn.
Mayor Pro Tem Wilcoxen moved to
table the resolution. Council Member
Patrick McLean seconded the motion.
Yes: (5) Steve Wilcoxen, Nicole
Brown, Patrick McLean, Amber Fellows,
Desirae Simmons
No: (2) Me'Chelle King, Roland
Tooson
One community member who spoke
during public comments was Ben
Foster from the homeless solidarity
and mutual aid group Washtenaw
Camp Outreach.
Foster is a resident of Ypsilanti who
spends a great deal of time interacting
and supporting neighbors experiencing
homelessness. For many years he
has been watching City Council,
neighbors, landlords, the police, business
owners, activists and unsheltered
citizens battle over property rights
versus human rights. As a community
leader, Foster keeps an eye on the government
and non-profit claims, efforts,
and efficacy.
JULY 10, 2026
Notice This: Ypsi Bell-Kramer homeless encampment
eviction
“Andrew Hellenga was given some
homework. Do you know if he has
made any progress?” I asked.
“Yes and no,” Foster replied. “One
homework assignment was to arrange
a meeting with the Bell-Kramer neighborhood,
the camp residents, WCO,
LEAF, PATH, and Home of New Vision.”
LEAF, which stands for Liberation,
Empathy, Advocacy and Future, is a
state-sanctioned harm reduction program
and facility. The Home of New
Vision is a substance-abuse resource
program, and PATH, Projects for Assistance
in Transition from Homelessness,
is a Community Mental Health
program that reaches out to homeless
populations with mental health services
and resources.
“Do you know when that meeting’s
gonna happen?”
“Yeah, so that is the piece of the
puzzle that has not been figured out [at
the time of this interview]. As far as,
like, what has been accomplished so
far, there’s been a 20-yard dumpster
delivered and a commitment from the
city that the dumpster will be emptied
as needed, and that they’ve reached
out to SHINE (Supportive Hands in
Neighborhood Enhancement, a city
post-incarceration transition program),
which has been contracting
with the city to clean up the trash at
other encampments.”
“Someone said PATH was going out
there at least once a week. Is that true?”
I asked.
“I think they’ve increased their frequency.
I don’t know if it’s true or not,
as far as whether the folks who live at
the camp have confirmed that or not.
But, yeah, I don’t know,” Foster replied.
Foster explained, “The resources
that PATH can offer people are to assist
you with identification paperwork,
help you access drug treatment
resources or mental health treatment
resources, get you on a path towards
permanent supportive housing, and
they can get the ball rolling on these
bureaucratic processes that take a
really long time to bear fruit.”
Foster continued, “Specifically, there
are people at the camp that have been
trying to get jobs because they say,
‘Even if we get housing, how are we
going to pay for utilities? How are we
gonna pay whatever portion of our
rent we have to pay? How are we gonna
pay for food? How are we going to
afford the expenses that come with
living in an apartment as opposed to
living in a tent?’ Which are valid questions,
because the main barrier to
some of them getting jobs is their criminal
backgrounds.”
see EVICTION page 6 
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COMMUNITY EVENTS
letter to the EDITOR
I’m lucky I live in the downtown
core of Ypsilanti. Were it necessary for
me to drive or bus into town I would
have taken a pass on the 4th of July
parade. I’m glad I was able to attend.
It was an example of true Americana.
No snark or vitriol, no saber rattling.
Throngs of families, the high school
marching bands, the classic cars Ypsi
is famous for. Candy everywhere — I
had teased my partner I was going to
go full NFL to get candy. I didn't.
This parade was an actual
wholesome example of the United
States so many of us wish for. So
many of us grew up believing in. The
USA we were taught in school. The
USA we said The Pledge of Allegiance
to every morning for years. Politics
were present in the presence of different
politically active organizations
but they just gave out candy, waved
and smiled. It was easy to forget
amongst the ready politeness and
shared smiles with strangers the fractures
in our nation. Our deep
community EVENTS
30TH ANNUAL ROLLING
SCULPTURE CAR SHOW
Friday, July 10, 2-10 p.m. downtown
Ann Arbor. The Rolling
Sculpture Car Show is a celebration
of timeless design, unparalleled
craftsmanship and the
passion for classic cars. From
sleek muscle cars to elegant vintage
models, The Rolling Sculpture
Car Show showcases over 300
automobiles spanning decades of
automotive innovation.
MILAN LAVENDER HARVEST
FESTIVAL
Saturday-Sunday, July 11-12,
(Sat. 8 a.m. - 4 p.m., Sun 11 a.m. -
4 p.m.). Lavender Farm, 12040
Plank Rd. Milan. Stroll through
10,000 lavender plants in full
bloom; take free photos in our
fields with many photo props (cellphone
only); purchase hardy
purple and white lavender plants
for your yard; participate in
"U-PICK" lavender — and many
more family friendly activities! $10
cash admission. Kids 12 and under
are free!
SUMMER GAME
SPECTACULAR
Saturday, July 11, 1-4 p.m. Veterans
Park, 2150 Jackson Ave. Ann
Arbor. All invited to try some of
the outdoor games in the AADL
collection. Also, performances by
local aerial and circus artists, bubbles,
food trucks and more.
PAINT THE TOWN BLOCK
PARTY
Tuesday, July 14, 5-9 p.m. downtown
Ann Arbor. Formerly the
Townie Street Party, this popular
pre-Art Fair community event now
includes activities and live music
throughout downtown with events
along Liberty and Main. Features
participator art projects, chalk art
demos (5 and 7 p.m.) by David
Zinn, an instrument petting zoo
(5-8 p.m.) led by members of the
Ann Arbor Symphony Orchestra,
pickleball courts, live music by the
local classic rock band Ain’t Dead
Yet, dancing to music spun by DJ
Batz, a silent disco dance party
with tunes transmitted to dancer’s
headphones (provided), and more.
Food trucks. Also “Dart for Art” (6
p.m.) a 1-mile walk/run through
downtown ($30 in advance at dartforart.org).
For a complete schedule
of events see
theannarborartfair.com/
kickoff-events
THE ANN ARBOR ART FAIR
Thursday-Saturday, July 16-18, 10
a.m.-9 p.m. (Thursday, Friday), 10
a.m.- 8 p.m. (Saturday), downtown
Ann Arbor. Perennial multiday art
fair houses more than 1,000 artists
from Michigan and around the
nation in three separate fairs. theannarborartfair.com
YPSI
PRIDE
Saturday, July 18, 2-10 p.m. Depot
Town, Ypsilanti. Join for full day
and evening of LGBTQIA+ focused
events, sales and performances.
All ages welcome. Join in celebrating
the beauty of differences, the
power of unity, and the incredible
stories that bring people together.
Ypsi Pride is more than a celebration
— it’s a declaration that the
richness of the community lies in
the stories shared, and in return,
we all find strength and resilience.
JAZZ IN THE PARKING LOT
Saturday, July 18, 6-9 p.m. YCS
Shadford Field, 2095 Packard
Road, Ypsilanti. Bring a chair and
enjoy the sounds of the Sean Dobbins
Trio! Hustle lessons by StarLisa
Henderson from Detroit begin
at 6 p.m. — live music starts at 7
p.m. Food trucks and community
resource vendors will be onsite!
Kids 18 and under eat free with
Meet Up Eat Up! This is a free
event.
Submit an event to be featured
in the next edition: submissions@groundcovernews.com
political
divides didn’t seem so
important for a couple hours. I can
be verbose in my criticisms of 'Merica
but I didn't feel any of that today. I
felt part of a town with a long rich
history. Rosie the Riveter was repped,
one classic car kept stalling and of
course each time, Michigan men
stepped in without a thought for a
push, as we do.
We watched the parade but we
watched the people around us more
and I was proud of our town. I wonder
what the 500th Fourth will look like.
— Steven S.
GROUNDCOVER NEWS
What’s
Happening
at the Ann
Arbor
District
Library
Open 10am–8pm Daily
Visit any of our five locations
across town to browse books,
magazines, newspapers, and
more. Check out movies, CDs, art
prints, musical instruments, or
even home tools—you name it!
Enjoy fast and free WiFi, study
and meeting rooms, and plenty
of comfortable spaces to relax or
hang out.
Public Computers
The AADL has public-access
Internet computers available for
use by both cardholders and noncardholders
at all five locations.
Each station has USB ports,
headphone jacks, and some of the
fastest WiFi speeds in town!
Exhibitions at AADL
In an effort to increase the visual
education & artistic experience of
all visitors, the Library’s exhibition
program features local, regional, &
national artists as well as traveling
exhibits. Potential exhibitors can
submit an application along with
images of the actual works to
be considered for review by the
Library Exhibits Committee.
Summer Game Code:
ITSCOVERED
FEATURED EVENT
5
LEGO Contest • Sunday, August 2
• Sheraton Hotel
Enter your best LEGO project in
AADL’s 21st annual LEGO Contest,
held at the Sheraton Hotel. Learn
more and explore the contest
guidelines at aadl.org/LEGO!
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GROUNDCOVER NEWS
MUSEUMS
University of Michigan Museum of
Art (UMMA) is a museum on State
Street with artwork that reels in people’s
attention as soon as it’s spotted. I
went into this museum and interviewed
Stella Moore, who was working
at the front desk.
Tygar: What is your all-time favorite
exhibit?
Stella: American Sampler because it
covers U.S. history of activism and protest
from the 50s to the 70s.
TYGAR MOORE
Groundcover vendor No. 664
the museum — did you study the art
or just browse?
Stella: Browsing on the first go but
over time I studied the artifacts.
Tygar: How would you get tourists
to come visit?
Stella: They notice the sculpture
"Behind the Walls" and it draws the
attention of the tourists.
Tygar: On a scale from 1-10, how
would you rate the museum?
Stella:10!
Tygar: What’s the audience’s favorPainting
by Romare Bearden,
currently on exhibit as part of
American Sampler: Activating
the Archive.
Tygar: Have any of the artifacts
reeled you in to traveling to the actual
landmark?
Stella: Nigerian table manners made
me want to try Nigerian cultural foods.
Tygar: What are some details that
you can remember about a culture that
is in the exhibit?
Stella: Felix Gonzalez Torres (two
light bulbs that glow and burn out) in
American Sampler.
Tygar: How was your first go around
ite exhibit?
Stella: "Love is What You Want" by
Tracey Emin on the third floor.
My interview with Stella made me
wonder about how you would attract
tourists to a museum without artworks
in front of the exhibit, which led me to
the Kelsey Museum of Archeology,
also on State St., and my interview with
Jordan, the front desk coordinator.
Tygar: What is your all-time favorite
exhibit?
Jordan: Cat mummies.
Tygar: Have any of the artifacts
reeled you in to traveling to the actual
landmark?
Jordan: An arrowhead — it got me
Left: Orion (2008) by Mark di Suvero. Right: Behind the Walls (2018) by
Jaume Plensa, both found outside the UMMA on State Street.
to travel to Sylvania, Ohio for the stone
dig.
Tygar: What are some details that
you can remember about a culture that
is in the exhibit?
Jordan: Cat mummies tells the story
about the mummification of the cats.
Tygar: How was your first go around
the museum? Did you study the exhibits
or just browse?
Jordan: Browsed.
Tygar: How would you get tourists
to come visit?
Jordan: Flyers and posters on what
to look for.
Tygar: On a scale from 1-10, how
would you rate the museum?
Jordan: 9.
Tygar: What’s the patrons’ favorite
exhibit?
Jordan: The villa exhibit with interactive
artifacts.
From my visits to both museums, I
really enjoyed the interviewers and
looking at the pieces of art to see what
really intrigues people and what reels
them in.
University of Michigan Museum of
Art is located at 525 S. State St. Tue–
Thu: 11 a.m. – 5 p.m; Friday 11 a.m.–8
p.m.; Sat–Sun 10 a.m.–5 p.m. closed on
Mondays. Kelsey Museum of Archaeology
is located at 434 S State St. Tue–
Friday: 10 a.m.–4 p.m.* Sat–Sun 11
a.m.–4 p.m. Closed Mondays and University
holidays. *Open late (until 7:30
p.m.) on the third Thursday of each
month! Both museums are free to the
public.
JULY 10, 2026
U-M campus museums lure visitors with visuals
 EVICTION from page 4
As far as the rest of Hellenga’s homework,
here is the full list of tasks and his
status report (in quotes) as of June 29:
Call and arrange a meeting with BellKramer
residents, the camp residents,
WCO, LEAF, PATH, and Home of New
Vision.
“Scheduled for July 8.”
Check on if the opioid settlement
funds can be used by checking with the
Attorney General’s Office.
“Yes, if the focus is on harm reduction,
the funds can be used.”
Increase Ypsilanti Police Department
patrols in the area.
“Yes, patrols have been increased.”
Place trash cans and sharps containers
at the edge of the encampment.
“Sharps containers were provided by
LEAF, and a 20-yard dumpster has
been placed there. Currently, the site
is being cleaned by the SHINE Team
and should be completed the week of
July 6.”
Overall, there seems to be some
attempt at cooperation between advocates
for the resolution and advocates
for the people sheltering in the
encampment. When asked about the
climate of the June 16 city council
meeting, Foster said, “It felt like the
‘window of positive growth’ was
moving forward. There were a lot of
people at that City Council meeting
who lived in that neighborhood, BellKramer,
and were there to advocate for
the resolution.”
Foster summarized, “Whether
people there were in favor of or in
opposition to the resolution, they had
constructive conversations eventually.
They had conversations that started
out tense and sort of oppositional, and
they reached a point where they could
talk.”
The resolution echoes best practices
from the National Law Center on
Homelessness and Poverty which were
read aloud at the June 16 city council
meeting by Council Member Simmons.
There are six:
All people need a safe, accessible,
legal place to be, both at night and
during the day, and a place to securely
store belongings until permanent
housing is found.
Delivery of services must respect the
experience, human dignity, and
human rights of those receiving them.
Any move or removal of an encampment
must follow clear procedures
that protect residents.
Where new temporary legalized
encampments are used as part of a
continuum of shelter and housing,
ensure it is as close as possible to fully
adequate housing.
Adequate alternative housing must
be a decent alternative.
Law enforcement should serve and
all members of the
protect
community.
Update: On July 8, parties (City of
Ypsilanti staff and council members, a
camper and a homeowner fromBell-Kramer,
CMH, LEAF and WCO)
met via an online call to continue solutions-oriented
conversations. Information
was shared regarding the dire state
of our state’s housing resources. City
Manager Andrew Hellenga committed
to supporting campers with employment.
An informal task force was
formed to draft proposal language to
create a safe tenting site, for proposal at
the July 21 Ypsi City Council meeting.
׉	 7cassandra://ySCw0wE_SRllaHdp3ZiKswuqOwPrDcXWVcn2F71xNPMU` jO~2$!M@׉EJULY 10, 2026
GALLERIES
GROUNDCOVER NEWS
Local Ypsi advocate facing misdemeanor for
checking on elderly man
FROM LOCAL REPORTS
On January 18, 2026 an Ypsilanti
community advocate (uses they/them
pronouns) was worried about a cognitively
impaired elderly Black man who
was being detained by police outside
the Ypsilanti Transit Center. The
advocate knows the man well, having
acted as a caretaker for him in the past,
and they were worried about a violent
outcome to the ongoing arrest. They
heckled the police and took a photo of
what was happening while the police
detained the man, eventually sending
him to the hospital. Six months later,
the advocate is now facing a misdemeanor
charge for “interfering with a
police investigation.”
They received paperwork in the mail
on Monday, July 5, with notification
about a Zoom pre-trial arraignment
scheduled for 9 a.m. on Monday, July
22 at the 14-2A District Court.
Charges are being brought by City
Attorney Randolph "Randy" Barker on
behalf of the Ypsilanti Police Department.
Contact Barker and demand he
drop the charges on Kaitlin Pedri!
Email barker@cmplaw.com or call
734-997-2156.
7
Jelena Damnjanovic: "I want people to see my art"
ANJA MIHIC
Liceulice, street paper in Serbia
I recently started selling Liceulice.
I’m involved in art, but I was unemployed.
I went to a special education
school in Novi Sad, Serbia and trained
as a bookbinder. Before that, I was in a
regular elementary school, but it
wasn’t going very well for me. I had a
problem with that environment. My
mother thought I should change it, so
we did. In the new school, I was the top
student of my year.
I had a beautiful and happy childhood.
I grew up in a good family. I
could relax when I was a child. I played
and spent time with friends. Life was
healthier back then. People were more
sociable; we spent more time together.
Today, playgrounds are half empty; I
suppose the internet has distanced us
from one another. School was a bit of
a problem for me, but that happened
and passed. In the end, I managed to
find my own path and do what I love.
I started drawing and painting when
I was still a child. I drew and scribbled
wherever I could. I also worked with
clay and plasticine. My mother taught
me all of that. I did a lot of creative
things and showed talent. My mother
then enrolled me in an educational
program at the School of Design in
Novi Sad. I was also active in several
humanitarian organizations, where I
mostly learned creative things, such as
decoupage [covering objects with
paper or fabric]. And here I am, still
involved in art so many years later.
I’m interested in icon painting and
church art, but I also draw still lifes,
animals, people, children and characters
from films and series. I draw anything
I like or anything that touches
me. I also find inspiration in cartoons,
anime series, fairy tales and fables. I
love it when animation is creepy,
Gothic and twisted. I think it’s great
when cartoons are a little scary. That’s
why I’m a big fan of Tim Burton.
I also do graphic design, illustration
and digital art. I mostly like working
with acrylic paints, tempera, and
markers, but I also use drawing programs
and Photoshop. I use whatever
I can get my hands on. I know how to
work with charcoal and almost every
other drawing material.
I have taken part in many exhibitions.
I sold paintings in cooperation
with the special school I attended. The
years when I couldn’t work because of
Covid were difficult. Everything
changed after that. I managed to go to
art colonies. I took part in various
events and festivals, and traveled quite
a lot outside Serbia. Then, in 2022 and
2023, I worked at Inkluzivno mesto,
the work center of my school’s daycare
center. There I held exhibitions and
sold paintings. Last year, I had a sales
exhibition at the Stevan Sremac
Library in Novi Sad.
When I draw, I feel good. My wish is
to have my own studio: to paint icons,
works of art and portraits; to have my
own little place where I can work. My
uncle introduced me to icon painting.
Still, I learned the most from my
mother, who sadly died of cancer in
2017.
I also learned a lot at art colonies and
at the daycare center from my mentor
Ivana. At the colonies, there is good
company and a nice atmosphere. The
people are good, there is nature and a
person can relax. I want to visit more
of those art colonies around Serbia, to
see everything that is organized and
happening. I would also like to go to
Belgrade for an exhibition, to see that
too. I also want people to see and feel
my art.
I have had good experiences with the
Patrija association, through which I
sell Liceulice. They organize workshops
where I met many colleagues:
Ružica, Ištvan, David, Zoran, Mira,
Jelena is a Liceulice vendor who
enjoys painting and illustrating.
Photo by Anja Mihic.
Radmila. We have a nice time together.
Now that I have started selling the
magazine, I don’t have as much free
time anymore. I paint as much as I can
and whenever I manage to. I try. I also
get a little tired from all the walking
involved in selling. I sell in various
places in Novi Sad, wherever there are
a lot of people.
Sales are going well for me, and they
make me happy. It helps me not sit at
home so much. I move around, I walk.
It relaxes me to go from one location to
another. Last summer, I sold quite a
lot. I live well from it, I can earn money.
I also read the magazine myself. I like
the texts about feminism and environmental
protection, about how to make
our planet cleaner and better. I like
that the texts in the magazine often
talk about how we should help one
another in difficult times. I recommend
those kinds of texts to customers
too. The only thing I would add is more
texts about animation and anime cartoons;
that
Illustrations
by Jelena Damnjanovic
would
be
interesting.
Translated from Serbian by Rade Zivanovic.
Courtesy of Liceulice / INSP.ngo
really
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GROUNDCOVER NEWS
DUNBAR TOWER
JULY 10, 2026
Echoes of honor: murals at Dunbar Tower revive
history, community in Kerrytown
CISSE LOVE
Groundcover contributor
The next time you visit the Ann Arbor
Farmers Market, be sure to view the
amazing murals adorning Dunbar
Tower at 121 Catherine Street in historic
Kerrytown. Artist selection began
with a Request For Qualifications
where artists described their interest,
references, and video and pictures of
prior artwork for consideration. Now
we can live with such a dynamic and
beautifully
cultivated
collection
worthy of the name Dunbar.
There you will encounter the work of
the live painter and muralist Curtis Wallace,
whose work reflects elders holding
space for their Grands and imagining a
future where anything is possible. The
visual images of a child’s imagination of
other-worldly beings
is
creatively
painted by Robin Speth on the rear
entrance of suite L. Freelance artist and
muralist T’onna Clemons graced the EV
charging spaces with her signature cartoons
that reward us with vibrant
reminders and offer instruction. Residents
can enjoy an activity space framed
with T’onna’s mural of the archetypical
black family dressed in boldness, with a
colorful contrast that accentuates the
church as its cornerstone. Painter Chadwick
Smith provides a contemporary
mural found in the lobby area of the
building welcoming to residents with
beauty and diversity.
Dustin Hunt, the creative and
founder of Muralmatics, specializes in
socially-engaged, community-based,
commissioned art-work. I hope you
are as impressed with his graffiti style
application as I am. The subject of his
work is the historic Dunbar Center
(1923-1960 at various locations) now
known as the Ann Arbor Community
Center located at 625 N. Main Street in
Ann Arbor. The parking garage showcases
what Dustin explained resulted
in this series of vignettes; his process
for discovery included the insightful
staff at the downtown AADL.
Reviewing interviews and other first
person narratives, Dustin learned the
Dunbar Center was used for community
organizing, boyscouts, homework
help, social dances, and other people-building
activities in the black community.
Dustin found connectivity with
his subjects and focused his artistic
expression on how the community
bonded together. You can imagine it to
be a history lesson beautifully displaying
and gloriously honoring the Kerrytown
residents who lived here a century
ago. Don’t miss the young man depicted
reading, who can hold a lighter load
because of those who came before him.
In a brief interview, Dustin expressed
his desire to depict a supportive group
of people, community building activities,
and humanitarian efforts of
BIPOCs (Black, Indigenous, People of
Color) in their age. In his words, “The
kiddo that’s on the left side of the composition
is wearing a sweater. Inside
his sweater, there is going to be one red
thread that wraps back into the history
to say that he is protected by and kept
warm by his history and all the connectivity
found in those activities.”
What an excellent job creating
vignettes depicting the rich history of
Ann Arbor when prominent black
neighborhoods worked through pivotal
parts of our country's history. All
of the murals bring the past into the
present by inspiring us today. Dustin's
contribution is a great addition alongside
those of fellow artisans. I hope all
of the A2-Townies visit the Dunbar
Tower parking structure to view this
amazing masterpiece.
I was happy to catch T’onna Clemons
putting some finishing touches on
the parking spaces and enjoyed her
interview thoroughly. This artist is
ancestrally a product of Kerrytown and
a whole creative vibe. T'onna has been
a professional artist for close to twelve
years and states she feels like she has
been one her entire life. T’onna graciously
expresses, “My inspiration is
waking up everyday and being myself.
Because, doing art is just me — it’s just
part of my life in general even when I
am not working.”
A true Ann Arbor-Indigenous, Ms.
Clemons' family has lived in Ann Arbor
for seven generations and she attended
Pioneer High School. T’onna decided
to become an artist over the family-expected,
standard career paths and
chose not to lean on the mind-set of a
starving artist. She continued to make
art, be creative, and grow in her craft,
deciding to build her acumen as a
painter. During the pandemic, T’onna
would bring her supplies, business
cards and a desire to paint something
large to West Park. Weekly she would
bring a ten foot canvas to the park,
drape it about the baseball diamond,
and go to work. According to T’onna,
“That’s how it started, a painting in the
park and a couple of free murals.”
Her encouragement to young artists,
“Always bet on yourself, and never
doubt yourself. Never let anyone doubt
you, and know that as long as you try
and give effort to something, it will
always work out.”
Thank you for being the creative you
are. See more of Ms. Clemons paintings,
comics, murals and prints at
www.tlcart.gallery and Dunbar Tower.
Murals embody the artistic expression
of the building's namesake, Paul
Laurence Dunbar: rich in character,
expression and diversity. I hope the
reader will join me in visiting the
Murals in the parking structure and
through-way between Dunbar Tower
and Mocha House on Catherine Street.
׉	 7cassandra://j7YZcTGhuSgq23a7s9i5PXvThP1Tek_0lt19vxoCR_wZ` jO~2$!MB׉EJULY 10, 2026
DUNBAR TOWER
MIKE JONES
Groundcover vendor No. 113
Imagine you find yourself unhoused.
Imagine trying to create when displaced
and constantly on the move.
Imagine having all these artistic visions
in your head but not being able to
manifest them because you are too
occupied with basic survival.This often
happens to people who find themselves
unhoused; their artistic talents
go unused, not allowing that individual
to thrive, but only to survive.
The Dunbar Towers is located at 121
Catherine on the northwest corner of
4th Avenue and Catherine Street in
Ann Arbor, and has 63 living units,
with half the apartments for people
experiencing homelessness and half
geared toward low-income artists and
other creative types. It is now the new
home for former unhoused and
low-income individuals to create and
thrive, and to honor the city’s Black
Cindy Gere
Both stores where my art is
displayed are in the Ypsi area.
This, That & the ODDer Shop
is in Depot Town at 50 E Cross
St.
Twisted Things is in the downtown
area at 40 N. Huron St.
Please come and see Kung Fu
Panda’s artwork!
history.
Founded in 1923, the
Dunbar Community
Center was named after
the renowned African-American
poet and
novelist Paul Laurence
Dunbar. The Center initially
provided housing
for Black railroad workers
and students before
becoming a vital social
and cultural hub for the
city's Black community.
The Dunbar Towers
were built on the former
location of the Center to
honor that history.
The Old Fourth Ward
and Ann St./Fourth
Ave. Historic Districts was a predominantly
Black neighborhood centered
around several Black-owned businesses
for most of the twentieth century.
The Kayser Block building, just
GROUNDCOVER NEWS
Local low-income artists thrive at Dunbar Tower!
9
Artists TJ (left) and Andrew Patton (right) recently moved into Dunbar Tower.
I grew up in this neighborhood and
south of the site, was home to the Colored
Welfare League which housed
Black-owned businesses and community
organizations such as the early
Dunbar Community Center.
sell Groundcover newspapers in this
area, so I thought it would be nice to
see DUNBAR ARTISTS page 11 
James Manning
Denise
Shearer
Eamonn Ofoighill
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GROUNDCOVER NEWS
POETRY
The Beat Generation
STEVEN
Groundcover contributor
The first time I heard the term Beatnik
it was used disparagingly to
describe the character Maynard G.
Krebs on the 50s sitcom The Many
Lives of Dobie Gillis. My ten-ish-yearold
mind was blown. To see Gilligan in
black and white and not being Gilligan.
This must have been before he
became a sailor. I reckoned and
thought not much else about him or
Beatniks for a few years but then I
found "On The Road" by Jack Kerouac
and my life changed.
In the 90s there was a bit of a revival
of Beat culture. Many of us GenXers
embraced the hippies and weed and
free love but many also rejected hippies
for as many reasons as there are
people. For some of us, myself and
many of my friends, we had embraced
some punk rock ideals. AIDS made
free love problematic and frankly hippies
were many of our parents and we
rejected Boomers outright.
But the Beats now, our Grandparents’
generation, check. Smoked pot
and loved jazz, check, check. Outcasts
who rejected authority, embraced
Black culture and broke the rules of
the elite literary establishment, inspiring
a whole generation and creating a
lasting legacy of critical thought and
doing all this with style and panache.
Done. We were hooked.
There were and still are dozens of
Beat authors and poets and artists but
the unquestioned big three influencers
were headlined by Allen Ginsberg,
who wrote the famous epic poem
"Howl," a groundbreaking poem considered
by many to be a modern masterpiece.
I was lucky enough to see him
read an excerpt from "Howl" at Hill
Auditorium in the 90s. Hearing him
read it — I had read it — but hearing
him read it still gives me goosebumps
as I think about it now. He and many
of the Beats were also heavily engaged
with eastern thought and religion,
Ginsberg being a Buddhist and
involved with Ann Arbor's local Buddhist
monastery.
William S. Burroughs was older than
the rest and thought of as an elder
statesman of sorts. He was one of the
few early Beats who didn’t attend
Columbia University, but was connected
to people who did. He met the
other big two through a crazy series of
events including murder, hate crimes,
cover-ups, homosexuality (illegal at
Hal Chase, Jack Kerouac, Allen
Ginsberg, William S. Burroughs.
Near Columbia University.
the time), drugs and god knows what.
They lived counterculture.
Jack Kerouac, considered the Father of
the Beat Generation, a moniker he was
never comfortable with, was arguably
the most mainstream famous, making
TV appearances and publishing several
books to much acclaim. He wrote "On
the Road," a stream of consciousness
prose written as if he were using words
as his instrument to noodle jazz. He died
at 47 due to years of alcohol abuse. He
was known as an enthusiastic listener at
clubs and readings, hooting, hollering
and banging an empty gallon wine jug
on the floor the first time his friend read
"Howl" in public.
These three and many more — Gregory
Corso, Lawrence Ferlinghetti,
Amiri Baraka, Diane di Prima, to name
a very few — were more than writers
and poets and artists. They were free
thinkers in a world beat down by war
and institutionalized racism, political
disillusionment, enforced patriotism,
homophobia, sexism and religious
persecution. It's easy to see why so
many people still relate to them now.
They didn’t let The Man get them down
though, they changed the world.
JULY 10, 2026
City Walking
KELLI LEE MITCHELL
Groundcover contributor
Backpack, check. Ratty umbrella, check. Two pairs of shoes, check, check. I’ve logged a million miles in this city,
and I’m the only one who knows it. I could pretend that little Robin over there noticed me, but he’s just another
bird.
I might find a penny, or a cap, or a can. If I get lucky, someone will ask, “Uhh, how do you do, ma’am?” I’ll definitely
get asked for money, to which I’ll respond I have none. Soon spend the day being followed by a grudge from
someone’s bitter son. I’ll visit every museum, except for on Mondays. Have sunshine and book dates while I contemplate
the wind.
I’ll peek in every shop and wish I dressed the windows. I’ll pass by all the playgrounds and miss the laughter of my
kiddos. I’ll walk until the sun sets and then lie awake all night. Tomorrow I will watch the sun rise while I slowly
drink coffee and cry. Then I’ll go walking again.
Elements therapy
KELLI LEE MITCHELL
Hard Rain.
The element is rain and it pours down. Easily recognizable, I hear rain.
Let’s move back.
I move away from the rain. I picture my body as a cave. I see my nose, become
earth, and I push back……..far back.
I only see stone behind me.
When I look down, I see my surroundings. The front door is my nose. I see
light pour in from both sides. I look down again and see bone. I think I am
now the staircase.
׉	 7cassandra://qPKwiJUVC1zEiTJcdxXJdc29nqvtsto-mZtswyETRNoH5` jO~2$!MD׉E$JULY 10, 2026
POETRY
The specter of imperialism
AENEA KANAAN
Groundcover contributor
i don’t know about you,
but genocides are a specter
in my mind
running in the background
haunting me all the time
my family wasn’t perfect,
like most i knew strife
what i didn’t have to contend with however,
were daily bombs falling from the sky
their detonators cowards who can't look their prey in the eye
but through the lens of a drone
yet they take millions of lives
the bones keep piling up
they’re rotting in the sky.
but back at home, in the land where freedom rings
you only see blue
children of gaza, of congo, sudan, and sadly too many to name
see only an ashy hue
they can’t say the same as you;
their lives are evasion, starvation, survival
they make toys out of tank tires
while yours are safe on plastic
at the kindercare.
see the irony there?
the thought that doesn’t leave,
the one that always lingers;
are they not kids, just like yours?
just like you were?
kids should be kids, you say
kids deserve to be kids, i’d say
no matter the shade, from which land they came, from where
they call home —
they all want the same,
to play and have fun
to learn about their world
to love!
only theirs is staring down
the barrel of a gun.
despite it all... they darn those
rose colored glasses
i also wore to cope
the roses have become their eyes,
their blooming life lines
because seeing the light
keeps them alive.
GROUNDCOVER NEWS
11
Reiki Entanglement
Two hands
almost touching.
The space between them
is not empty.
Something moves.
PEDRO CAMPOS
Groundcover vendor No. 652
Not magic.
Not mystery alone.
Not something to sell.
Just relation.
Summer Breeze
EMERI JADE BEY
Groundcover vendor No. 660
Golden mornings spill like gold,
Across the fields where laughter's told.
Barefoot races through the grass,
Watching slow white clouds drift past.
Fireflies wake as daylight fades,
Dancing through the twilight glades.
Ice cream melts on smiling hands,
Tiny castles crown the sands.
Bicycles hum on winding streets,
To the rhythm summer beats.
Picnics spread beneath the trees,
Carried there by gentle breeze.
Skies are painted pink and blue,
Every sunset fresh and new.
Summer whispers, "Stay awhile,"
Wrapping every day in smiles.
When autumn calls with cooler air,
The memories remain to share—
A season stitched with sun and play,
Bright enough to light gray days.
 DUNBAR ARTISTS from page 9
stop by and take a look inside and talk
to a few residents.
I ran into an old friend who is an
artist and lives at the Dunbar Towers,
Andrew Patton. For the last two years
he asked me to write an article featuring
him and his art. We did an interview
right there on the spot.
Jones: What type of art do you do?
Patton: I make designer clothes,
paint pictures, I do tattoos, I do it all.
Jones: How long have you been
doing art?
Patton: All my life.
Jones: How do you like living at the
Dunbar Towers?
Patton: I've been unhoused for four
years, I’m happy to have my own.
Jones: What are your plans going
forward while living at the Dunbar
Towers?
Patton: I plan to hold workshops
here and collaborate with other artists
who are my neighbors here.
I saw another old friend named
Joseph, who also grew up in this neighborhood.
When asked how he likes
living there, Joseph said, "It’s like being
at home."
TJ Rice is also a resident at Dunbar
Towers. He is a friend of mine I met at
the Sunday Artisan Market. The Artisan
Market is an open-air artist-run
bazaar in Kerrytown; TJ's been selling
art there for eight years.
Jones: What type of art do you do?
TJ: I do abstract art, I’m the tie-dye
guy. I take ordinary clothes and turn
them into something different.
Jones: How long have you been
doing abstract art?
TJ: Since I was six years old, and
have been doing it ever since.
Jones: What do you like most about
the market?
TJ: The good people I meet and it
A calm mind
can calm another.
A steady heart
can steady another.
A word spoken with love
changes the body.
Breath slows.
Tension softens.
Hope returns.
We affect each other
continuously.
Through touch.
Through presence.
Through silence.
Perhaps healing
is not energy transferred
from one person to another.
Perhaps healing
is coherence.
Two beings,
one field.
Not possession,
but resonance.
Not control,
but alignment.
Perhaps Reiki
is simply this:
Love
becoming coherent.
Namaste.
I bow
to the divine in you.
provides income during April to the
end of December.
The Housing Commission is now
working on the ground floor space for
arts-related programming like workshops
and a show gallery where artists
can display and sell their art to the
public, starting in September.
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GROUNDCOVER NEWS
LIVING ARCHIVE
JULY 10, 2026
Is the Art Fair?
Now that the Ann Arbor Art Fair is
just around the corner, many vendors
are becoming anxious about whether
or not they will maintain their sales
levels during this busy week. Despite
the fact that this is a venue where visitors
from all over the world gather to
observe works of art, the Groundcover
News vendors must curtail their sales
because the Art Fair encompasses
much of the area where vendors are
often stationed. Under current city
rules, our only presence is the nonprofit
booth where Art Fair attendees
can stop by, make a purchase or just
learn about the street paper. This, however,
still restricts the sales of vendors
because our time at the booth is limited
to two-hour slots.
The painful reality is that while the
general public relishes this event for its
own pleasure, for vendors it is a time
for reduced sales and increased stress
because an error in judgement over
boundary restrictions could result in a
fine which would take a toll on alreadystrained
incomes.
Even though vendors are able to sell
elsewhere during this week, we are not
allowed where all the activities are
But the wary public dodges the issue
of poverty and homelessness and it is
not a stretch to think that city policies
are contributing to this dilemma. The
language on our permits is specific:
“All peddler/solicitor permits are
INVALID during Ann Arbor Art Fair.”
The chilling reality is that the laws
ELIZABETH "LIT" KURTZ
Groundcover vendor No. 159
taking place inside the fair. Instead we
must greet already-wary customers on
the far peripheries, hoping to somehow
gain their attention as they enter
and exit the event.
Groundcover should be welcomed
at every event — not just on the merit
of the paper, but because it represents
the acceptance of those who are marginalized.
While we are facing the
crisis of homelessness, nothing in
society should be business as usual,
and it seems unfair that some have the
luxury of enjoying the superfluities of
life at the expense of others who can
barely survive.
that govern Groundcover sales within
the Art Fair have not been revised in
over three decades. When this permit
went into effect, there had been no
cuts to the federal housing budget. But
since that time, the second-greatest
recession in our nation’s history has
left its aftermath of homelessness and
extreme poverty.
No city event should be a place for
the public to forget that these problems
exist, but rather should offer an
opportunity to engage the Groundcover
community further. To comprehend
that vendors are not beggars, but
are selling a product designed to eliminate
the economic barriers and those
of misunderstanding that exist
between the haves and the have-nots.
No venue should be off-limits for
Groundcover to present this simple,
yet powerful message.
Originally published in the July 2016
edition of Groundcover
Since their inception in the 1980s,
street papers have transformed many
lives with their simple win-win concept.
I am convinced that once we are
allowed a presence in the Art Fair, the
lives of the thousands of visitors who
make the annual trek to Ann Arbor Art
Fair will be enriched by everything
Groundcover News has to offer.
Gratitude to Chuck Warpehoski – ban lifted!
ELIZABETH "LIT" KURTZ
It seems rare when two entities sync
and create positive change. It happened
last month when Groundcover
News, designed to link us to the larger
community, and the City of Ann Arbor
solved a perplexing issue that had
dogged the Groundcover since its
inception.
In a previous July 2016 article entitled
“Is the Art Fair?” I bemoaned that
the lack of Groundcover News representation
at the July Art Fair seemed
unfair. The article mentioned the
dilemma faced by Groundcover vendors
during Art Fair of being confined
to only one booth.
Almost before the ink set, Councilman
Chuck Warpehoski was contacted
about the problem by Groundcover
editor Lee Alexander and he set about
finding solutions to the dilemma.
Without hesitation, Warpehoski went
to work untangling the conundrum. It
turned out there is an existing clause
that allows vendors to sell under a
Charitable Solicitation Permit. This
recognizes us as being members of a
community of people who are marginalized,
and therefore have the right to
ask for a donation.
This by no means suggests that vendors
are not entrepreneurs, as we are.
But as with all street papers, our work
is done under the umbrella of a nonprofit,
which allows us to ask for
donations.
Thanks to Chuck’s MacGyver-like
efforts, within a week of the article
being published, another councilman
approached me outside of the YMCA
where I was selling and asked if I had
heard the news. Councilman Chip
Smith informed me that we would be
allowed to sell within the Art Fairs. I
was ecstatic.
We are indeed fortunate that we are
among the cities that have a street
paper, which allows the general public
an opportunity to connect to us in a
meaningful, safe manner. We are even
more fortunate to have a caring, proactive
Councilman who works on our
behalf. For that, we are more than
grateful.
Originally published in the August
2016 edition of Groundcover. Because
of Kurtz' 2016 advoacy, Groundcover
vendors have been selling newspapers
during the Art Fair for 10 years— confidently
— knowing they are protected
by their Chartitable Solicitation permit.
Support a Groundcover vendor if you
visit the 2026 Art Fair for yourself!
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ANN ARBOR ART FAIR
WILL SHAKESPEARE
Groundcover vendor No. 258
The Ann Arbor Art Fair is one of the
largest art fairs in America. It has consistently
ranked as one of the best in
the nation. It is the largest juried art
fair in the United States. From 1994 to
2024, USA Today ranked the Ann Arbor
Art Fair as the second-best art fair in
the nation.
There are actually three fairs: The
Ann Arbor Street Art Fair, the Original;
The Guild’s Ann Arbor Summer Art
Fair; and the Ann Arbor State Street
District Art Fair.
The Ann Arbor Art Fair started
around 1960. It is one of the oldest
summer street art fairs in America.
This outdoor street festival spans about
30 city blocks within downtown and
the University of Michigan’s Ann Arbor
campus.
In May 2024, Ms. Karen Delhey,
Executive Director of the Ann Arbor
Summer Art Fair, told Detroit News
reporter Ms. Samin Hassan, “I’ve been
with the Ann Arbor Art Fair for 18 years
now, and each year it just keeps getting
bigger and better.”
With visitors from Michigan,
Canada, Europe and several states in
the nation, there are estimates of more
than 500,000 people in attendance.
Between July 16 (Thursday) and July 18
(Saturday) this year, we should expect
about 1,000 juried artists to participate
in the Summer Street Art Fair.
My past experiences
I have attended and participated in
several summer art fairs in Ann Arbor.
I have accumulated so many memories
that can last a lifetime. I have done
volunteering for homeless advocacy
and the Groundcover newspaper
between Liberty and Division Streets.
That section between Division Street
and Fifth Street across Liberty Street is
for Washtenaw-based nonprofit
organizations.
I have done lots of street walking,
chatting with artists and art fair visitors
while attempting to sell Groundcover
newspapers. I have done large scale
publicity in order to introduce faraway
visitors and many Washtenaw
County residents to our community
engagement news and information.
Those efforts have captured the interest
of Art Fair visitors and their willingness
to buy newspapers.
I have been able to meet with
Summer Art Fair visitors from France,
Belgium, Germany and Canada. Our
conversations sparked instant affection
and a desire for friendships. In my
earlier experiences, I visited hundreds
of booths and attempted to describe
some of the artwork including photography
in my own words.
In one display booth in front of Rackham
Building, I saw photographs from
France, Italy, Spain and Greece on display.
Based on my experiences in western
and southern Europe, I started to
talk about the displays inside and outside
the booth. Several art-lovers
walked by and stopped to hear my
vocal and passionate descriptions.
Some of them clapped their hands
when I stopped and was about to walk
away. I did not know that the artist
who rented the booth (who comes
from Chicago) and his wife listened to
me and clapped.
So when I left and was heading to the
fountain at Ingalls Mall, the photographer/artist’s
wife ran after me. She
stopped me, almost out of breath from
the summer heat. She said, “My
husband is the photographer. He
asked me to run after you and bring
you back to the photographic booth.”
When the two of us finally saw her husband,
he thanked me for attracting a
lot of visitors to their booth. He also
wanted me to do a recording of my
voice describing the photographs from
Europe. I did, and was ready to walk
away when the wife gave me their
business cards and invited me to their
art and photographic studio on the
south side of Chicago. She also gave
me a copy of her book titled, “Colorism,”
which was published by the University
of Chicago press.
My second memorable experience
during the Summer Street Art Fair was
my decision to volunteer and help the
owner of Ann Arbor’s Anthony’s Gourmet
Pizza to increase the volume of
traffic and subsequently the volume of
sales at the food truck on the corner of
Liberty Street, between Main and
Ashley Streets. The owner, a
Greek-American businessman known
as Theo, offered to pay me in cash or
pizza. That was an easy decision! My
choice was to be paid with Anthony’s
Gourmet Pizza.
When my shift ended, Theo generously
handed me a couple of pizza
boxes. The boxes contained Chicago-style
deep dish pizza. I only worked
for one afternoon on a Saturday. When
I got back home in central campus, my
housemates were jumping up and
down because they had been looking
forward to eating lots of Anthony’s
deep dish pizza. Many people in Ann
Arbor believe that Anthony’s makes
the most delicious pizza though it is
high-priced. It could make anyone’s
taste buds explode with delight. It can
make the palate and tongues linger
memories reminiscent of a great
Schillington Morgan selling
Groundcover during the Art Fair.
Giordano’s Chicago deep dish pizza.
OOO LALA!!!
Conclusion
After attending and participating in
the Ann Arbor Summer Street Art Fair
for so many years, I do wonder what
some famous connoisseurs of artistic
beauty, love and freedom of expression
might think — such as playwright
William Shakespeare and poet John
Keats. Shakespeare might take us back
to his Sonnet #18: “Shall I compare
thee to a summer’s day? / Thou art
more lovely and more temperate …
And summer’s lease hath all too short
a date; / Sometimes too hot the eye of
heaven shines, / And often is his gold
complexion dimm’d …”
The phenomenal 20-something
English poet John Keats might want us
to remember his famous poem known
as “Endymion.” The poem says, “A
thing of beauty is a joy forever …”
Enjoy Summer Art Fair 2026!
GROUNDCOVER NEWS
Observing, participating in Ann Arbor Art Fair
13
Groundcover Vendor Code
While Groundcover is a non-profit,
and paper vendors are self-employed
contractors, we still have expectations
of how vendors should conduct
themselves while selling and representing
the paper.
The following is our Vendor Code
of Conduct, which every vendor
reads and signs before receiving a
badge and papers. We request that if
you discover a vendor violating any
tenets of the Code, please contact us
and provide as many details as possible.
Our paper and our vendors
should be positively impacting our
County.
• Groundcover will be distributed
for a voluntary donation. I agree not
to ask for more than the cover price
or solicit donations by any other
means.
• When selling Groundcover, I will
always have the current biweekly
issue of Groundcover available for
customer purchase.
• I agree not to sell additional
goods or products when selling the
paper or to panhandle, including panhandling
with only one paper or selling
an issue more than 4 weeks old.
• I will wear and display my badge
when selling papers and refrain from
wearing it or other Groundcover gear
when engaged in other activities.
• I will only purchase the paper
from Groundcover Staff and will not
sell to or buy papers from other
Groundcover vendors, especially
vendors who have been suspended
or terminated.
• I agree to treat all customers,
staff, and other vendors respectfully.
I will not “hard sell,” threaten, harass
or pressure customers, staff, or other
vendors verbally or physically.
• I will not sell Groundcover under
the influence of drugs or alcohol.
• I understand that I am not a legal
employee of Groundcover but a contracted
worker responsible for my
own well-being and income.
• I understand that my badge is
property of Groundcover and will not
deface it. I will present my badge
when purchasing the papers.
• I agree to stay off private property
when selling Groundcover.
• I understand to refrain from
selling on public buses, federal property
or stores unless there is permission
from the owner.
• I agree to stay at least one block
away from another vendor in downtown
areas. I will also abide by the
Vendor Corner Policy.
• I understand that Groundcover
strives to be a paper that covers
topics of homelessness and poverty
while providing sources of income
for the homeless. I will try to help in
this effort and spread the word.
If you would like to report a violation
of the Vendor Code or leave
positive review of a Vendor experience
please email contact@
groundcovernews.com or fill out
the contact form on our website.
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GROUNDCOVER NEWS
PUZZLES
Flower Power
Peter Collins
JULY 10, 2026
Cartoon by Libby Chambers
ACROSS
1. Doesn't take anything in?
6. One of a pair on a table
10. Jarred sauce brand
14. Accustom
15. Bridge support
16. Musk of Tesla Motors
17. "Fancy" rapper
19. Beatles movie or song title
20. Added on, botanically
21. Cooling-off period?
23. "Wedding Bell Blues"' composer
Laura
24. Porky's girlfriend
27. ___ Magnon
29. About to get
30. Barnyard sound
32. L.A. suburb mentioned in Tom
Petty's "Free Fallin'"
35. Smirnoff rival
39. Best Supporting Actor nominee
for "Bang the Drum Slowly" and
"Moonstruck"
42. "Not guilty," for one
43. Bubbled up
44. Yoko of music
45. Unit of heat
47. "Much appreciated," in a text
49. Grammy nominated country/folk
singer
54. On any occasion
57. 1932 Ford auto
58. Magnificent
60. Trick
61. "Grace and Frankie" star
64. French fashion magazine
65. "Pardon the Interruption"
network
66. "Twilight" protagonist ___ Swan
67. Setback
68. Frisbee
69. Cutlery material
DOWN
1. Pretend
2. Peeved
3. Moose tracks holder, maybe
4. Strive to get
5. Straphanger's lack
6. Gardener's tool
7. Have a cold, say
8. Director Spike or Ang
9. Cost for riding Amtrak
10. Practice, theatrically
11. Take ___ of faith
12. ___ body (cell part)
13. Remove, as a currency from a
fixed rate
18. Led ___ (British rock band, for
short)
22. AFL-___
25. No-win situation?
26. Allow to flow again
28. Mine extraction
30. Top star, initially
31. Crude matter?
33. Debilitated
34. Bit of bad weather
36. Tennessee's third largest city
37. Yang's counterpart
38. Former NBA great ___ Ming
40. Some marbles
41. Banned insecticide for short
46. Good cholesterol, briefly
48. Knight cap?
49. Drive
50. Comics friend of Nancy
51. Personal heroes
52. Boy band of the '90s
53. Noise of disapproval
55. French novelist ___ Zola
56. Pertaining to kidneys
59. Fishing floats
62. "It ___" ("Who's there?" reply)
63. What DJs spin
PUZZLE SOLUTIONS June 26, 2026 edition
Originally published in the April 2019 edition of Groundcover
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RESOURCES
Easy strawberry dessert
ELIZABETH BAUMAN
Groundcover contributor
Ingredients:
3 cups strawberries
1/2 cup heavy cream
2 tablespoons brown sugar
Directions:
Remove stems and wash and cut
the strawberries into marble-sized
pieces. Use a fork to crush and
mash the strawberries (rough,
chunky texture with plenty of juice
rather than a smooth puree). Place
in the fridge for 1 hour. Remove
from the fridge and sprinkle the
brown sugar over the strawberries.
Pour the cream over the mixture
and crush slightly then stir to combine.
Serve immediately in small
dessert dishes.
Absentee voting started June 25.
Optional early voting started
July 6. Mandatory early voting
starts July 25.
Election day is Tuesday, August 4
(7 a.m. to 8 p.m.)!
WHO CAN VOTE?
Voters must be U.S. citizens, at
least 18 years old, and must have
lived in the city/township in which
they registered for 30 days. Voters
cannot be serving a sentence in jail
or prison at the time of registering
or voting.
REGISTRATION
If you have a Michigan driver's
license or state ID, you can regsiter
to vote online. Start the process at
Michigan.gov/Vote. You can register
any time up through Election Day by
going to your city or township
clerk's office; bring your proof of
residency.
Ann Arbor: 301 E. Huron St.
Pittsfield Township: 6201 W Michigan
Ave, Ann Arbor
Ypsilanti: 1 S. Huron St.
Ypsilanti Township: 7200 S. Huron
River Drive, Ypsilanti
GROUNDCOVER NEWS
voting INFORMATION
FOR PERSONALIZED VOTING
INFO
vote411.org
www.washtenaw.org/
information-for-voters
View the official list of candidates
for the Democratic and
Republican party, as well as the
official list of proposals at:
www.washtenaw.org/4448/
Current-Election-Information
WHERE TO VOTE?
Find your polling place or early
voting sites (different locations) at
mvic.sos.state.mi.us/Voter/Index
Request an absentee ballot at:
Michigan.gov/Vote
Miss the June 26, 2026 Groundcover
News "Michigan Primary
Edition?" Read online at www.
groundcovernews.org, under
Street News-Digital Issues.
ELECTION DAY PROBLEMS?
Report an election issue by calling:
1-866-OUR-VOTE (866-687-8683)
Call or text
1-888-VE-Y-VOTA (en Español)
15
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GROUNDCOVER NEWS
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JULY 10, 2026
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08/07/2026
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