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î€µî�ˆî��î�“î�€î�‰ î€­î�€î�“î�”î�‘î�€î�‹ î€¡î�‘î�€î�’î�’ î€¢î�Žî€� î�ˆî�’ î�€ î�ƒî�‘î�„î�€î�Œ î�…î�”î�‹î‚›î�‹î�‹î�„î�ƒ î�Žî�… î�“î�‡î�‘î�„î�„ î�–î�Žî�Œî�„î��î€Œî�’î�ˆî�’î�“î�„î�‘î�’ î€¶î�„î��î�ƒî�˜ î€¬î�”î�‹î�‹î�€î��î�„ î�€î��î�ƒ î€©î�„î�€î��î��î�„ î€§î�Žî�‹î�‹î�€î��î�ƒî€‹ î�€î�‹î�Žî��î�† î�–î�ˆî�“î�‡ î�“î�‡î�„î�ˆî�‘ î�‚î�‹î�Žî�’î�„ î�…î�‘î�ˆî�„î��î�ƒî€‹
î€©î�„î�’î�’ î€¨î�“î�€î�‹î�ˆî�€ î€«î�ˆî��î�‚î�Žî�‹î��î€� î€¡î�Žî�‘î�� î�–î�ˆî�“î�‡ î�Šî�ˆî��î�ƒî�‘î�„î�ƒ î�’î��î�ˆî�‘î�ˆî�“î�’ î�“î�‡î�„ î�“î�‡î�‘î�„î�„ î�–î�„î�‘î�„ î��î�‘î�Žî�”î�†î�‡î�“ î�“î�Žî�†î�„î�“î�‡î�„î�‘ î�“î�‡î�‘î�Žî�”î�†î�‡ î�“î�‡î�„î�ˆî�‘ î��î�€î�’î�’î�ˆî�Žî�� î�…î�Žî�‘ î�‰î�„î�–î�„î�‹î�‘î�˜ î�ƒî�„î�’î�ˆî�†î�� î�ˆî�� î�€ î��î�‹î�€î�‚î�„ î�Žîƒ‡î�„î�‘î�ˆî��î�†
î��î�€î�“î�”î�‘î�€î�‹ î��î�„î�€î�”î�“î�˜î€‹ î�‡î�ˆî�’î�“î�Žî�‘î�˜ î�€î��î�ƒ î�ˆî��î�’î��î�ˆî�‘î�€î�“î�ˆî�Žî��î€Œî�“î�‡î�„ î�’î�Œî�€î�‹î�‹ î�„î�‚î�‹î�„î�‚î�“î�ˆî�‚ î�€î��î�ƒ î�€î�‘î�“ î�ˆî��î�’î��î�ˆî�‘î�ˆî��î�† î�“î�Žî�–î�� î�Žî�… î€¦î�€î�‹î�„î��î�€ î€¨î€«î€�
î€³î�‡î�„ î�’î��î�€î�‘î�Š î�ˆî�†î��î�ˆî�“î�„î�ƒ î�–î�‡î�„î�� î€¶î�„î��î�ƒî�˜ î�€î��î�ƒ î€©î�„î�€î��î��î�„ î�–î�„î�‘î�„ î�“î�„î�€î�‚î�‡î�ˆî��î�† î�‰î�„î�–î�„î�‹î�‘î�˜ î�ƒî�„î�’î�ˆî�†î�� î�“î�Ž î�€ î�–î�Žî�Œî�„î��î‚’î�’ î�†î�‘î�Žî�”î�� î�ˆî�� î�“î�‡î�„î�ˆî�‘ î�‚î�‡î�”î�‘î�‚î�‡ î�ˆî�� î�“î�‡î�„ î�’î��î�‘î�ˆî��î�† î�Žî�… î€‘î€�î€�î€�î€�
î€¯î�‹î�€î�˜î�…î�”î�‹î�‹î�˜ î�€î��î�ƒ î�€î�‘î�“î�…î�”î�‹î�‹î�˜ î�Œî�€î��î�ˆî��î�”î�‹î�€î�“î�ˆî��î�† î�€ î‚›î�‹î�ˆî�†î�‘î�„î�„ î��î�„î�€î�ƒî€‹ î€©î�„î�€î��î��î�„ î�Žî��î�„î��î�„î�ƒ î�ˆî�“ î�€î��î�ƒ î�–î�‘î�€î��î��î�„î�ƒ î�ˆî�“ î�€î�‘î�Žî�”î��î�ƒ î�€ î�†î�‹î�€î�’î�’ î�’î�“î�Žî��î�„î€� î€¶î�„î��î�ƒî�˜ î�€î��î�ƒ î€©î�„î�€î��î��î�„
î�ˆî�Œî�Œî�„î�ƒî�ˆî�€î�“î�„î�‹î�˜ î�‘î�„î�€î�‹î�ˆî�™î�„î�ƒ î�“î�‡î�„ î�”î��î�‹î�ˆî�Œî�ˆî�“î�„î�ƒ î��î�Žî�“î�„î��î�“î�ˆî�€î�‹ î�Žî�… î�–î�‡î�€î�“ î�“î�‡î�„î�˜ î��î�Žî�– î�“î�„î�‘î�Œ î‚�î�‚î�‘î�„î�€î�“î�ˆî�•î�„ î�’î�„î�“î�“î�ˆî��î�†î�’î‚� î�€î��î�ƒ î��î�„î�†î�€î�� î�“î�Ž î�ƒî�„î�’î�ˆî�†î�� î�“î�Žî�†î�„î�“î�‡î�„î�‘ î�…î�”î�‹î�‹ î�“î�ˆî�Œî�„ î�€î�’ î€µî�ˆî��î�“î�€î�‰
î€£î�„î�’î�ˆî�†î�� î€²î�“î�”î�ƒî�ˆî�Žî�’î€� î€­î�Žî�“ î�Žî��î�‹î�˜ î�ƒî�ˆî�ƒ î�“î�‡î�ˆî�’ î�•î�„î��î�“î�”î�‘î�„ î�†î�ˆî�•î�„ î�“î�‡î�„ î�Žî��î��î�Žî�‘î�“î�”î��î�ˆî�“î�˜ î�…î�Žî�‘ î�€î�� î�ˆî��î�‚î�Žî�Œî�„ î�€î��î�ƒ î�‚î�‘î�„î�€î�“î�ˆî�•î�„ î�Žî�”î�“î�‹î�„î�“î€‹ î��î�”î�“ î�€î�‹î�’î�Ž î�ˆî�“ î�€î�‹î�‹î�Žî�–î�„î�ƒ î�“î�ˆî�Œî�„ î�…î�Žî�‘ î�“î�‡î�„ î�“î�‡î�ˆî��î�†î�’
î�“î�‡î�„î�˜ î�‚î�Žî��î�’î�ˆî�ƒî�„î�‘î�„î�ƒ î�Œî�Žî�’î�“ î�ˆî�Œî��î�Žî�‘î�“î�€î��î�“î€™ î�‘î�€î�ˆî�’î�ˆî��î�† î�“î�‡î�„î�ˆî�‘ î�‚î�‡î�ˆî�‹î�ƒî�‘î�„î�� î�€î��î�ƒ î�’î�„î�‘î�•î�ˆî��î�† î�ˆî�� î�“î�‡î�„ î�‚î�Žî�Œî�Œî�”î��î�ˆî�“î�˜î€� î€¶î�€î��î�“î�ˆî��î�† î�“î�Ž î�’î�‡î�€î�‘î�„ î�“î�‡î�ˆî�’ î�Žî��î��î�Žî�‘î�“î�”î��î�ˆî�“î�˜ î�–î�ˆî�“î�‡ î�Žî�“î�‡î�„î�‘î�’ î�‹î�ˆî�Šî�„
î�“î�‡î�„î�Œî�’î�„î�‹î�•î�„î�’î€‹ î�“î�‡î�„î�˜ î��î�„î�†î�€î�� î�“î�Ž î�„î�—î��î�‹î�Žî�‘î�„ î�“î�‡î�„ î��î�Žî�“î�ˆî�Žî�� î�Žî�… î�Žîƒ‡î�„î�‘î�ˆî��î�† î�“î�‡î�„î�ˆî�‘ î�‰î�„î�–î�„î�‹î�‘î�˜ î�‚î�Žî�Œî��î�Žî��î�„î��î�“î�’ î�“î�Ž î�“î�‡î�„ î��î�„î�€î�ƒî�ˆî��î�† î�ˆî��î�ƒî�”î�’î�“î�‘î�˜î€� î€¨î�Œî��î�‘î�„î�’î�’î�„î�ƒ î�–î�ˆî�“î�‡ î€©î�„î�’î�’î‚’î�’ î�”î��î�ˆî��î�”î�„
î�’î�„î��î�’î�„ î�Žî�… î�ƒî�„î�’î�ˆî�†î��î€‹ î�‚î�‘î�„î�€î�“î�ˆî�•î�ˆî�“î�˜î€‹ î�“î�€î�‹î�„î��î�“ î�€î��î�ƒ î�…î�„î�‘î�•î�Žî�‘î€‹ î€¶î�„î��î�ƒî�˜ î�€î��î�ƒ î€©î�„î�€î��î��î�„ î�ˆî��î�•î�ˆî�“î�„î�ƒ î�‡î�„î�‘ î�“î�Ž î�‰î�Žî�ˆî�� î�“î�‡î�„î�Œî€� î€¨î�Œî�Œî�„î�ƒî�ˆî�€î�“î�„î�‹î�˜ î�€î��î��î�‹î�˜î�ˆî��î�† î�‡î�„î�‘ î�“î�€î�‹î�„î��î�“î�’î€‹ î€©î�„î�’î�’ î��î�„î�†î�€î��
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î��î�„î�€î�ƒ î�’î�‡î�Žî�–î�’ î�€î��î�ƒ î��î�„î�ˆî��î�† î�…î�„î�€î�“î�”î�‘î�„î�ƒ î�ˆî�� î��î�Žî�Žî�Šî�’î€‹ î�Œî�€î�†î�€î�™î�ˆî��î�„î�’ î�€î��î�ƒ î�Šî�„î�˜ î��î�”î��î�‹î�ˆî�‚î�€î�“î�ˆî�Žî��î�’î€ˆ î€©î�„î�’î�’ î�‚î�Žî�Œî��î�‹î�„î�“î�„î�ƒ î�“î�‡î�„ î�‚î�ˆî�‘î�‚î�‹î�„î€‹ î�€î��î�ƒ î�“î�‡î�‘î�Žî�”î�†î�‡ î�“î�‡î�„î�ˆî�‘ î�‚î�Žî�Œî��î�ˆî��î�„î�ƒ î�„îƒ‡î�Žî�‘î�“î�’î€‹
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î€ î��î�Žî�”î�“ î€µî�ˆî��î�“î�€î�‰ î€­î�€î�“î�”î�‘î�€î�‹ î€¡î�‘î�€î�’î�’ î�‚î�Žî�Œî��î�Žî��î�„î��î�“î�’
Eco-friendly
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Our process is eco-friendly. Vintaj natural brass is not antique plated or chemically treated.
It is nickel free and lead-free compliant.
Hand Embellished
Each and every Vintaj Natural Brass Co. embellishment undergoes a meticulous, 7-stage hand
embellishing process.
Due to the careful, hand process used on each Vintaj piece, every embellishment has its own unique
î�‚î�Žî�‹î�Žî�‘ î�€î��î�ƒ î�‹î�”î�’î�“î�„î�‘î€� î€¨î�“ î�ˆî�’ î�“î�‡î�„ î�’î�”î��î�“î�‹î�„ î�ƒî�ˆîƒ‡î�„î�‘î�„î��î�‚î�„î�’ î�ˆî�� î�‚î�Žî�‹î�Žî�‘ î�“î�‡î�€î�“ î�†î�ˆî�•î�„ î�Žî�”î�‘ î��î�‘î�Žî�ƒî�”î�‚î�“ î�’î�”î�‚î�‡ î�ƒî�„î��î�“î�‡ î�€î��î�ƒ î�ƒî�ˆî�Œî�„î��î�’î�ˆî�Žî��î€�
made in the usa
We are proud to say that our entire natural brass embellishment product line is made in the USA.
Discover our Idea Gallery & blog for even more inspiration at vintaj.com.
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è(×‰EÚ(Contents
Filigree
Freeform Filigree Wrapping..........................................................4
Basic Filigree Wrapping................................................................5
Layered Filigree Wrapping............................................................6
Filigree Bead Wrapping................................................................7
Lentil Bead Pendant....................................................................8
Filigree Ring.............................................................................9
Filigree Bale............................................................................10
focals
Focal Texturing.........................................................................12
î€£î�‘î�€î�†î�Žî��î‚œî�˜ î€¶î�‘î�€î��î��î�ˆî��î�†î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€’
î€±î�„î�‹î�ˆî�„î‚›î��î�† î€… î€ î�‹î�‚î�Žî�‡î�Žî�‹ î€¨î��î�Šî�’î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€“
Altered blanks
Dapping..................................................................................16
Letter Imprinting & Paint Dabbers................................................17
Texturing & Riveting..................................................................18
Brads & Eyelets.........................................................................19
Rub-ons.................................................................................20
Embossing Powder & Alcohol Inks................................................21
î€²î�ˆî�™î�™î�ˆî�— î€¤î�Œî��î�Žî�’î�’î�ˆî��î�†î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€�î€‘î€’
bezels
Magic-Glos Resin Bezel..............................................................26
Polymer Clay Bezel....................................................................27
Crackle Accents & Paint Dabbers..................................................28
î‚˜î�Šî�€î�…î�Šî�ƒî��
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­default style ×‰EÚtFiligree
î€¡î�„î��î�ƒî€‹ î�“î�–î�ˆî�’î�“ î�€î��î�ƒ î�“î�–î�ˆî�‘î�‹
î�“î�Ž î�ƒî�„î�’î�ˆî�†î�� î�˜î�Žî�”î�‘ î�Žî�–î��
î‚�î�‚î�‘î�„î�€î�“î�ˆî�•î�„ î�’î�„î�“î�“î�ˆî��î�†î�’î€�î‚�
î€¨î�Œî�€î�†î�ˆî��î�„ î�“î�‡î�„ î��î�Žî�’î�’î�ˆî��î�ˆî�‹î�ˆî�“î�ˆî�„î�’î‚�
transform any object into your own
î�–î�Žî�‘î�Š î�Žî�… î�€î�‘î�“î€™ î�–î�‘î�€î�� î�˜î�Žî�”î�‘ î�“î�‘î�„î�€î�’î�”î�‘î�„î�ƒ î��î�„î�€î�ƒî�’î€‹
î�€î�‘î�“ î�†î�‹î�€î�’î�’î€‹ î�’î�“î�Žî��î�„î�’ î�Žî�‘ î�€î��î�˜ î�…î�Žî�”î��î�ƒ î�Žî��î�‰î�„î�‚î�“î€�
î€³î�‘î�˜ î��î�Žî�“î�“î�‹î�„ î�‚î�€î��î�’î€‹ î�†î�”î�ˆî�“î�€î�‘ î��î�ˆî�‚î�Šî�’î€‹
î�‚î�Žî�ˆî��î�’î€‹ î�Žî�‘ î��î�Žî�“î�“î�„î�‘î�˜î€�
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è*×‰EÚªTechnique
Freeform Filigree
Wrapping
Turn in the edges of the
filigree to approximately
the same size as the
stone or focal using bale
making pliers.
Materials List
î‚‡ î€˜î€œ î�› î€–î€”î��î�� î€§î�ˆî�†î�’
î€¹î�Œî�‘î�ˆî�– î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ
î‚‡ î€–î€• î�› î€•î€—î��î��
î€¤î��î�…î�ˆî�• î€¦î�„î�…î�’î�†î�‹î�’î�‘
î‚‡ î€”î€˜î��î�� î€­î�˜î��î�“ î€µî�Œî�‘î�Š
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¥î�„î��î�ˆ î€°î�„î�Žî�Œî�‘î�Š î€³î��î�Œî�ˆî�•î�–
Set the stone or focal
inside the filigree.
Use chain nose pliers to
turn the edges in tightly
to the stone.
Use chain nose pliers to
crimp down the filigree
edges. Go through the
edges again and re-crimp
until they are secure.
Pass a jump ring through
an opening in the filigree
and close.
î€¥î�ˆî�Šî�Œî�‘ î�šî�Œî�—î�‹ î�„ î�†î�’î�•î�‘î�ˆî�•
î�’î�‰ î�—î�‹î�ˆ î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆ î�„î�‘î�‡
î�—î�˜î�†î�Ž î�—î�‹î�ˆ î�–î�—î�’î�‘î�ˆ
î�‡î�ˆî��î�Œî�†î�„î�—î�ˆî��î�œ î�Œî�‘î€� î�—î�‹î�ˆî�‘
î�†î�’î�‘î�—î�Œî�‘î�˜î�ˆ î�—î�’ î‚³î�‰î�•î�ˆî�ˆî��î�œî‚´
î�…î�ˆî�‘î�‡î€� î�—î�šî�Œî�–î�— î�„î�‘î�‡
î�—î�šî�Œî�•î�� î�—î�‹î�ˆ î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆ î�—î�’
î�Šî�ˆî�‘î�—î��î�œ î�ˆî�‘î�†î�„î�–î�ˆ î�—î�‹î�ˆ
î�–î�—î�’î�‘î�ˆî€‘
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èY×‰EÚ‘Technique
Basic Filigree
Wrapping
Materials List
î‚‡ î€˜î€”î��î�� î€©î�˜î��î��
î€ªî�ˆî�•î�…î�ˆî�•î�„ î€³î�ˆî�—î�„î��
î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ
î‚‡ î€—î€•î��î�� î€¨î�‘î�„î��î�ˆî��
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¥î�„î��î�ˆ î€°î�„î�Žî�Œî�‘î�Š î€³î��î�Œî�ˆî�•î�–
Helpful Tips
î€°î�„î�Žî�ˆ î�–î�˜î�•î�ˆ î�—î�‹î�„î�—
î�œî�’î�˜î�• î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆ î�Œî�–
î�–î�œî��î��î�ˆî�—î�•î�Œî�†î�„î�� î�šî�Œî�—î�‹
î�—î�‹î�ˆ î�–î�—î�’î�‘î�ˆ î�’î�• î�‰î�’î�†î�„î��
î�…î�ˆî�‰î�’î�•î�ˆ î�œî�’î�˜ î�…î�ˆî�Šî�Œî�‘
î�†î�•î�Œî��î�“î�Œî�‘î�Š î�‡î�’î�šî�‘î€‘
Turn in the edges of the
filigree to approximately
the same size as the
stone or focal using bale
making pliers.
Set the stone or focal
inside the filigree. Use
your fingers or chain nose
pliers to crimp down the
filigree edges.
Use chain nose pliers
to go through the edges
again and re-crimp until
they are symmetrical and
secure.
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è,×‰EÚTechnique
Layered Filigree
Wrapping
Materials List
î‚‡ î€—î€“î��î�� î€ºî�„î�—î�ˆî�•î��î�Œî��î�œ
î‚‡ î€˜î€”î��î�� î€©î�˜î��î��
î€ªî�ˆî�•î�…î�ˆî�•î�„ î€³î�ˆî�—î�„î��
î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ
î‚‡ î€•î€“î��î�� î€¦î�ˆî�•î�„î��î�Œî�†
î€¦î�„î�…î�’î�†î�‹î�’î�‘
Necessary Tools
Use your fingers to turn
the center edges out to
accommodate the stone.
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
Helpful Tips
Line up each of the layers.
Use chain nose pliers to
turn in the edges of the
filigree.
Use chain nose pliers
to crimp the edges until
they are symmetrical and
secure.
î€·î�•î�œ î�—î�‹î�Œî�– î�—î�ˆî�†î�‹î�‘î�Œî�”î�˜î�ˆ
î�šî�Œî�—î�‹ î�„ î�†î�’î��î�…î�Œî�‘î�„î�—î�Œî�’î�‘
î�’î�‰ î��î�„î�œî�ˆî�•î�ˆî�‡ î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆî�–
î�’î�• î�„ î€—î€“î��î�� î€°î�˜î��î�—î�Œî€�
î�—î�Œî�ˆî�•î�ˆî�‡ î€§î�’î�‘î�˜î�— î�šî�Œî�—î�‹
î�„ î��î�„î�•î�Šî�ˆî�• î�…î�ˆî�„î�‡ î�’î�•
î�†î�„î�…î�’î�†î�‹î�’î�‘î€‘
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è\×‰EÚmTechnique
Filigree Bead
Wrapping
Materials List
î‚‡ î€•î€“î��î�� î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ
î€¥î�ˆî�„î�‡
î‚‡ î€•î€˜î��î�� î€ªî��î�„î�–î�–
î€¯î�ˆî�‘î�—î�Œî�� î€¥î�ˆî�„î�‡
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€µî�’î�–î�„î�•î�œ î€³î��î�Œî�ˆî�•î�–
Helpful Tips
î€³î�„î�–î�– î��î�˜î��î�“ î�•î�Œî�‘î�Šî�–
î�—î�‹î�•î�’î�˜î�Šî�‹ î�—î�‹î�ˆ
î�’î�“î�ˆî�‘î�Œî�‘î�Šî�– î�Œî�‘ î�—î�‹î�ˆ
î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆ î�—î�’ î�‹î�„î�‘î�Š î�œî�’î�˜î�•
î�“î�ˆî�‘î�‡î�„î�‘î�—î€‘ î€¼î�’î�˜ î��î�„î�œ
î�˜î�–î�ˆ î�„ î�…î�ˆî�„î�‡ î�„î�šî�� î�—î�’
î�ˆî�‘î��î�„î�•î�Šî�ˆ î�—î�‹î�ˆ î�’î�“î�ˆî�‘î�Œî�‘î�Šî�–
î�—î�’ î�‰î�Œî�— î��î�„î�•î�Šî�ˆî�• î��î�˜î��î�“
î�•î�Œî�‘î�Šî�–î€‘
Place the rosary pliers
in the openings of the
beadâ€™s filigree. Pull in
an outward motion,
repeating for each section
until the bead is entirely
open.
Turn in the edges of the
opened filigree bead to
approximately the same
size as the stone or focal
using rosary pliers. Set the
stone or focal inside the
filigree.
Crimp down the filigree
edges to secure the stone
using the chain nose
pliers. Re-crimp the edges
until they are symmetrical
and secure.
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è.×‰EÚ'Technique
Lentil Bead
Pendant
Materials List
î‚‡ î€•î‚´ î€«î�ˆî�„î�‡ î€³î�Œî�‘
î‚‡ î€”î€•î��î�� î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ
î€¥î�ˆî�„î�‡ î€¦î�„î�“
î‚‡ î€šî€‘î€•î€˜î��î�� î€­î�˜î��î�“
î€µî�Œî�‘î�Šî�–
î‚‡ î€™î��î�� î€¶î�šî�„î�•î�’î�™î�–î�Žî�Œ
î€¦î�•î�œî�–î�—î�„î��
î‚‡ î€—î��î�� î€°î�ˆî��î�’î�‘ î€¥î�ˆî�„î�‡
î‚‡ î€•î€“î��î�� î€ªî��î�„î�–î�–
î€¯î�ˆî�‘î�—î�Œî�� î€¥î�ˆî�„î�‡
Necessary Tools
î‚‡ î€µî�’î�–î�„î�•î�œ î€³î��î�Œî�ˆî�•î�–
Helpful Tips
String the beads and bead
cap onto a 2â€� head pin.
Press the bead cap into
the shape of the lentil
bead. Push the beads and
bead cap tightly against
each other.
Use the rosary pliers to
grip the straight end of
the head pin. While still
holding securely, pull
the head pin toward you,
bending between a 45Â°
and 90Â° angle.
Continue by turning
the head pin away from
you (keeping the angle)
until youâ€™ve completed
approximately 1 & 1/2
revolutions of a coiled
loop.
î€·î�’ î�„î�™î�’î�Œî�‡ î��î�’î�’î�–î�ˆ î�…î�ˆî�„î�‡î�–
î€‰ î�…î�ˆî�„î�‡ î�†î�„î�“î�–î€� î�Žî�ˆî�ˆî�“
î�†î�’î�‘î�–î�—î�„î�‘î�— î�—î�ˆî�‘î�–î�Œî�’î�‘
î�šî�‹î�ˆî�‘ î��î�„î�Žî�Œî�‘î�Š î�œî�’î�˜î�•
î�†î�’î�Œî��î�ˆî�‡ î��î�’î�’î�“î€‘ î€·î�Œî�Šî�‹î�—î�ˆî�‘
î�—î�‹î�ˆ î�†î�’î�Œî�� î�„î�Šî�„î�Œî�‘î�–î�—
î�—î�‹î�ˆ î�—î�’î�“ î�…î�ˆî�„î�‡î€� î�—î�’
î�„î�“î�“î�•î�’î�›î�Œî��î�„î�—î�ˆî��î�œ î€–î��î��
î�Œî�‘ î�–î�Œî��î�ˆî€‘
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è_×‰EÚ±Technique
Filigree
Ring
Materials List
î‚‡ î€™î€— î�› î€•î€”î��î��
î€§î�Œî�„î��î�’î�‘î�‡ î€·î�•î�ˆî��î��î�Œî�–
î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ
î‚‡ î€™î��î�� î€¥î��î�’î�–î�–î�’î��
î€¥î�ˆî�„î�‡ î€¦î�„î�“
î‚‡ î€—î€‘î€šî€˜î��î�� î€­î�˜î��î�“ î€µî�Œî�‘î�Š
î‚‡ î€•î‚´ î€«î�ˆî�„î�‡ î€³î�Œî�‘
î‚‡ î€¶î�šî�„î�•î�’î�™î�–î�Žî�Œ î€¦î�•î�œî�–î�—î�„î��î�–
î‚‡ î€³î�ˆî�„î�•î��î�–
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î�“î��î�Œî�ˆî�•î�–
î‚‡ î€¥î�„î��î�ˆ î€°î�„î�Žî�Œî�‘î�Š î€³î��î�Œî�ˆî�•î�–
î‚‡ î€µî�Œî�‘î�Š î€°î�„î�‘î�‡î�•î�ˆî��
Center the filigree on
the ring mandrel and
bend each end upward to
create a U- shaped bend.
Helpful Tips
î€·î�•î�œ î�šî�ˆî�„î�™î�Œî�‘î�Š î�†î�•î�œî�–î�—î�„î��î�–
î�„î�‘î�‡ î�“î�ˆî�„î�•î��î�– î�’î�‘ î€•î€—
î�Šî�„î�˜î�Šî�ˆ î�šî�Œî�•î�ˆ î�—î�‹î�•î�’î�˜î�Šî�‹
î�—î�‹î�ˆ î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆ î�’î�•
î�•î�Œî�™î�ˆî�—î�Œî�‘î�Š î�„ î�†î�‹î�„î�•î�� î�—î�’
î�—î�‹î�ˆ î�‰î�Œî��î�Œî�Šî�•î�ˆî�ˆ î€‹î�“î�•î�Œî�’î�•
î�—î�’ î�…î�ˆî�‘î�‡î�Œî�‘î�Šî€Œ î�‰î�’î�• î�„
î�‡î�Œî�‰î�‰î�ˆî�•î�ˆî�‘î�— î��î�’î�’î�Žî€‘
Finish the curve of the
ring by gently crimping
down with the bale
making pliers following
the curve of the bale.
Create several dangles
and string them onto the
4.75mm jump ring; close
to secure. String one 6mm
crystal, the bead cluster
and a flattened bead cap
onto a 2â€� head pin.
Thread the 2â€� head pin
through an opening in
the filigree ring base.
Bend the tail of the head
pin wrapping the excess
wire around the filigree
to secure.
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è0×‰EÚ§Technique
Filigree
Bale
Materials List
î‚‡ î€™ î�› î€•î€›î��î�� î€§î�ˆî�†î�’
î€ºî�Œî�‘î�‡î�’î�š î€¦î�’î�‘î�‘î�ˆî�†î�—î�’î�•
î‚‡ î€—î€‘î€šî€˜î��î�� î€­î�˜î��î�“ î€µî�Œî�‘î�Š
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¥î�„î��î�ˆ î€°î�„î�Žî�Œî�‘î�Š î€³î��î�Œî�ˆî�•î�–
Helpful Tips
Firmly grip the center of
the connector with the
bale making pliers, with
the back side facing the
smaller of the two barrels.
Bend one end of the
connector following
the curve of the smaller
barrel. Repeat on the
opposite end of the
connector.
Use the bale pliers to
round out any awkward
bends by gently crimping
down following the curve
of the bale. Use chain
nose pliers to line up the
holes on each end.
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èb×‰EÚlFocals
î€¤î�—î��î�‹î�Žî�‘î�„
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î��î�Žî�’î�’î�ˆî��î�ˆî�‹î�ˆî�“î�ˆî�„î�’îƒ” î€±î�„î��î�ƒî�„î�‘
î�…î�Žî�‚î�€î�‹î�’ î�ˆî��î�“î�Ž î�‚î�‘î�„î�€î�“î�ˆî�•î�„ î�’î�„î�“î�“î�ˆî��î�†î�’î€‹
î�‘î�ˆî�•î�„î�“î€‹ î�‚î�‹î�”î�’î�“î�„î�‘ î�–î�ˆî�“î�‡ î��î�„î�€î�ƒî�’ î€…
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è2×‰EÚÞTechnique
Focal
Texturing
Materials List
î‚‡ î€—î€” î�› î€”î€›î��î��
î€§î�Œî�™î�Œî�‘î�Š î€¶î�“î�„î�•î�•î�’î�š
î‚‡ î€˜î€“ î�› î€”î€•î��î��
î€¥î�•î�„î�‘î�†î�‹
Necessary Tools
î‚‡ î€¶î�—î�ˆî�ˆî�� î€¥î��î�’î�†î�Ž
î‚‡ î€¶î�„î�‘î�‡î�…î�„î�Š
î‚‡ î€§î�’î�˜î�…î��î�ˆ î€©î�„î�†î�ˆî�‡
î€·î�ˆî�›î�—î�˜î�•î�ˆ î€«î�„î��î��î�ˆî�•
î€§î�Œî��î�“î��î�ˆî�–î€’î€±î�„î�•î�•î�’î�š
î€¶î�—î�•î�Œî�“î�ˆî�–
î‚‡ î€¶î�†î�•î�ˆî�šî€�î�‡î�’î�šî�‘ î€«î�’î��î�ˆ
î€³î�˜î�‘î�†î�‹
Helpful Tips
Use the dimpled hammer
to texture the entire
surface of the diving
sparrow pendant.
Go over the dimpled
pattern with the narrow
stripes hammer to apply
an additional texture to
your focal.
Use a screw down hole
punch to create holes
at the top and bottom
of the sparrow to attach
jump rings and beads.
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î�•î�’î�˜î�‘î�‡î�ˆî�‡ î�ˆî�‘î�‡ î�’î�‰ î�„
î�…î�„î��î�� î�“î�ˆî�Œî�‘ î�‹î�„î��î��î�ˆî�• î�—î�’
î�†î�•î�ˆî�„î�—î�ˆ î�—î�ˆî�›î�—î�˜î�•î�ˆ î�’î�‘ î�—î�‹î�ˆ
î�“î�ˆî�‘î�‡î�„î�‘î�—î€‘
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èe×‰EÚTechnique
î€¤î�’î��î�‡î��î�Žîƒ›î�™
Wrapping
Materials List
î‚‡ î€—î€š î�› î€–î€˜î��î�� î€¤î�•î�—
î€§î�ˆî�†î�’ î€§î�•î�„î�Šî�’î�‘î�‰î��î�œ
î‚‡ î€–î€›î��î�� î€ªî�ˆî��î�–î�—î�’î�‘î�ˆ
î€§î�’î�‘î�˜î�—
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¥î�„î��î�ˆ î€°î�„î�Žî�Œî�‘î�Š î€³î��î�Œî�ˆî�•î�–
Helpful Tips
î€©î�’î�• î�„ î�‡î�Œî�‰î�‰î�ˆî�•î�ˆî�‘î�—
î�™î�„î�•î�Œî�„î�—î�Œî�’î�‘ î�’î�‰ î�—î�‹î�Œî�–
î�†î��î�„î�–î�–î�Œî�† î�‡î�ˆî�–î�Œî�Šî�‘î€� î�—î�•î�œ
î�˜î�–î�Œî�‘î�Š î�—î�‹î�Œî�– î�—î�ˆî�†î�‹î�‘î�Œî�”î�˜î�ˆ
î�šî�Œî�—î�‹ î�—î�‹î�ˆ î€˜î€“ î�›
î€–î€œî��î�� î€²î�•î�‘î�„î�—î�ˆ
î€§î�•î�„î�Šî�’î�‘î�‰î��î�œî€‘
Turn in the edges of the
wings to ap proximately
the same size as the
stone or focal using bale
making pliers.
String the tail through the
donut. Use chain nose
pliers to curl the tail of
the dragonfly pendant
back and up toward the
wings. Crimp down to
secure.
Use chain nose pliers to
crimp each wing down
tightly to the donut. The
donut should fit snugly
in the bail just created
with the pendant.
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è4×‰EÚÇTechnique
î€²î�…î�Œî�‰î�…îƒšî�Žî�‡ î€†
Alcohol Inks
Use bale making pliers
to curve the butterfly by
gently bending each of the
wings downward.
Materials List
î‚‡ î€™î€œ î�› î€—î€•î��î��
î€¥î�˜î�—î�—î�ˆî�•î�‰î��î�œ î€ªî�•î�„î�‘î�‡î�ˆî�˜î�•
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€°î�ˆî�„î�‡î�’î�š
î€¤î��î�†î�’î�‹î�’î�� î�Œî�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¶î�˜î�‘î�–î�‹î�Œî�‘î�ˆ
î€¼î�ˆî��î��î�’î�š î€¤î��î�†î�’î�‹î�’î�� î�Œî�‘î�Ž
Necessary Tools
Relief the high points
in the design using a
polishing cloth.
î‚‡ î€ºî�ˆ î€µ î€°î�ˆî��î�’î�•î�œ
î€®î�ˆî�ˆî�“î�ˆî�•î�–
î€¦î�•î�’î�“î€�î€¤î€�î€§î�Œî��î�ˆ
î‚‡ î€³î�’î��î�Œî�–î�‹î�Œî�‘î�Š î€¦î��î�’î�—î�‹
î‚‡ î€¸î��î�—î�•î�„ î€©î�Œî�‘î�ˆ î€¶î�—î�ˆî�ˆî��
î€ºî�’î�’î��
Helpful Tips
Use the Crop-A-Dile
to punch holes in each
of the 4 corners of the
butterfly.
Drop green and yellow
alcohol inks onto the
butterfly. Blow the colors
to mix. Re-apply colors
as needed to achieve the
desired effect.
Relief the high points
in the design using a
polishing cloth or steel
wool (this will remove the
ink in the desired areas.)
î€¸î�–î�ˆ î�„ î�‡î�„î�… î�’î�‰ î€°î€¤î€¤î€¶
î��î�ˆî�—î�„î�� î�“î�’î��î�Œî�–î�‹î�Œî�‘î�Š
î�†î�•î�ˆî��î�ˆ î�—î�’ î�‹î�Œî�Šî�‹î��î�Œî�Šî�‹î�—
î�—î�‹î�ˆ î�‡î�ˆî�—î�„î�Œî��î�ˆî�‡ î�„î�•î�ˆî�„î�–î€‘
î€¶î�Œî��î�“î��î�œ î‚³î�šî�Œî�“î�ˆ î�’î�‘î‚´
î�„î�‘î�‡ î‚³î�šî�Œî�“î�ˆ î�’î�‰î�‰î‚´ î�—î�’
î�„î�“î�“î��î�œ î�„ î�•î�Œî�†î�‹î€� î�…î�•î�Œî��î��î�Œî�„î�‘î�—
î�•î�ˆî�‰î��î�ˆî�†î�—î�Œî�™î�ˆ î��î�˜î�–î�—î�ˆî�• î�—î�’
î�œî�’î�˜î�• î�“î�Œî�ˆî�†î�ˆî€‘
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èh×‰EÚ ýAltered Blanks
î€±î�ˆî�•î�„î�“î€‹ î�“î�„î�—î�“î�”î�‘î�„î€‹
î��î�€î�ˆî��î�“î€‹ î�ˆî��î�Šî€‹ î�ˆî�Œî��î�‘î�ˆî��î�“î€‹
î�„î�Œî��î�Žî�’î�’î€‹ î�„î�“î�‚î�‡î€‹ î�†î�‹î�Žî�’î�’î€‹ î�ƒî�€î�� î€…
drill Altered Blanks to
create your own
mini work of
î�€î�‘î�“îƒ”
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è6×‰EÚáTechnique
Dapping
Materials List
î‚‡ î€•î€˜î��î�� î€¨î��î�…î�’î�–î�–î�ˆî�‡
î€¶î�šî�Œî�•î��î�–
î‚‡ î€–î€—î��î�� î€¨î��î�…î�’î�–î�–î�ˆî�‡
î€¹î�Œî�‘î�ˆî�–
Necessary Tools
î‚‡ î€§î�„î�“î�“î�Œî�‘î�Š î€¥î��î�’î�†î�Ž î€¶î�ˆî�—
î‚‡ î€«î�„î��î��î�ˆî�•
Helpful Tips
Set the embossed vines
face up into a large
opening on the dapping
block. Center the forming
tool over your piece.
Hammer the top of the
forming tool starting at
the center and moving
it around the edges
until you have a smooth
rounded shape.
Place the embossed swirls
face-down into a small
opening of the dapping
block. Continue using
the same steps to form
this piece.
î€¸î�–î�Œî�‘î�Š î�„ î��î�„î�•î�Šî�ˆî�•
î�†î�„î�•î�™î�ˆî�‡ î�‡î�ˆî�“î�•î�ˆî�–î�–î�Œî�’î�‘ î�’î�•
î�†î�˜î�“ î�šî�Œî��î�� î�‰î�’î�•î�� î��î�ˆî�–î�–
î�’î�‰ î�„ î�†î�’î�‘î�™î�ˆî�› î�–î�‹î�„î�“î�ˆî€�
î�šî�‹î�Œî��î�ˆ î�šî�Œî�—î�‹ î�„ î�–î��î�„î��î��î�ˆî�•
î�†î�˜î�“ î�—î�‹î�ˆ î�†î�˜î�•î�™î�ˆî�‡
î�–î�‹î�„î�“î�ˆ î�šî�Œî��î�� î�…î�ˆ î��î�’î�•î�ˆ
î�„î�“î�“î�„î�•î�ˆî�‘î�—î€‘
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èl×‰EÚLTechnique
î€¬î�…î�”î�”î�…î�’ î€©î��î��î�’î�‰î�Žî�”î�‰î�Žî�‡ î€†
Paint Dabbers
Materials List
î‚‡ î€•î€œî��î�� î€¶î�”î�˜î�„î�•î�ˆ
î€¤î��î�—î�ˆî�•î�ˆî�‡ î€¥î��î�„î�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¦î�Œî�—î�•î�˜î�–
î€¤î�†î�•î�œî��î�Œî�† î€³î�„î�Œî�‘î�—
î€§î�„î�…î�…î�ˆî�•
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�Œî�—î�†î�‹
î€¥î��î�„î�†î�Ž î€¤î�†î�•î�œî��î�Œî�†
î€³î�„î�Œî�‘î�— î€§î�„î�…î�…î�ˆî�•
î‚‡ î€¶î�ˆî�„î��î�ˆî�•
Necessary Tools
î‚‡ î€«î�„î��î��î�ˆî�•
î‚‡ î€¶î�—î�ˆî�ˆî�� î€¥î��î�’î�†î�Ž
î‚‡ î€¶î�„î�‘î�‡ î€¥î�„î�Š
î‚‡ î€–î��î�� î€¯î�ˆî�—î�—î�ˆî�•
î€³î�˜î�‘î�†î�‹ î€¶î�ˆî�—
î‚‡ î€µî�˜î�…î�…î�ˆî�• î€¶î�—î�„î��î�“î�–
î‚‡ î€³î�„î�Œî�‘î�— î€¥î�•î�˜î�–î�‹
Helpful Tips
î€¼î�’î�˜ î��î�„î�œ î�„î��î�–î�’ î�˜î�–î�ˆ
î€¶î�—î�„î��î€²î�‘ î�Œî�‘î�Ž î�—î�’
î�–î�—î�„î��î�“ î�Œî��î�„î�Šî�ˆî�– î�’î�‘î�—î�’
î�„î��î�—î�ˆî�•î�ˆî�‡ î�…î��î�„î�‘î�Žî�–î€‘
Use an acrylic paint
dabber to apply paint
over the stamped word.
Remove the excess paint
from the surface of the
blank using a tissue or
paper towel.
Use an acrylic paint
dabber to apply paint
to a rubber stamp.
Stamp as many times
as desired on the blank,
layering colors and
patterns.
Use a paint brush to
apply sealer to the
stamped side of the blank
using even strokes to
create a smooth
surface.
Place a blank onto a
steel block and sandbag.
Strike the stamp very
deliberately with a
hammer; repeat for the
remaining letters.
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è8×‰EÚÃTechnique
î€´î�…î�˜î�”î�•î�’î�‰î�Žî�‡ î€†
Riveting
Materials List
Place a blank onto a steel
block and sandbag. Strike
blank very deliberately
to achieve your textured
pattern.
î‚‡ î€–î€• î�› î€”î€›î��î��
î€µî�ˆî�†î�—î�„î�‘î�Šî��î�ˆ î€¤î��î�—î�ˆî�•î�ˆî�‡
î€¥î��î�„î�‘î�Ž
î‚‡ î€•î€• î�› î€œî��î��
î€µî�ˆî�†î�—î�„î�‘î�Šî��î�ˆ î€¤î��î�—î�ˆî�•î�ˆî�‡
î€¥î��î�„î�‘î�Ž
î‚‡ î€”î€šî��î�� î€¥î�Œî�•î�‡
î€¦î�‹î�„î�•î��
î‚‡ îƒ®î‚´ î€±î�„î�Œî�� î€«î�ˆî�„î�‡
î€µî�Œî�™î�ˆî�—
Necessary Tools
Use a screw-down hole
punch to make an
additional hole.
î‚‡ î€¶î�—î�ˆî�ˆî�� î€¥î��î�’î�†î�Ž
î‚‡ î€¶î�„î�‘î�‡ î€¥î�„î�Š
î‚‡ î€·î�ˆî�›î�—î�˜î�•î�ˆ î€«î�„î��î��î�ˆî�•î�–
î‚‡ î€¦î�‹î�„î�–î�Œî�‘î�Š î€«î�„î��î��î�ˆî�•
î‚‡ î€«î�’î��î�ˆ î€³î�˜î�‘î�†î�‹
î‚‡ î€¥î�ˆî�„î�‡î�Œî�‘î�Š î€¤î�šî��
î‚‡ î€¶î�Œî�‡î�ˆ î€¦î�˜î�—î�—î�ˆî�•
Helpful Tips
Use a beading awl to
carefully enlarge the hole
of your charm.
String a 1/4â€� nail head
rivet through your charm
and both blanks. Trim
rivet to approximately
1/16â€� above the blank.
Use the flat side of a ball
pein or chasing hammer
to flatten the rivet. Four
solid taps should be
sufficient.
î€¬î�‰ î�œî�’î�˜ î�“î�•î�ˆî�‰î�ˆî�• î�—î�‹î�ˆ
î��î�’î�’î�Ž î�’î�‰ î�„ î�–î��î�„î��î��î�ˆî�•
î�•î�Œî�™î�ˆî�—î€� î�–î�—î�•î�Œî�‘î�Š î�—î�‹î�ˆ î�‘î�„î�Œî��
î�‹î�ˆî�„î�‡ î�‰î�•î�’î�� î�—î�‹î�ˆ î�…î�„î�†î�Ž
î�’î�‰ î�œî�’î�˜î�• î�‡î�ˆî�–î�Œî�Šî�‘î€‘ î€·î�•î�Œî��
î�„î�‘î�‡ î�‹î�„î��î��î�ˆî�• î�—î�‹î�ˆ
î�–î�—î�•î�„î�Œî�Šî�‹î�— î�ˆî�‘î�‡ î�‰î�•î�’î��
î�—î�‹î�ˆ î�‰î�•î�’î�‘î�—î€‘
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èp×‰EÚðTechnique
î€¢î�’î��î�„î�“ î€†
Eyelets
Materials List
î‚‡ î€•î€œî��î�� î€¶î�”î�˜î�„î�•î�ˆ
î€¤î��î�—î�ˆî�•î�ˆî�‡ î€¥î��î�„î�‘î�Ž
î‚‡ î€–î€—î��î�� î€ºî�Œî��î�‡
î€©î��î�’î�šî�ˆî�• î€©î�„î�–î�—î�ˆî�‘î�„î�…î��î�ˆ
î‚‡ î€—î€‘î€˜î��î�� î€¥î�•î�„î�‡
î‚‡ î€”î€’î€›î‚´ î€¨î�œî�ˆî��î�ˆî�—î�–
Necessary Tools
î‚‡ î€ºî�ˆ î€µ î€°î�ˆî��î�’î�•î�œ
î€®î�ˆî�ˆî�“î�ˆî�•î�–
î€¦î�•î�’î�“î€�î€¤î€�î€§î�Œî��î�ˆ
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
Use the 1/8â€� hole punch
on the Crop-A-Dile to
make three holes into an
altered blank.
Helpful Tips
î€·î�‹î�ˆ î€¦î�•î�’î�“î€�î€¤î€�î€§î�Œî��î�ˆ
î�‹î�„î�– î�—î�šî�’ î�‹î�’î��î�ˆ î�“î�˜î�‘î�†î�‹
î�–î�Œî��î�ˆî�–î€‘ î€¬î�‰ î�œî�’î�˜ î�“î�•î�ˆî�‰î�ˆî�•
î�˜î�–î�Œî�‘î�Š î��î�„î�•î�Šî�ˆî�• î�ˆî�œî�ˆî��î�ˆî�—î�–î€�
î�˜î�–î�ˆ î�—î�‹î�ˆ î€–î€’î€”î€™î‚´ î�‹î�’î��î�ˆ
î�“î�˜î�‘î�†î�‹ î�„î�‘î�‡ î�„ î��î�„î�•î�Šî�ˆî�•
î�ˆî�œî�ˆî��î�ˆî�— î�–î�ˆî�—î�—î�ˆî�•î€‘
String 1/8â€� eyelets through
two of the holes. Select the
correct eyelet setting gear
& hub on the main jaw
of the tool. Place through
eyelet & hole, squeeze to
set eyelets.
Place fastenable over
additional hole. String a
brad through fastenable
and blank. Spread prongs
of brad outward to rest
against blank.
Use chain nose pliers to
flatten and secure the
brad to your blank.
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è:×‰EÚ×Technique
Rub-ons
Materials List
Print and prepare rub-on
according to manufacturer
instructions. Cut out,
trimming as close as
possible to the design.
Burnish well with a paper
creaser or popsicle stick.
Peel the
backing from
the rub-on.
Burnish any
remaining white areas by
replacing the backing and
rubbing over them again.
î‚‡ î€–î€—î��î�� î€¦î�Œî�•î�†î��î�ˆ
î€¤î��î�—î�ˆî�•î�ˆî�‡ î€¥î��î�„î�‘î�Ž
î‚‡ î€µî�˜î�…î€�î�’î�‘î�–
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¶î�˜î�‘î�–î�‹î�Œî�‘î�ˆ
î€¼î�ˆî��î��î�’î�š î€¤î��î�†î�’î�‹î�’î�� î�Œî�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€µî�˜î�–î�—
î€¤î��î�†î�’î�‹î�’î�� î€¬î�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�’î�’î��
î€¤î�†î�•î�œî��î�Œî�† î€³î�„î�Œî�‘î�—
î€§î�„î�…î�…î�ˆî�•
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€ªî��î�’î�–î�–î�œ
î€¤î�†î�†î�ˆî�‘î�—î�–
î‚‡ î€³î�„î�Œî�‘î�— î€¥î�•î�˜î�–î�‹
Necessary Tools
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�„î�“î�ˆî�•
î€¦î�•î�ˆî�„î�–î�ˆî�•
Helpful Tips
Add color by brushing
yellow and rust alcohol
inks across the surface.
Stipple aqua acrylic paint
around the edges to add
dimension.
Apply a thick layer of
glossy accents to the blank
with your finger. Use a
toothpick to clear hole of
any excess medium.
Allow to dry.
î€©î�’î�• î�—î�‹î�Œî�– î�“î�•î�’î��î�ˆî�†î�—
î�šî�ˆ î�˜î�–î�ˆî�‡ î€ªî�•î�„î�“î�‹î�Œî�›
î�“î�•î�Œî�‘î�—î�„î�…î��î�ˆ î�•î�˜î�…î€�î�’î�‘
î�“î�„î�“î�ˆî�•î€‘ î€§î�Œî�Šî�Œî�—î�„î�� î�•î�˜î�…î€�
î�’î�‘ î�Šî�•î�„î�“î�‹î�Œî�† î�–î�‹î�ˆî�ˆî�—î�–
î�„î�•î�ˆ î�„î�™î�„î�Œî��î�„î�…î��î�ˆ î�‰î�’î�•
î�‡î�’î�šî�‘î��î�’î�„î�‡ î�„î�—
î�™î�Œî�‘î�—î�„î��î€‘î�†î�’î��î€‘
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ès×‰EÚ>Technique
Embossing Powder
î€† î€¡î�Œî�ƒî��î�ˆî��î�Œ î€©î�Žî�‹î�“
Materials List
î‚‡ î€•î€˜î��î�� î€¦î�Œî�•î�†î��î�ˆ
î€¤î��î�—î�ˆî�•î�ˆî�‡ î€¥î��î�„î�‘î�Žî�–
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¶î�—î�•î�ˆî�„î��
î€¤î��î�†î�’î�‹î�’î�� î€¬î�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€°î�Œî�›î�„î�—î�Œî�™î�ˆî�–
î€¦î�’î�“î�“î�ˆî�•
î€¤î��î�†î�’î�‹î�’î�� î€¬î�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¤î��î�†î�’î�‹î�’î��
î€¥î��î�ˆî�‘î�‡î�Œî�‘î�Š î€¶î�’î��î�˜î�—î�Œî�’î�‘
î‚‡ î€¦î��î�„î�˜î�‡î�Œî�‘î�ˆ î€«î�ˆî��î��î��î�˜î�—î�‹
î€¶î�—î�˜î�‡î�Œî�’ î€°î�˜î��î�Œî�—î€�
î€°î�ˆî�‡î�Œî�˜î�� î€°î�„î�—î�—î�ˆ
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¯î�ˆî�—î�—î�˜î�†î�ˆ
î€¨î��î�…î�’î�–î�–î�Œî�‘î�Š î€³î�’î�šî�‡î�ˆî�•
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¥î�Œî�Š î€‰ î€¥î�’î�–î�–î�œ
î€¨î��î�…î�’î�–î�–î�Œî�‘î�Š î€¬î�‘î�Ž
Necessary Tools
î‚‡ î€µî�˜î�…î�…î�ˆî�• î€¶î�—î�„î��î�“
î‚‡ î€¨î��î�…î�’î�–î�–î�Œî�‘î�Š î€ªî�˜î�‘
î‚‡ î€³î�„î�Œî�‘î�— î€¥î�•î�˜î�–î�‹
Helpful Tips
î€·î�•î�œ î�†î�’î��î�…î�Œî�‘î�Œî�‘î�Š
î�—î�ˆî�†î�‹î�‘î�Œî�”î�˜î�ˆî�– î�—î�’ î�†î�•î�ˆî�„î�—î�ˆ
î�œî�’î�˜î�• î�’î�šî�‘ î�˜î�‘î�Œî�”î�˜î�ˆ
î�™î�„î�•î�Œî�„î�—î�Œî�’î�‘î�–î€‘
Cover the entire surface
of the blank with
embossing powder.
Shake off the excess
powder revealing the
pattern.
Use an embossing gun to
heat the powder. Let cool
for 5 minutes.
Apply clear
embossing ink to
the rubber stamp and
randomly stamp onto the
blank creating a textured
pattern.
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è<×‰EÚ„Drop alcohol blending
solution onto the blank.
Cover the entire surface.
Apply one drop of
colored alcohol ink into
the blending solution.
Apply one drop of
metallic mixatives into
the blending solution.
Blow the mixture to
create a random pattern
of colors. Let dry.
Use a paint brush to
apply a thick layer of
matte medium to the
blank. Use dabbing
strokes to create an
uneven surface.
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èv×‰EÚPTechnique
Sizzix Embossing
Materials List
î‚‡ î€–î€—î��î�� î€¦î�Œî�•î�†î��î�ˆ
î€¤î��î�—î�ˆî�•î�ˆî�‡ î€¥î��î�„î�‘î�Ž
Necessary Tools
î‚‡ î€¶î�Œî��î��î�Œî�› î€¹î�„î�Šî�„î�…î�’î�‘î�‡
î�’î�• î€¥î�Œî�Š î€¶î�‹î�’î�—
î‚‡ î€¶î�Œî��î��î�Œî�›
î€¨î��î�…î�’î�–î�–î�Œî�‘î�Š î€©î�’î��î�‡î�ˆî�•
î‚‡ î€µî�ˆî��î�Œî�ˆî�‰î�Œî�‘î�Š î€¥î��î�’î�†î�Ž î�’î�•
î€¸î��î�—î�•î�„ î€©î�Œî�‘î�ˆ î€¶î�—î�ˆî�ˆî��
î€ºî�’î�’î��
Helpful Tips
î€·î�•î�œ î�†î�’î��î�’î�•î�Œî�‘î�Š î�šî�Œî�—î�‹
î�„î��î�†î�’î�‹î�’î�� î�Œî�‘î�Žî�–î€� î�“î�„î�Œî�‘î�—
î�‡î�„î�…î�…î�ˆî�•î�– î�’î�• î�–î�‹î�„î�•î�“î�Œî�ˆ
î��î�„î�•î�Žî�ˆî�•î�– î�…î�ˆî�‰î�’î�•î�ˆ î�’î�•
î�„î�‰î�—î�ˆî�• î�ˆî��î�…î�’î�–î�–î�Œî�‘î�Š î�‰î�’î�•
î�‡î�Œî�‰î�‰î�ˆî�•î�ˆî�‘î�— î�ˆî�‰î�‰î�ˆî�†î�—î�–î€‘
Place the embossing
folder (with the blank
inside) between plates
in the following order:
platform, clear plate,
embossing folder, clear
plate. (do not use shim)
Feed the stack of plates
through the Vagabond or
Big Shot machine. The
plates should roll through
the machine. Remove
blank from folder.
Use a reliefing block or
ultra fine steel wool to
highlight the raised areas
of the blank.
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è>×‰EÚoî€µî�€î�†î�€î��î�Žî��î�ƒ
î€¡î�ˆî�† î€²î�‡î�Žî�“
î€¢î�‡î�€î��î�†î�„ î�”î�� î�˜î�Žî�”î�‘ î�’î�‡î�€î��î�„î�’ î�Žî�…
Altered Blanks and choose
î�…î�‘î�Žî�Œ î�€ î�•î�€î�‘î�ˆî�„î�“î�˜ î�Žî�… î�„î�Œî��î�Žî�’î�’î�ˆî��î�†
folders to create a beautiful
î�€î�‘î�‘î�€î�˜ î�Žî�… î�ƒî�„î�’î�ˆî�†î��î�’î€�
î��î�‹î�€î�“î�„î�’ î�€î��î�ƒ î�„î�Œî��î�Žî�’î�’î�ˆî��î�† î�…î�Žî�‹î�ƒî�„î�‘
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èy×‰EÚ»Bezels
î€²î�„î�“ î�‚î�€î��î�Žî�‚î�‡î�Žî��î�’î€‹ î�‘î�„î�’î�ˆî�� î�‚î�Žî�‹î�‹î�€î�†î�„î€‹
î�€î�‹î�“î�„î�‘î€‹ î�ˆî��î�Šî€‹ î�’î�“î�€î�Œî��î€‹ î�„î�Œî��î�Žî�’î�’î€‹
î�„î�“î�‚î�‡ î€… î�‹î�€î�˜î�„î�‘î€‹ î�“î�Ž î�‚î�‘î�„î�€î�“î�„
î�”î��î�ˆî��î�”î�„ î��î�„î��î�ƒî�€î��î�“î�’ î€…
î��î�„î�‚î�Šî�‹î�€î�‚î�„î�’îƒ” î€¢î�‹î�”î�’î�“î�„î�‘î€‹
î�†î�‹î�”î�„î€‹ î�€î�‹î�“î�„î�‘î€‹ î�‘î�ˆî�•î�„î�“î€‹
î�ƒî�‘î�ˆî�‹î�‹î€‹ î��î�€î�ˆî��î�“
î�€î��î�ƒ î�Œî�Žî�‘î�„îƒ”
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è@×‰EÚ¯Technique
Magic-Glos Resin
Bezel
Materials List
Cover both sides of
printed paper with clear
packing tape. Use a paper
creaser to smooth surface
from air bubbles.
î‚‡ î€–î€•î��î�� î€µî�’î�˜î�‘î�‡
î€¥î�ˆî��î�ˆî��
î‚‡ î€•î€“ î�› î€”î€›î��î��
î€´î�˜î�ˆî�ˆî�‘ î€¥î�ˆî�ˆ
î‚‡ î€§î�ˆî�†î�’î�•î�„î�—î�Œî�™î�ˆ î€³î�„î�“î�ˆî�•
î‚‡ î€¦î��î�ˆî�„î�• î€³î�„î�†î�Žî�Œî�‘î�Š
î€·î�„î�“î�ˆ
î‚‡ î€ªî��î�˜î�ˆ
î‚‡ î€°î�„î�Šî�Œî�†î€�î€ªî��î�’î�–
Necessary Tools
Cut out shape and glue to
bezel. Again use the paper
creaser to smooth down
all edges.
î‚‡ î€¶î�†î�Œî�–î�–î�’î�•î�–
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�„î�“î�ˆî�•
î€¦î�•î�ˆî�„î�–î�ˆî�•
î‚‡ î€¶î�Œî�‡î�ˆ î€¦î�˜î�—î�—î�ˆî�•
î‚‡ î€¸î€¹ î€¦î�˜î�•î�Œî�‘î�Š î€¯î�Œî�Šî�‹î�—
î‚‡ î€°î�ˆî�—î�„î�� î€©î�Œî��î�ˆ î€¶î�ˆî�—
î€‹î�’î�“î�—î�Œî�’î�‘î�„î��î€Œ
î‚‡ î€¨î��î�…î�’î�–î�–î�Œî�‘î�Š î€ªî�˜î�‘
î€‹î�’î�“î�—î�Œî�’î�‘î�„î��î€Œ
Helpful Tips
Use side cutter to clip off
loops of connector. Use
a metal file set to smooth
edges if necessary. Set
connector or charm into
place.
Apply an even layer
of magic-glos to entire
surface, all the way to the
edges of the bezel. Let sit
for five minutes. Use an
embossing gun to remove
any remaining air bubbles.
Carefully transfer the
bezel into the UV Curing
Light. Let magic-glos cure
for approximately 15
minutes before removing.
î€¸î�–î�ˆ î�“î�„î�Œî�‘î�— î�’î�•
î�ˆî��î�…î�’î�–î�–î�Œî�‘î�Š î�“î�’î�šî�‡î�ˆî�•
î�—î�’ î�†î�•î�ˆî�„î�—î�ˆ î�‡î�ˆî�–î�Œî�Šî�‘î�–
î�Œî�‘ î�œî�’î�˜î�• î�…î�ˆî��î�ˆî��î€‘ î€·î�•î�œ
î�—î�‹î�Œî�– î�—î�ˆî�†î�‹î�‘î�Œî�”î�˜î�ˆ
î�˜î�–î�Œî�‘î�Š î€¬î�†î�ˆ î€µî�ˆî�–î�Œî�‘î€�
î€¨î�‘î�™î�Œî�•î�’î�—î�ˆî�› î€µî�ˆî�–î�Œî�‘ î�’î�•
î€ªî��î�’î�–î�–î�œ î€¤î�†î�†î�ˆî�‘î�—î�– î�„î�–
î�„î��î�—î�ˆî�•î�‘î�„î�—î�Œî�™î�ˆ î��î�ˆî�‡î�Œî�˜î��î�–î€‘
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è|×‰EÚ"Technique
Polymer Clay
Bezel
Materials List
î‚‡ î€–î€•î��î�� î€µî�’î�˜î�‘î�‡
î€¥î�ˆî��î�ˆî��
î‚‡ î€–î€“ î�› î€–î€˜î��î��
î€´î�˜î�ˆî�ˆî�‘ î€§î�•î�„î�Šî�’î�‘î�‰î��î�œ
î‚‡ î€¶î�†î�˜î��î�“î�ˆî�œ î€¬î€¬î€¬ î€ªî�’î��î�‡
î€³î�’î��î�œî��î�ˆî�• î€¦î��î�„î�œ
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�Œî�—î�†î�‹
î€¥î��î�„î�†î�Ž î€¤î��î�†î�’î�‹î�’î�� î€¬î�‘î�Ž
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€°î�Œî�›î�„î�—î�Œî�™î�ˆî�–
î€¶î�Œî��î�™î�ˆî�• î€¤î��î�†î�’î�‹î�’î�� î€¬î�‘î�Ž
Necessary Tools
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�„î�“î�ˆî�•
î€¦î�•î�ˆî�„î�–î�ˆî�•
î‚‡ î€¸î��î�—î�•î�„ î€©î�Œî�‘î�ˆ î€¶î�—î�ˆî�ˆî��
î€ºî�’î�’î��
î‚‡ î€²î�™î�ˆî�‘
Press dragonfly face
down into clay to imprint
pattern.
Knead clay into shape of
bezel.
Helpful Tips
î€µî�ˆî��î�’î�™î�ˆ î�‰î�Œî�‘î�Šî�ˆî�•î�“î�•î�Œî�‘î�—î�–
î�’î�• î�„î�‘î�œ î�Œî��î�“î�ˆî�•î�‰î�ˆî�†î�—î�Œî�’î�‘î�–
î�…î�œ î�•î�’î��î��î�Œî�‘î�Š î�šî�Œî�—î�‹ î�„
î�†î��î�„î�œ î�•î�’î��î��î�ˆî�• î�’î�• î�…î�•î�„î�œî�ˆî�•î€�
î�’î�• î�…î�œ î�Šî�ˆî�‘î�—î��î�œ î�•î�’î�†î�Žî�Œî�‘î�Š
î�Œî�— î�’î�‘ î�„ î�–î��î�’î�’î�—î�‹
î�–î�˜î�•î�‰î�„î�†î�ˆî€‘
Use the paper creaser
to create textures
around the dragonfly
impression. Bake
polymer clay according
to manufacturerâ€™s
instructions.
Apply alcohol inks to the
dragonfly impression and
metallic mixatives to the
textures. Let dry.
Use a piece of steel wool
to distress the surface
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èB×‰EÚ¿Technique
î€£î�’î��î�ƒî�‹î�Œî�… î€¡î�ƒî�ƒî�…î�Žî�”î�“ î€†
Paint Dabbers
Materials List
î‚‡ î€•î€”î��î�� î€¶î��î�„î��î��
î€¥î�„î��î�…î�’î�’ î€¥î�ˆî��î�ˆî��
î‚‡ î€³î�„î�“î�ˆî�•
î‚‡ î€ªî��î�˜î�ˆ
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€¦î�•î�„î�†î�Žî��î�ˆ
î€¤î�†î�†î�ˆî�‘î�—î�–
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�Œî�—î�†î�‹
î€¥î��î�„î�†î�Ž î€¤î�†î�•î�œî��î�Œî�†
î€³î�„î�Œî�‘î�— î€§î�„î�…î�…î�ˆî�•
î‚‡ î€·î�Œî�–î�–î�˜î�ˆ
Cut paper into
shape and glue into
bezel. Use a paper creaser
to smooth surface and
edges.
Necessary Tools
î‚‡ î€¶î�†î�Œî�–î�–î�’î�•î�–
î‚‡ î€µî�„î�‘î�Šî�ˆî�• î€³î�„î�“î�ˆî�•
î€¦î�•î�ˆî�„î�–î�ˆî�•
Helpful Tips
Using your finger tip,
apply Crackle Accents to
entire paper surface. Let
dry for approximately 1
hour.
Apply Pitch Black Acrylic
Paint Dabber over the
dried crackled surface.
Wipe off excess paint with
a tissue or paper towel,
revealing the colored
cracks.
î€·î�•î�œ î�˜î�–î�Œî�‘î�Š î�†î�’î��î�’î�•î�ˆî�‡
î�“î�„î�Œî�‘î�— î�‡î�„î�…î�…î�ˆî�•î�– î�—î�’
î�†î�’î�’î�•î�‡î�Œî�‘î�„î�—î�ˆ î�šî�Œî�—î�‹ î�œî�’î�˜î�•
î�‡î�ˆî�†î�’î�•î�„î�—î�Œî�™î�ˆ î�“î�„î�“î�ˆî�•î�–î€‘
î€¼î�’î�˜ î�†î�„î�‘ î�–î�ˆî�„î�� î�Œî�‘ î�—î�‹î�ˆ
î�“î�„î�Œî�‘î�— î�šî�Œî�—î�‹ î�„ î��î�„î�œî�ˆî�•
î�’î�‰ î�Šî��î�’î�–î�–î�œ î�„î�†î�†î�ˆî�‘î�—î�–î€‘
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è×‰EÚ£Findings
î€¡î�‘î�ˆî��î�† î�ˆî�“
î�€î�‹î�‹ î�“î�Žî�†î�„î�“î�‡î�„î�‘îƒ”
î€³î�‡î�„ î�…î�Žî�”î��î�ƒî�€î�“î�ˆî�Žî�� î�…î�Žî�‘ î�„î�•î�„î�‘î�˜
î��î�„î�€î�”î�“î�ˆî�…î�”î�‹ î�‰î�„î�–î�„î�‹î�‘î�˜ î�ƒî�„î�’î�ˆî�†î��î€‹ î‚›î��î�ƒî�ˆî��î�†î�’ î�€î�‘î�„ î�€î�’
î�•î�„î�‘î�’î�€î�“î�ˆî�‹î�„ î�€î�’ î�“î�‡î�„î�˜ î�€î�‘î�„ î�…î�”î��î�‚î�“î�ˆî�Žî��î�€î�‹î€� î€ î��î�‚î�‡î�Žî�‘ î�˜î�Žî�”î�‘ î�–î�Žî�‘î�Š
with beautiful artful essentials.
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èD×‰EÚTechnique
Basic Linking
Materials List
î‚‡ î€”î€‘î€˜î‚´ î€¨î�œî�ˆ î€³î�Œî�‘
î‚‡ î€¥î�ˆî�„î�‡î�–
î‚‡ î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ î€¥î�ˆî�„î�‡
î€¦î�„î�“î�–
î‚‡ î€­î�˜î��î�“ î€µî�Œî�‘î�Šî�–
String
the bead
onto the
straight end of the eye pin. Hold the looped
end of the eye pin and cut the straight end
approximately 1/4 inch above the bead using
the side cutters of the rosary pliers.
Necessary Tools
î‚‡ î€µî�’î�–î�„î�•î�œ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
Helpful Tips
Hold the bead securely
onto the eye pin. Use the
rosary pliers to grip the
straight end of the eye
pin, pulling it toward you
to form a 45Â° angle.
Continue by turning the
eye pin away from you
until youâ€™ve completed
one full loop. Secure by
tucking the end of the
loop into the hole of the
bead or bead cap.
Open one jump ring
using two pair of chain
nose pliers. Slide the
jump ring through the
loops on the ends of two
bead links. Close the
jump ring. Repeat.
î€¯î�Œî�‘î�ˆ î�˜î�“ î�œî�’î�˜î�• î�ˆî�œî�ˆ
î�“î�Œî�‘ î��î�’î�’î�“î�–î€‘ î€¼î�’î�˜î‚¶î��î��
î�šî�„î�‘î�— î�œî�’î�˜î�• î��î�’î�’î�“î�– î�—î�’
î��î�Œî�‘î�ˆ î�˜î�“ î�Œî�‘ î�—î�‹î�ˆ î�–î�„î��î�ˆ
î�‡î�Œî�•î�ˆî�†î�—î�Œî�’î�‘î€� î�–î�’ î�œî�’î�˜î�•
î�‰î�Œî�‘î�Œî�–î�‹î�ˆî�‡ î�“î�Œî�ˆî�†î�ˆ î�‹î�„î�–
î�‘î�Œî�†î�ˆ î�–î�œî��î��î�ˆî�—î�•î�œî€‘
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è‚×‰EÚTechnique
î€£î�Œî�•î�“î�”î�…î�’î�‰î�Žî�‡ î€¢î�…î��î�„î�“ î€†
Charms
Materials List
î‚‡ î€©î�Œî��î�Œî�Šî�•î�ˆî�ˆ î€¥î�ˆî�„î�‡
î€¦î�„î�“î�–
î‚‡ î€¦î�‹î�„î�•î��î�–
î‚‡ î€•î€˜î��î�� î€¨î�—î�ˆî�•î�‘î�Œî�—î�œ
î€ªî�„î�•î�‡î�ˆî�‘ î€µî�Œî�‘î�Š
î‚‡ î€”î€‘î€˜î‚´ î€¨î�œî�ˆ î€³î�Œî�‘î�–
î‚‡ î€”î€‘î€˜î‚´ î€³î�ˆî�„î�•î�� î€«î�ˆî�„î�‡
î€³î�Œî�‘î�–
î‚‡ î€­î�˜î��î�“ î€µî�Œî�‘î�Šî�–
î‚‡ î€¦î�‹î�„î�Œî�‘
î‚‡ î€¦î�•î�œî�–î�—î�„î��î�–
î‚‡ î€³î�ˆî�„î�•î��î�–
Necessary Tools
î‚‡ î€µî�’î�–î�„î�•î�œ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
String the pearls and crystals onto
head pins and eye pins. Use the linking
technique to secure the beads onto your
head pins and eye pins.
Form a wrapped loop:
Helpful Tips
î€¤î��î�—î�ˆî�•î�‘î�„î�—î�ˆ î�„ î�™î�„î�•î�Œî�ˆî�—î�œ
î�’î�‰ î�†î�‹î�„î�Œî�‘ î��î�ˆî�‘î�Šî�—î�‹î�–î€�
î�…î�ˆî�„î�‡ î�–î�‹î�„î�“î�ˆî�– î€‰ î�–î�Œî��î�ˆî�–
î�‰î�’î�• î�„î�‘ î�„î�–î�œî��î��î�ˆî�—î�•î�Œî�†î�„î��
î��î�’î�’î�Žî€‘
Begin with a 90Â° bend
near the top of the bead.
Use rosary pliers to form
a simple loop with the tail
overlapping. Wrap the tail
tightly down the neck of
the wire to create coils.
Connect the bead links,
charms, chain and bead
drops using jump rings.
Repeat for multiple
sequences.
Attach the bead
sequences to the
decorative ring using
jump rings.
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èF×‰EÚeTechnique
Creative Toggle
Clasp
Materials List
î‚‡ î€•î€™ î�› î€›î��î��
î€±î�’î�˜î�™î�ˆî�„î�˜ î€¶î�šî�Œî�•î��î�–
î€¦î�•î�ˆî�„î�—î�Œî�™î�ˆ î€¥î�„î�•
î‚‡ î€”î‚´ î€«î�ˆî�„î�‡ î€³î�Œî�‘
î‚‡ î€—î€‘î€šî€˜î��î�� î€­î�˜î��î�“
î€µî�Œî�‘î�Š
Necessary Tools
î‚‡ î€µî�’î�–î�„î�•î�œ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
Helpful Tips
String a head pin through
the patterned side of the
toggle bar. Use the rosary
pliers to grip the straight
end of the head pin,
pulling it toward you to
form a 45Â° angle.
Continue by turning the
head pin away from you
(keeping the angle) until
youâ€™ve completed two full
revolutions of a coiled
loop, achieving plenty of
tension on the toggle bar.
Slide the opened jump
ring through the coiled
loop. Using two pair
of chain nose pliers,
completely close the jump
ring. Use an additional
jump ring to attach.
î€°î�Œî�› î€‰ î��î�„î�—î�†î�‹ î�„
î�™î�„î�•î�Œî�ˆî�—î�œ î�’î�‰ î�†î�•î�ˆî�„î�—î�Œî�™î�ˆ
î�—î�’î�Šî�Šî��î�ˆ î�…î�„î�•î�– î�„î�‘î�‡
î�•î�Œî�‘î�Šî�– î�‰î�’î�• î�—î�‹î�ˆ î�“î�ˆî�•î�‰î�ˆî�†î�—
î�†î�’î��î�“î��î�ˆî��î�ˆî�‘î�— î�—î�’ î�œî�’î�˜î�•
î�‡î�ˆî�–î�Œî�Šî�‘î€‘
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è�� Í±Í˜�Ì·�9×�H¸http://www.tsukineko.com×�×�Ðˆ× ��×^•Å &év<ë
èŒ� Í±ÍØ�Ì �9×�H¶http://www.sculpey.com×�×�Ðˆ× ��×^•Å &év<ë
è‹� Í±Íz�ÌÒ�9×�Hºhttp://www.weronthenet.com×�×�Ðˆ× ��×^•Å &év<ë
èŠ� Í±Í�Ì��9×�Hµhttp://www.sizzix.com×�×�Ðˆ× ��×^•Å &év<ë
è‰� Í±Í¾�Ì¿�9×�Hºhttp://www.lisapavelka.com×�×�Ðˆ× ��×^•Å &év<ë
èˆ� Í±Í_�Ì¸�9×�H¸http://www.rangerink.com×�×�Ðˆ× ��×^•Å &év<ë
è‡� Í±ÌÉ�Ì’�9×�Hµhttp://www.vintaj.com×�×�Ðˆ×‰EÚ®Technique
Embellished
Hook Clasp
Materials List
î‚‡ î€•î€— î�› î€”î€”î��î�� î€«î�’î�’î�Ž
î‚‡ î€—î��î�� î€­î�˜î��î�“ î€µî�Œî�‘î�Š
î€¶î�“î�„î�†î�ˆî�•î�–
î‚‡ î€—î��î�� î€¦î�Œî�•î�†î��î�ˆ
î€¶î�“î�„î�†î�ˆî�•î�–
î‚‡ î€”î€‘î€˜î‚´ î€¨î�œî�ˆ î€³î�Œî�‘
Necessary Tools
î‚‡ î€¦î�‹î�„î�Œî�‘ î€±î�’î�–î�ˆ î€³î��î�Œî�ˆî�•î�–
î‚‡ î€¶î�Œî�‡î�ˆ î€¦î�˜î�—î�—î�ˆî�•
Helpful Tips
î€¸î�–î�ˆ î��î�„î�‘î�œ î�‡î�Œî�‰î�‰î�ˆî�•î�ˆî�‘î�—
î�–î�ˆî�”î�˜î�ˆî�‘î�†î�ˆî�– î�’î�‰ î�–î�“î�„î�†î�ˆî�•î�–
î�—î�’ î�†î�•î�ˆî�„î�—î�ˆ î�˜î�‘î�Œî�”î�˜î�ˆ
î�™î�„î�•î�Œî�„î�—î�Œî�’î�‘î�– î�’î�‰ î�—î�‹î�Œî�–
î�‹î�’î�’î�Žî€‘
Use chain nose pliers to
completely close the loop
on the hook. String the
spacers, beads and eye pin
onto the hook.
Wrap the end of the eye
pin tightly around the
base of the hook just
above the loop while
holding your beads in
place.
Form two or three full
coils. Use wire cutters to
trim the excess wire. Use
chain nose pliers to tuck
in the end of the wire.
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èH×‰EÚ¢î€±î�„î�’î�Žî�”î�‘î�‚î�„î�’
Vintaj natural brass co.
Natural Brass components, digital papers, digital rub-ons, hammers, texture hammers,
steel block, sand bag, letter punch sets, dapping set, screw down hole punch, pliers
www.vintaj.com
Ranger
Tim Holtz Adirondack Alcohol Inks, Alcohol Blending Solution, Acrylic Paint Dabbers,
Inkssentials Glossy Accents, Crackle Accents, Embossing Powders, Embossing Inks,
Claudine Hellmuth Studio Multi-Medium Matte, Paper Creaser
www.rangerink.com
lisa pavelka
Lisa Pavelka Signature Series Magic-Glos, Lisa Pavelkaâ€™s UV Curing Light
www.lisapavelka.com
Ellison
Sizzix Vagabond, Big Shot and Embossing Folders
www.sizzix.com
We r memory keepers
Crop-A-Dile
www.weronthenet.com
sculpey
Sculpey III Oven Bake Clay
www.sculpey.com
î�ƒî�Žî€½î‚˜î�”
î€¦î�‘î�€î‚›î�— î€±î�”î��î€Œî€®î��î�™ î€¨î��î�Š î€©î�„î�“ î€±î�”î��î€Œî�Žî�� î€³î�‘î�€î��î�’î�…î�„î�‘ î€¯î�€î��î�„î�‘
î�–î�–î�–î€�î�†î�‘î�€î‚›î�—î�€î�‘î�“î�’î€�î�‚î�Žî�Œ
tsukineko co.
StazOn Ink
www.tsukineko.com
î€¢î�‡î�„î�‚î�Š î�Žî�”î�‘ î€µî�ˆî��î�“î�€î�‰ î€¥î�€î�•î�Žî�‘î�ˆî�“î�„î�’ î��î�€î�†î�„ î�…î�Žî�‘ î€¡î�„î�€î�ƒ î€±î�„î�’î�Žî�”î�‘î�‚î�„î�’ î�€î�“ î�–î�–î�–î€�î�•î�ˆî��î�“î�€î�‰î€�î�‚î�Žî�Œ
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èŽ×‰EÚ4î€‘î€“ î�”î��î�ˆî��î�”î�„ î�“î�„î�‚î�‡î��î�ˆî��î�”î�„î�’ î�“î�‡î�€î�“ î�–î�ˆî�‹î�‹ î��î�‘î�ˆî��î�†
î�˜î�Žî�”î�‘ î�ƒî�„î�’î�ˆî�†î��î�’ î�“î�Ž î��î�„î�– î�‡î�„î�ˆî�†î�‡î�“î�’îƒ”
Open The Doorway to inspiration
î€¢î�‹î�„î�€î�‘ î�Žîƒ‡ î�˜î�Žî�”î�‘ î�ƒî�„î�’î�ˆî�†î�� î�’î��î�€î�‚î�„î€‹ î��î�‘î�„î��î�€î�‘î�„ î�˜î�Žî�”î�‘ î�“î�Žî�Žî�‹î�’ î�€î��î�ƒ î��î�”î�‹î�‹
î�Žî�”î�“ î�˜î�Žî�”î�‘ î€µî�ˆî��î�“î�€î�‰ î‚›î��î�ƒî�ˆî��î�†î�’î€� î€¨î�� î�“î�‡î�„ î��î�€î�†î�„î�’ î�Žî�… î�“î�‡î�ˆî�’ î�“î�„î�‚î�‡î��î�ˆî��î�”î�„
book you will learn how to wrap, link, cluster, texture,
rivet, stamp, ink, paint, emboss, collage, and much more!
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Explore your creativity and combine it with our
techniques to add character to your designs. Find
your inspiration with Vintaj in 24 beautifully
photographed step-by-step techniques and projects
including bracelets, earrings, necklaces, pendants
and rings.
Bend, twist and twirl to create something truly
î�”î��î�ˆî��î�”î�„î€� î€¥î�Žî�‘î�Œ î�˜î�Žî�”î�‘ î�Žî�–î�� î‚›î�‹î�ˆî�†î�‘î�„î�„ î��î�€î�‹î�„î�’î€‹ î�†î�„î�“ î�‚î�‘î�„î�€î�“î�ˆî�•î�„ î�–î�ˆî�“î�‡
î��î�€î�’î�ˆî�‚ î‚›î��î�ƒî�ˆî��î�†î�’î€‹ î�’î�“î�€î�Œî��î€‹ î�ˆî��î�Šî€‹ î�ƒî�€î��î€‹ î�ˆî�Œî��î�‘î�ˆî��î�“î€‹ î�“î�„î�—î�“î�”î�‘î�„ î�€î��î�ƒ î�‘î�ˆî�•î�„î�“
altered blanks. Collage with bezels to make your own mini
works of art and manipulate focals in unexpected ways. The
î��î�Žî�’î�’î�ˆî��î�ˆî�‹î�ˆî�“î�ˆî�„î�’ î�€î�‘î�„ î�„î��î�ƒî�‹î�„î�’î�’î€� î€©î�Žî�ˆî�� î�”î�’ î�Žî�� î�“î�‡î�ˆî�’ î�‚î�‘î�„î�€î�“î�ˆî�•î�„ î�‰î�Žî�”î�‘î��î�„î�˜ î�€î��î�ƒ
see where it takes your designs!
Â© 2010 Vintaj Natural Brass Co.
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èJ�ÍpÍ8,µVintaj Technique BookÚÀ24 unique techniques that will bring your designs to new heights! Clear off your design space, prepare your tools and pull out your Vintaj findings. In the pages of this technique book you will learn how to wrap, link, cluster, texture, rivet, stamp, ink, patina, emboss, collage, and much more! Explore your creativity and combine it with our techniques to add character to your designs. Find your inspiration with Vintaj in 24 beautifully photographed step-by-step techniques and projects including bracelets, earrings, necklaces, pendants and rings. Bend, twist and twirl to create something truly unique. Form your own filigree bales, get creative with basic findings, stamp, ink, dap, imprint, texture and rivet altered blanks. Collage with bezels to make your own mini works of art and manipulate focals in unexpected ways. The possibilities are endless. Join us on this creative journey and see where it takes your designs! 2010 Vintaj Natural Brass Co.�×^•ÅÃÎÊ}éÍM„